Exhibition

Shares of publicly traded move chains fell sharply Monday while broader markets rose as Disney’s Black Widow helped drive the post (ish) pandemic box office to new highs but plenty of viewers siphoned off to Disney+, raising an alarm or  at least a lot of questions. AMC Entertainment, the biggest U.S. chain, saw its shares
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Questlove’s Summer of Soul (…Or When The Revolution Could Not Be Televised) will hit a cumulative $1.4 million rising to an estimated $1.47 million Monday with a $375,000 second-week gross in 752 theaters. The best performing documentary so far this year “may possibly get to $2 million, that’s our goal,” said Searchlight Pictures head of
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Moviegoers not far removed from the isolating strains of lockdown may find The Loneliest Whale: The Search for 52 strikes a chord. Distributor Bleecker Street and director Joshua Zeman hope so as the doc, a shift from the helmer’s true crime roots (The Sons of Sam: Descent into Darkness, Cropsey), opens in 75 theaters. Digital release
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Disney/Marvel’s Black Widow started offshore rollout on Wednesday in 11 material markets including France, Italy and the UK, grossing an estimated $4.9M for the day and setting new post-Covid benchmarks. Not included in the total above are Korea previews of $1.8M yesterday. Early social sentiment there is strong (Naver 9.22/CGV 96%). In the UK and
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Refresh for latest…: Universal’s F9 is gearing up to hit the $500M mark globally, a milestone it will cross on Monday as it becomes the first Hollywood movie to do so during the pandemic era, and the first since any studio film originally released during 2019. The Justin Lin-helmed title will also join China’s Hi,
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Summer of Soul (Or When the Revolution Could Not Be Televised) will report a three-day cum of $650K in 752 theaters in North America for a per screen average of $865, distributor Searchlight said of the Ahmir “Questlove” Thompson doc about the 1969 Harlem Cultural Festival. The film, with an A+ CinemaScore, performed best in
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Questlove’s Summer of Soul is up to 753 theaters as the doc about the 1969 ‘Black Woodstock’ concert in Harlem that debuted in two locations last weekend crossed into arthouse, commercial and urban venues. Not that it was easy, said Frank Rodriguez, SVP General Sales Manager, Searchlight Pictures. “Exhibitors are eager to get back on
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In the wake of his departure from Studio Movie Grill, that circuit’s founder Brian Schultz has launched Look Dine-In Cinemas, another luxury dine-in exhibition concept. Look is taking over three Studio Movie Grill California leases and reopening the venues in the near future: Monrovia (July 15th), Downey (July 22nd) and Glendale (July 29). Look Dine-In
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Friday AM Update: Universal had not one, but two wide release previews last night as they head into the four-day Independence Day weekend, with both DreamWorks Animation’s The Boss Baby: Family Business, and Blumhouse’s The Forever Purge grossing $1.3M apiece. Those looking for more technicality: Boss Baby 2 took in $1.31M at 2,700 theaters from shows which began
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Refresh for latest…: As it vroomed into domestic theaters, turbocharging North America with a pandemic record $70M start, Universal’s F9 also opened in 22 new overseas markets, lifting the international box office cume to $335M and putting $405M in the tank globally. F9 has surpassed the lifetime of last summer’s Tenet both internationally and worldwide,
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IFC Film’s Werewolves Within saw the biggest debut in a weekend without many new limited releases. Directed by Josh Ruben and written by Mishna Wolff, the comedy-horror flick stars Sam Richardson (Veep) and Milana Vayntrub. In the Ubisoft game-based film, a proposed pipeline creates divisions within the small town of Beaverfield and a snowstorm traps
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Questlove’s Summer of Soul (Or, When the Revolution Could Not Be Televised) will tease the specialty box office this weekend with the brilliantly reviewed Sundance Grand Jury and Audience award-winner in special engagements in two theaters to tee up a wide release on some 600 screens, and Hulu, July 2. The film from Searchlight Pictures about the 1969
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With the fall and early winter corridor being fiercely competitive, Warner Bros. is changing a trio of release dates in order to best position their movies. All of them will still go day-and-date on HBO Max (for first 31 days) with theatrical. With MGM/United Artists Releasing’s 007 movie No Time to Die on Oct. 8, Warners
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Universal’s F9 is off to a great start as expected having grossed $7.1M from 3,100 theaters that began showtimes at 7PM. The pic expands to 4,179 theaters today, the widest ever for a film being released during the pandemic. In more great news: F9 did more business last night than Hobbs & Shaw did in its Thursday previews which were $5.8M
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Consumer enthusiasm for the return of in-person events combined with deeper digital engagement during the pandemic will allow both to thrive, according to a new study by UTA IQ, the research arm of the giant agency. The report, Virtual + Reality: The Future of Digital & Live Entertainment in a Post-Pandemic World, backs up what’s
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EXCLUSIVE: Here’s more specific details as to how the advance tickets sales are for Universal’s F9 heading into the weekend: The Justin Lin-directed sequel is bound to be the biggest pre-seller of 2021 to date for Fandango. Already, F9 is outpacing the opening weekend pre-sales of Paramount’s A Quiet Place Part II which continued on to post a 4-day debut
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EXCLUSIVE: Regal Cinemas will release Craig Singer’s independent film 6:45 exclusively in theaters in the U.S. and Canada on August 6 The director and former Disney creative executive Singer (Animal Room, Dark Ride, A Good Night To Die) said the agreement marks the first time since the pandemic that the nation’s second largest chain has
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Refresh for latest…: International box office markets this weekend were again rife with holdovers doing solid business, while also awaiting a new major title to swing summer into full gear. Lionsgate/Millennium’s Stateside champ, The Hitman’s Wife’s Bodyguard was the only signifiant new opener this session with an estimated $7.8M in its debut in 21 overseas
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Specialty box office is ready for liftoff. With Los Angeles and New York completely peeling back restrictions on theater capacity for the first weekend, we are starting to see rays of hope illuminate the limited release space. Meet The Blacks 2 blasted expectations last week by posting a $1M+ debut (per screen average of $2,533).
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The Sparks Brothers, a documentary about a cult band by a brand-name director in Edgar Wright (Baby Driver, Shaun of the Dead) hits big screens this weekend, a felicitous one as New York and LA drop most capacity restrictions in theaters. The film about musician brothers Ron and Russell Mael of Sparks premiered at Sundance
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It’s thrilling to watch Lionsgate make a run at the box office top spot with The Hitman’s Wife’s Bodyguard, a grown-up comedy. Not a kiddie fantasy, like Peter Rabbit 2 or Cruella. Not a Covid-era placeholder, like The War With Grandpa, or a streaming event, like Borat Subsequent Moviefilm. But a rough, raucous, R-rated action
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AMC Entertainment will present a weeklong AMC Black Picture Showcase at select theaters nationwide starting Friday to celebrate Juneteenth. The newly established national holiday commemorates the abolishment of slavery in the U.S. The exhibitor said tickets will cost $5 to shows of “classic, contemporary and culturally relevant, black-led films.” The seven films in the lineup
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Sony just put two big films on the 2022 schedule: David Leitch’s Bullet Train on April 8, 2022, and the Jack Black-Ice Cube comedy Oh Hell No which Justin Kroll just reported on for July 1, 2022. Bullet Train will also show in Imax. Lots already dated on April 8 including Paramount’s Sonic the Hedgehog 2, an untitled Disney live-action movie,
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