Exhibition

Apple Original Films will premiere holiday musical comedy Spirited in theaters November 11 and globally on Apple TV+ on November 18. The modern musical rendition of Charles Dickens’ classic holiday story A Christmas Carol directed by Sean Anders stars Will Ferrell, Ryan Reynolds, Octavia Spencer, Patrick Page, Sunita Mani, Loren Woods, Joe Tippett, Marlow Barkley
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The sequel to a beloved British family film, a heavy metal re-release, an Apple title from TIFF and Abigail Disney’s takedown of the American Dream populate the specialty film weekend in a market that may have found sturdier footing ahead of awards season and amid a dearth of blockbuster fare. “I think there’s a lot
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Roadside Attractions has taken domestic rights for To The End, the follow-up film from Rachel Lears (Knock Down The House), and set a Dec. 9 theatrical-only release date. The deal was announced by Co-Presidents Howard Cohen and Eric d’Arbeloff. The film, which premiered at Sundance, covers three years of both hope and crisis leading to
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New Line’s Olivia Wilde-directed genre movie Don’t Worry Darling grossed $3.1M in previews split between Monday’s sold-out Imax fan screenings and Thursday showtimes that began at 4 p.m. Warner Bros.’ original projection for the movie starring Harry Styles and Florence Pugh was $17M this week, while industry sources peg the R-rated pic’s start between $20M-$26M.
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UPDATED, 8:33 AM: For those who forgot to read the news on Deadline back in December, it was never, ever in the cards for the Cinerama Dome to reopen this year. Like, never ever. 2023 was always the eyed date. The Dome’s owners are doing a full refurbish of the venue, top to bottom. There’s
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Saturday AM Update: TriStar/eOne’s The Woman King is coming in higher than expected, with an $18M opening boosted by lively word of mouth off an A+ CinemaScore and a massive 95% positive on Comscore/Screen Engine’s PostTrak. Friday, including $1.7M previews, came in at $6.8M. Comping this Black female epic to previous Hollywood titles was a challenge,
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A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
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The Viola Davis African warrior epic The Woman King —a flashback to the type of historical epics Columbia Pictures has had a long history of notching Oscars with– is looking at a $12M opening this weekend, per Sony, while rivals have it in the $13M-$16M range. While adults made their way back to the box
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Imax just cut a deal for six new big-screen installations in China this year — “a very positive development,” according to CEO Rich Gelfond. The company is a big player in the Chinese market, which is still strained by Covid lockdowns and in limbo for Western theatrical releases. He noted the new contract during a
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After Ever Happy, the fourth installment of the popular After romance/drama franchise, will gross circa $1.1 million since its release last Wednesday on 1,085 screens. From Fathom Events, this was the top film in the domestic marketplace Sept. 7-8 for a two-day run before dipping to 200+ screens this weekend. Vertical Entertainment will pick up
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Shares of Cineworld rose Friday after a U.S. Bankruptcy Court judge granted Regal Cinemas’ parent Cineworld immediate access to up to approximately $785 million of a financing facility, providing sufficient liquidity for the giant theater chain to meet ongoing obligations, including to vendors, suppliers and employee salaries and benefits. The shares, traded on the London
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The Story of Film: A New Generation opens at two dozen theaters this weekend — Laemmle Royal in LA, Museum of the Moving Image in NY, Music Box Theatre in Chicago and Brattle in Cambridge. It’s a mix of arthouses, cinematheques, museums and even a few multiplexes for Mark Cousins’ follow-up to his 15-hour, 2011
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“I do think the studies will get paid, like they usually do, whatever they are owed. Because we are the suppliers and that’s usually what happens,” Lionsgate vice chair Michael Burns said Wednesday of the Chapter 11 filing earlier in the day by Regal Cinemas’ parent Cineworld. “Those things seem to go through the same
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The shoe finally fell today as giant theater chain Cineworld filed for Chapter 11. The bankruptcy includes a $1.94 billion debtor-in-possession financing facility from existing lenders to keep things running. Cineworld expects to emerge from Chapter 11 in the first quarter of 2023 and meanwhile will pursue “a real estate optimisation strategy in the US,”
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Labor Day weekend saw blockbusters old and new buoyed by cheap tickets, as was a limited openings like Saloum with multiple sold out screenings at two theaters, including every showtime on Saturday. Over 3,000 theaters, including IFC Center and Alamo Drafthouse LA, where the French-Senegalese indie film began a qualifying run, offered $3 tickets for
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Film premieres and headlines spilling from a trio of festivals either in full swing (Venice), just starting (Telluride) or queued up (Toronto) have indie exhibitors and distributors the most hopeful since Covid hit that a stream of new films could fire up the arthouse market. Todd Field’s Cate Blanchett-starrer TÁR (debuted to a six-minute standing ovation
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National Cinema Day is underway with 3,000+ participating theaters (30,00 screens) offering $3 tickets, discounted concessions and a four and a half-minute preshow sizzle reel with peeks of upcoming titles from A24, Amazon Studios, Disney, Focus Features, Lionsgate, Neon, Paramount, Sony and Sony Pictures Classics, United Artists Releasing, Universal and Warner Bros. Trailers include Avatar 2:
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Neon in association with National Geographic Documentary Films said director Sara Dosa’s Fire of Love will cross $1 million at the box office this weekend, becoming the biggest documentary release of the year for combined domestic and international gross. The film opened this summer and is entering its ninth week in theaters nationally. It will stream
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Yes, exhibitors, it is cold out there. Despite a 91% rebound in the annual summer domestic box office, from $1.755 billion in 2021 to $3.35 billion per Comscore (that’s through Aug. 30), and a 90% explosion in admissions for the May-Labor Day period per EntTelligence, from 153M to 291M over the same period, some feel
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Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
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Cineworld, staggering under heavy debt and facing a dip in box office revenue this quarter, asserted Friday that it’s business as usual for the giant movie chain while it explores options. The statement follows a report today that the U.K parent of Regal Cinemas is preparing to file for bankruptcy. Cineworld presaged a potential Chapter 11
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