A24

In its second weekend in theaters, MGM and director Emma Seligman’s teen comedy Bottoms broke into the top ten films for the weekend (no. 7) on 715 screens, a major North America expansion from a 10-theater opening last week. An estimated $3 million gross for the three days, and $3.6 million for the four-day Labor Day
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A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office. The film was well reviewed as a
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Utopia’s Squaring the Circle (The Story of Hipgnosis) grossed an estimated $10k from one engagement at NYC’s Film Forum, where it was the top-ranking pic. Celebrated filmmaker and photographer Anton Corbijn’s first feature documentary is the story of Hipgnosis, the iconic album art design studio that was a force in the music industry behind some
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In the wake of delivering Talking Heads frontman David Byrne his second Oscar nomination with Everything Everywhere All at Once, A24 has acquired worldwide rights to his former band’s 1984 cult hit concert pic, Stop Making Sense, for theatrical release later this year. A24 will give the Jonathan Demme directed movie (the filmmaker’s first concert
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Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
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A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
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Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
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As theaters shutter and big studio films postpone wide theatrical releases, indie and arthouse films are trying their best to navigate the waters of the coronavirus outbreak. Like big banner titles, many indie films that were set to release this weekend are opting to delay their debuts, while a handful are opting for a digital
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EXCLUSIVE: A24’s religious horror movie Saint Maud is flying from April 3 to April 10 after MGM/Eon/Universal’s No Time to Die departed this morning to Thanksgiving. Saint Maud is the second wide entry today after Dreamworks Animation’s Trolls World Tour (which was originally scheduled for April 17) to fill the vacancy left behind by Bond 25.
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As we enter the holidays Lionsgate and Bron Studios are looking to explode with the nationwide release of the Jay Roach-directed Bombshell starring Charlize Theron, Nicole Kidman and Margot Robbie. The Fox News sexual harassment drama had a stellar limited opening last weekend, earning an estimated $312,000, with a per-screen average of $78,000. As it opens today
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