Alex Garland’s dystopian Civil War, about America torn asunder by a president run amok and brutal acts of war committed on ordinary citizens, sparked plenty of speculation — and assumptions — heading into its debut in theaters over the April 12-14 weekend. Would it be a win in blue states but a losing battle in
A24
A24‘s Alex Garland political thriller, Civil War, is off to a solid start with $2.9M in Thursday previews at 2,931 locations, the movie on its way to $20M+ opening. That is the best ever in previews for an A24 movie, more than double Hereditary ($1.3M). Nobody, rivals nor A24 are complaining about that for what
A24‘s Alex Garland dystopian U.S. movie, Civil War, is looking at an $18M-$24M opening when it hits theaters over April 12-14. In this oddball marketplace, ya gotta figure downside as we’re still limping away from the strike. While Ghostbusters: Frozen Empire is eyeing a $45M opening this weekend, I hear presales on that title are
The details of American politics do not concern Alex Garland in Civil War. Despite the controversy it’s already courted about its supposed prescience, the unsettling feature from the British filmmaker doesn’t predict a future based on the country’s current two-party system. Garland is far more interested in the United States’ self-regarding exceptionalism, its belief in
A24 and Imax have teamed up to bring past A24 titles to large format fans in a new monthly screening series kicking off March 27. The Imax debut of Alex Garland’s 2014 sci-fi classic Ex Machina is first up with the presentation including an “exclusive sneak peek” at Garland’s upcoming Civil War. Civil War, also
EXCLUSIVE: A24 is taking an opportunity with a blank spot on the calendar for a wide release, April 12, and moving its Alex Garland Civil War movie to that weekend. The action film about a near-fractured America balanced on a razor’s edge was originally set to go on April 26, but know A24 will have
The indie box office busted out this year, hitting is stride post-Covid with an eclectic string of releases that made a splash artistically and financially. Independents and mini-majors saw $1.47 billion in box office receipts as of Dec. 27, up from $811.7 million in 2022, according to Comscore. Focus Features had the biggest limited opening
In the wake of A24‘s pay-one deal with Showtime expiring, the specialty film studio will now see its movies go through HBO and Max in a new exclusive multiyear pay-one output agreement. Both new A24 movies and the existing library will play on Max, HBO and Cinemax; in total over 100 movies over the term
A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld). The film, based on a
David Byrne met A24’s young fans as the Talking Heads Stop Making Sense is set to gross $800,673 from 264 Imax screens in North America this weekend. Its cumulative gross of $1.43 million includes Thursday screenings and a live event at TIFF for this remastered version of the 1984 Jonathan Demme-directed concert film ranked by
Stop Making Sense, the remastered concert film that sowed delight at TIFF, opens on 300 Imax screens in the U.S., Canada, U.K. and Ireland. Locations Stateside number 260 ahead of a nationwide release next week. The 1984 Talking Heads extravaganza from Jonathan Demme is presented in its new iteration by A24 — meaning the
EXCLUSIVE: A24 and Chernin Entertainment’s Dicks: The Musical, in the wake of having a rowdy world premiere at TIFF’s Midnight Madness, is tweaking its release date, now going limited on Oct. 6 instead of Sept. 29. The movie, directed by Borat filmmaker Larry Charles and starring and written by Aaron Jackson and Josh Sharp, will
EXCLUSIVE: A24’s Sofia Coppola directed movie, Priscilla, will now go wide on Nov. 3 instead of Oct. 27. The news comes on the heels of a glowing world premiere out of the Venice Film Festival where the movie based on the Priscilla Presley’s memoir Elvis and Me grabbed a 94% critics score on Rotten Tomatoes. With
In its second weekend in theaters, MGM and director Emma Seligman’s teen comedy Bottoms broke into the top ten films for the weekend (no. 7) on 715 screens, a major North America expansion from a 10-theater opening last week. An estimated $3 million gross for the three days, and $3.6 million for the four-day Labor Day
EXCLUSIVE: Despite all paranoia on behalf of exhibitors and studios that the theatrical release schedule will switch-up more due to strikes, awards season fare continues to be dated, the latest being A24’s dark comedy Dream Scenario starring Oscar winner Nicolas Cage on Nov. 10. The movie from director Kristoffer Borgli (Sick of Myself) and produced
A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office. The film was well reviewed as a
EXCLUSIVE: In light of the current strikes, A24 is pausing the release of Julio Torres’ Problemista which was set to launch limited on Aug. 4. The new release date will be determined down the road. The studio is doing this to support filmmaker Torres, furthermore these awards-type indie movies need their stars, Tilda Swinton here,
Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some
Celine Song’s Past Lives from A24 is very much here and now, grossing $232k on four screens for over $58k per location, a nice number for Song’s debut film as the second-biggest limited opening of the year so far. A24 also had the highest in April with Beau Is Afraid at $80k per theater at
Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam
Ari Aster, the horror maestro behind Hereditary and Midsommar, is out with Beau Is Afraid on four screens as A24 presents the SXSW-premiering film In LA (AMC Century City and Burbank) and New York (AMC Lincoln Square, Alamo Brooklyn), in Imax on both coasts, followed next week by a regional Imax expansion and into to
The head of the VC firm that invested several hundred million dollars in A24 a year ago says the indie producer-distributor’s “extraordinary” momentum could lead to a large international business and potential acquisitions. As is their wont, A24 executives are not talking publicly, but Stripes partner Ken Fox did speak with Deadline soon after the
In the wake of delivering Talking Heads frontman David Byrne his second Oscar nomination with Everything Everywhere All at Once, A24 has acquired worldwide rights to his former band’s 1984 cult hit concert pic, Stop Making Sense, for theatrical release later this year. A24 will give the Jonathan Demme directed movie (the filmmaker’s first concert
EXCLUSIVE: A24 has mapped out three films for summer release: the Nicole Holofcener-Julia Louis Dreyfus reteam You Hurt My Feelings, the Celine Song directed/written title Past Lives and the distributor’s hot Sundance horror pick-up Talk to Me. You Hurt My Feelings, which played to great laughs at the Eccles Theater, will go wide nationwide over
EXCLUSIVE: A24’s The Whale, whose Oscar-nominated star Brendan Fraser scooped the prize for Male Actor in a Leading Role at the SAG Awards on Sunday night, is enjoying a strong run globally, having crossed $30M worldwide in the latest frame. Now at $32.3M global and with more overseas markets to release, the drama counts $15.5M
Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
A24’s Marcel The Shell With Shoes On hit the top ten in North America at no. 8 with an estimated $340k in week three at just 48 locations and a cume north of $963k – the latest hit for the distributor after powerhouse Everything Everywhere All At Once blasted off at the specialty box office.
The big screen debut of Marcel The Shell With Shoes On opened at $170K on six screens in New York and LA, the highest PSA of the weekend at $28,267 for the iconic lonely snail voiced by Jenny Slate. The mock documentary about the loveable anthropomorphic mollusk hails from distributor A24, a distributor that manages