After Ever Happy, the fourth installment of the popular After romance/drama franchise, will gross circa $1.1 million since its release last Wednesday on 1,085 screens. From Fathom Events, this was the top film in the domestic marketplace Sept. 7-8 for a two-day run before dipping to 200+ screens this weekend. Vertical Entertainment will pick up
Exhibition
Shares of Cineworld rose Friday after a U.S. Bankruptcy Court judge granted Regal Cinemas’ parent Cineworld immediate access to up to approximately $785 million of a financing facility, providing sufficient liquidity for the giant theater chain to meet ongoing obligations, including to vendors, suppliers and employee salaries and benefits. The shares, traded on the London
The Story of Film: A New Generation opens at two dozen theaters this weekend — Laemmle Royal in LA, Museum of the Moving Image in NY, Music Box Theatre in Chicago and Brattle in Cambridge. It’s a mix of arthouses, cinematheques, museums and even a few multiplexes for Mark Cousins’ follow-up to his 15-hour, 2011
“I do think the studies will get paid, like they usually do, whatever they are owed. Because we are the suppliers and that’s usually what happens,” Lionsgate vice chair Michael Burns said Wednesday of the Chapter 11 filing earlier in the day by Regal Cinemas’ parent Cineworld. “Those things seem to go through the same
The shoe finally fell today as giant theater chain Cineworld filed for Chapter 11. The bankruptcy includes a $1.94 billion debtor-in-possession financing facility from existing lenders to keep things running. Cineworld expects to emerge from Chapter 11 in the first quarter of 2023 and meanwhile will pursue “a real estate optimisation strategy in the US,”
Labor Day weekend saw blockbusters old and new buoyed by cheap tickets, as was a limited openings like Saloum with multiple sold out screenings at two theaters, including every showtime on Saturday. Over 3,000 theaters, including IFC Center and Alamo Drafthouse LA, where the French-Senegalese indie film began a qualifying run, offered $3 tickets for
Film premieres and headlines spilling from a trio of festivals either in full swing (Venice), just starting (Telluride) or queued up (Toronto) have indie exhibitors and distributors the most hopeful since Covid hit that a stream of new films could fire up the arthouse market. Todd Field’s Cate Blanchett-starrer TÁR (debuted to a six-minute standing ovation
National Cinema Day is underway with 3,000+ participating theaters (30,00 screens) offering $3 tickets, discounted concessions and a four and a half-minute preshow sizzle reel with peeks of upcoming titles from A24, Amazon Studios, Disney, Focus Features, Lionsgate, Neon, Paramount, Sony and Sony Pictures Classics, United Artists Releasing, Universal and Warner Bros. Trailers include Avatar 2:
Neon in association with National Geographic Documentary Films said director Sara Dosa’s Fire of Love will cross $1 million at the box office this weekend, becoming the biggest documentary release of the year for combined domestic and international gross. The film opened this summer and is entering its ninth week in theaters nationally. It will stream
Yes, exhibitors, it is cold out there. Despite a 91% rebound in the annual summer domestic box office, from $1.755 billion in 2021 to $3.35 billion per Comscore (that’s through Aug. 30), and a 90% explosion in admissions for the May-Labor Day period per EntTelligence, from 153M to 291M over the same period, some feel
A glum weekend box office overall (one of the worst of the year) wasn’t so awful for specialty, relatively speaking, with Breaking passing $1M on 900 screens and Spanish-language The Good Boss at $27K on 15. Both are a far cry from pre-pandemic numbers but did hit the new normal for limited releases – reaching
Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
Cineworld, staggering under heavy debt and facing a dip in box office revenue this quarter, asserted Friday that it’s business as usual for the giant movie chain while it explores options. The statement follows a report today that the U.K parent of Regal Cinemas is preparing to file for bankruptcy. Cineworld presaged a potential Chapter 11
“People are catching up on films,” is how one arthouse executive described the current moment in specialty, which echoes the slowdown in studio wide releases. August can be slow ahead of a trio of festivals – Venice, Toronto, New York – and a ramp up to awards season. It can also offer an less obstructed
The Picturehouse release of National Geographic Documentary Films The Territory grossed a solid $26.4K in six markets (eight screens) for a PSA of $3,308 with its climate change message attracting a broader than typical age range for a theatrical doc, especially lately, according to Picturehouse CEO Bob Berney. He called it “very encouraging to see
In response to recent speculation, Cineworld has provided an update to its August 17 announcement regarding an evaluation of strategic options to both obtain additional liquidity and potentially restructure its balance sheet through a comprehensive deleveraging transaction. Reiterating that Cineworld’s theaters, including the Regal chain in the U.S., are “open for business as usual and
UPDATED with closing prices: AMC Entertainment’s new APE securities — AMC Preferred Equity Units – began trading today late morning in a messy session for the big exhibitor, whose primary stock plummeted, closing down 41%. at $10.46. It was up slightly in after-market trading. APE units were being distributed to AMC shareholders via their brokers
Wise men say only fools predict that adult-skewing films won’t work at the pandemic box office. But older moviegoers kept falling in love with Warner Bros’ Elvis this summer, to the point where it’s now director Baz Luhrmann’s highest-grossing movie ever in U.S. and Canada with $144.851 million, beating the original run of his 2013 title
Movie chain Alamo Drafthouse will open its fourth NYC location July 22 in Staten Island. The nine-screen, 893-seat theater includes the Flying Guillotine, a kung fu-themed collaboration with Wu-Tang Clan founder RZA that’s part bar and part martial arts museum. A soft opening runs through July 27 with 25% off food and non-alcoholic beverages as
Austin-based movie chain Alamo Drafthouse Cinema is opening its first New England location in Boston early next year as part of a national expansion. The Alamo Drafthouse Boston Seaport, a 10-screen theater with 767 seats, will feature the chain’s signature in-theater food and beverage menu, and luxury recliner seating. The location at 60 Seaport Blvd.
A24’s Marcel The Shell With Shoes On hit the top ten in North America at no. 8 with an estimated $340k in week three at just 48 locations and a cume north of $963k – the latest hit for the distributor after powerhouse Everything Everywhere All At Once blasted off at the specialty box office.
Refresh for latest…: Disney/Marvel’s Thor: Love And Thunder has come in largely in line with pre-weeekend projections, landing a $159M start in 47 international box office markets, and $302M globally. Worldwide, this reps the 3rd highest weekend for any Hollywood movie during the pandemic and the 2nd best of 2022, behind Doctor Strange In The
The nation’s fourth-largest cinema chain is testing a new subscription program called MovieFlex+ that includes a curated set of small and mid-sized films each week for no extra charge. “We can’t live off just blockbusters,” chairman and CEO Greg Marcus tells Deadline. “We cannot just live off dinner. We need breakfast and lunch too.” The
Refresh for latest…: Disney/Marvel’s Thor: Love And Thunder opened on Wednesday in 17 material international box office markets including Korea, Australia, Italy and Germany. The Day One gross is an estimated $15.7M. That puts it 39% ahead of Thor: Ragnarok and 24% below Doctor Strange In The Multiverse Of Madness in like-for-likes and at today’s
With Illumination/Universal’s Minions: The Rise Of Gru continuing its dastardly ways at the global box office, the origins story has propelled the Despicable Me franchise across the $4B mark worldwide. The Chris Meledandri-produced series was already the biggest animated franchise of all time, and now has another milestone to boot. Across all five films, the
Editors note: Deadline presents the 24th episode of its video series in which Pete Hammond and Todd McCarthy tackle the artistry of films. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for when we asked them to do
Refresh for latest…: Coming in slightly above the estimates we reported on Saturday, Universal/Illumination’s Minions: The Rise Of Gru has boogied to an $87.2M weekend at the international box office. That lifts the offshore cume to $93.7M for $202.2M worldwide to date. The Rise Of Gru, the latest entry in the globe’s biggest animated franchise,
Moviegoing is definitely back with viewers flocking to franchise films that 1) continue to roll out in the first sustained barrage of big new titles since Covid, and 2) continue to do huge business as they stick around in theaters. They’re sucking up screens and exacerbating a release-pattern quandary for independent distributors seeking signs that
After releasing early in Australia last weekend, Universal/Illumination’s Minions: The Rise Of Gru is looking groovy at the international box office, adding $14.6M in 39 new offshore market openings across Wednesday and Thursday. Coupled with Oz’s first week, the running offshore cume through yesterday is $22.5M. A further 21 markets open today including the UK
The Forgiven with Jessica Chastain opens in 122 theaters this weekend as the flow of indie films continues to build with well-reviewed, festival-pedigreed product including Mr. Malcom’s List and Clara Sola. Meanwhile, producers and most other U.S. businesses are hoping economic storm clouds won’t ding their industry’s nascent revival. “I think we have seen a
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