Exhibition

Fox Searchlight went after whatever remaining 18-34 demo was out there this summer with the launch of its black comedy horror thriller Ready or Not yesterday. It grossed an estimated $1.9 million at 2,244 locations (including $730,0000 in Tuesday previews) for Wednesday’s No. 2 spot. ComScore shows that by Friday the number of colleges remaining
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New Line’s It: Chapter Two, the sequel to the biggest horror film of all time, is looking at a domestic opening similar to the 2017 pic’s $123.4 million first frame. We hear in regards to demos the pic is comping to the first title in the series, Stephen King’s $700M-grossing It, and 20th Century Fox’s Logan ($88.4M),
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Update: CBS Films/eOne/Lionsgate’s Scary Stories to Tell in the Dark racked up $2.33M at 2,500 locations that began at 7PM. How front-loaded will the Andre Ovredal-directed PG-13 spooky film be? Tracking heading into the weekend had Scary and Dora colliding as they aim to grab young teen girls with $15M-$17M apiece. But Paramount’s live action take of the famed
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Exhibition giant Cineworld, which acquired U.S. chain Regal Cinemas in 2018 for $3.6B, reported a decrease in half-year results this morning out of London. An anticipated drop, it hasn’t diminished CEO and veteran exhibitor Mooky Greidinger’s bright outlook for the second semester while he’s also bullish on the uptake of nascent subscription program, Regal Unlimited,
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The weekend has had a sizable crowd of specialty newcomers, though as summer begins its sunset, it appears some audiences are going beyond the big studio brouhaha. Sundance psycho-thriller Luce lead the pack with a $132,916 start in five locations, grabbing a $26,583 per theater average for the Neon release in the three-day estimate, while not
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Bringing Disney’s running total of $1B+ global grossers to four this year, the studio’s The Lion King will put its paw across the coveted threshold today. Getting there in 19 days, the Jon Favreau-directed CGI/live-action remake of the animated classic is at $999.4M worldwide through Monday, with $360.9M domestically and $638.5M from the international box
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After Avengers: Endgame toppled Avatar to become the highest-grossing film worldwide on Comic-Con Saturday with $2.79 billion, FandangoNOW, Fandango’s video on-demand service, is reporting that the sequel directed by Anthony and Joe Russo is the most pre-ordered title in the company’s history. It’s now one of several records that Endgame has shattered this summer. Of note,
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Disney’s Aladdin is scoring a hat-trick for the studio today, becoming its third film of 2019 to pass the $1 billion mark at the worldwide box office. The Guy Ritchie-directed live-action remake of the 1992 animated classic grossed $999.3M globally through Thursday, with $343.1M domestically and $656.2M at the international box office. This makes Aladdin
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Sony’s Once Upon a Time in Hollywood had a fantastic night at the box office with $5.8M from showtimes that began at 4PM, and ComScore/Screen Engine PostTrak exits are great at a solid 4 stars and 55% definite recommend. Hollywood was in play at 3,318 locations. The pic expands to 3,659 today. While tracking at the Quentin Tarantino ode
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Quentin Tarantino’s Once Upon a Time in Hollywood is outstripping all of the Oscar-winning filmmaker’s previous films in ticket presales on Fandango. While The Lion King will remain the No. 1 film this weekend with industry estimates projecting a $95 million second frame, it would not be a shocker if Once Upon a Time in Hollywood turns
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EXCLUSIVE: Amazon Studios is shifting its anticipated Eddie Redmayne–Felicity Jones pic The Aeronauts deeper into awards season, from October 25 to December 6, we can reveal. In a potentially telling move about Amazon’s future direction, the company is also collapsing the intended theatrical window for the ballooning disaster film. Instead of a traditional theatrical release,
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Marvel boss Kevin Feige made it official Saturday at the studio’s Comic-Con panel that Avengers: Endgame is clicking past Avatar‘s $2.7897 billion global box office this weekend to become the biggest film of all time at the box office. It took nine years, but it finally happened. There is currently a gap of $500K in
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Disney’s The Lion King will take pride of place this weekend in China where it’s bowing ahead of the rest of the world. With anticipation and a clear runway for the opening, the CGI/live-action adaptation of the 1994 classic is poised for a $50M-$60M three-day bow, per industry projections. The Middle Kingdom debut could notch
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