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EXCLUSIVE: There’s a reason why her last name is Swift. The 12x Grammy award winner, the day after the world premiere of her AMC-distributed concert movie, Taylor Swift: The Eras Tour, found her way back to Kansas City for the Chiefs’ NFL game vs. the Denver Broncos. Why? Because her movie is opening tonight, dummy.
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The National Association of Theatre Owners has expanded the purview of its government relations chief Todd Halstead to include a new position, director of Independent Exhibitor Engagement. In the role, which is dedicated to indie theater owners, Halstead will collaborate with NATO’s Independent Theatre Owners Coalition (ITOC) “to help the group thrive.” The indie theater
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A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld). The film, based on a
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Who else but hosts Wendy Stuart and Tym Moss could “spill the tea” on their weekly show “If These Walls Could Talk” live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style of honest, and emotional interviews, sharing the fascinating backstory of celebrities, entertainers, recording artists, writers and artists and bringing their
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Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
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A wacky film based on a stage show by comedians Aaron Jackson and Josh Sharp, Dicks: The Musical – a riff on The Parent Trap with two adult men as the starring twins — opens in seven theaters in New York, Los Angeles and San Francisco on a crowded specialty weekend as theatrical releases of fall film festival titles accelerates.    
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Why are people acting so crazy these days? Because crazy behavior is becoming the new normal.  In other words, what was clearly insane ten years ago is normal today. Why? One of the most potent causes is what researchers call “toxic leadership.” We have an example of toxic leadership in the firing of the Speaker of
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The 11x Oscar nominee remembered the late distribution boss on Wednesday night at the Will Rogers Pioneers Dinner, the two having worked together during the latter’s time at Weinstein Co. with The Master and at MGM with Licorice Pizza. Paul Thomas Anderson had the first 70MM made movie in 20 years with 2012’s The Master;
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Laughs blended with tears tonight at the Beverly Hilton as many in Hollywood remembered late MGM Theatrical Distribution Boss and big screen champion Erik Lomis who was lauded posthumously with the Will Rogers Motion Picture Pioneers Foundation‘s Pioneer of the Year award. Lomis passed suddenly at 64 on March 22. It was a fitting tribute
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The National Association of Theatre Owners (NATO) Executive Board of Directors has elected B&B Theatres President & CEO Bob Bagby as the new NATO Executive Board Chair. He’ll be taking over for previous chair, Rolando B. Rodriguez, who is exiting; his retirement as the top executive at Marcus Theatres announced last year. In addition, Harkins Theaters
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Broadway‘s starry Merrily We Roll Along revival had another strong run of previews last week, grossing a hefty $1,471,644 and setting another house record at the Hudson Theatre. The Stephen Sondheim-George Furth musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez topped the venue’s previous seven-performance record of $1,431,543, held by David Byrne’s American Utopia.
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Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations. Currently, the R-rated reboot/sequel is trending demo-wise like The Nun 2, which saw a $32.6M opening, meaning it’s great with the 18-34 demographic, Hispanic and Latino audiences as well as older guys.
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EXCLUSIVE: Sources are telling us that the first day presales for the top three exhibitors stateside for Renaissance: A Film by Beyoncé is estimated to be around $6M-$7M+. Note these figures do not come from AMC. An official number from AMC could conceivably come in higher, if they release one. We understand that on Fandango,
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Story Ave starring Luis Guzman grossed $9.85k in a limited opening at one theater, Quad Cinema, with multiple sold-out shows. The first feature from director Aristotle Torres, which won for Best Cinematography at SXSW (see Deadline review) expands to Chicago and the Bronx next week, followed by LA and additional markets October 13. Guzman plays a
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Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records. On the studio side, Paramount/Spin Master’s Paw Patrol:
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EXCLUSIVE: Apple Original Films and Paramount‘s Killers of the Flower Moon landed on more tracking services Thursday. The three-hour-plus epic directed by Martin Scorsese and starring Leonardo DiCaprio is set for an opening around $24 million when it goes wide on October 20. Duly note, that new tracking service Quorum, which does six-week projections, had
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A really wet Friday in New York – National Weather Service flash flood warning wet – is likely to take a bite out of specialty film in one of its biggest markets this weekend. Alamo Drafthouse shut its NYC locations in Manhattan, Brooklyn and Staten Island until further notice due to “severe flooding in and
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UPDATE, SEPT. 29: A 27-year-old man has been arrested for a widely publicized fight with a 63- year-old man over movie theater seats in Pompano Beach, the Broward Sheriff’s Office announced Friday. Jesse Montez Thorton II, 27, faces one count of aggravated battery with great bodily harm. “BSO detectives worked this case for months,” BSO
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With guild agreements being signed and production ramping up, Hollywood hopefully awaits a moment of youthful innovation. Oops: The most newsworthy films set for imminent release are directed by filmmakers in their 80s – grizzled veterans who understand their muscle but, like the neophytes, are perplexed by the chaotic landscape. Will this become a Back
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Hopefully three wide releases can wake up what’s been a relatively sleepy time at the box office, ratcheted down by the SAG-AFTRA strike. With New Regency/20th Century Studios/Disney’s original Gareth Edwards sci-fi movie The Creator, Paramount and Spin Master’s PAW Patrol: The Mighty Movie and Lionsgate’s Saw X, the top three movies look to make
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“No one is really creating original sci-fi blockbusters anymore, it’s an endangered species.” Such was the wise insight from Gareth Edwards at the special screening of his latest movie The Creator last week. This from a filmmaker who has run the gamut from the half-million-budgeted 2010 indie Monsters to the $265 million-budgeted, billion-dollar-plus grossing Rogue
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Disney/Marvel’s The Marvels has secured a China release on November 10, day-and-date with North America. The sequel to the $1 billion+ worldwide grossing Captain Marvel is the latest major studio tentpole to be granted access to the market since Oppenheimer went out August 30. It’s also wasting no time in spreading the word locally, leveraging
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Deadline has confirmed that Disney Distribution EVP and General Sales Manager of North America, Ken Caldwell is retiring at the end of 2023. His position will be back-filled, and successor to be named. Caldwell reports to Disney distribution boss Tony Chambers. Caldwell oversaw distribution of Disney’s canon including Pixar, Marvel, Lucasfilm and animation titles, as
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