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Genre hybrids are inevitably home runs or noble failures. It’s a popular route for bands to take. Bringing off a collision of musical styles in such a way that it achieves critical mass and sticks in a listener’s memory bank isn’t easy. Pulling it off is more than having the necessary musical skills. It’s about
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Cinemark, the nation’s third largest theater chain, is letting fans reserve auditoriums for Taylor Swift: The Eras Tour concert film, out this fall. “We are excited to offer fans the ultimate Taylor Swift | The Eras Tour concert film VIP experience in their own private Cinemark auditorium,” said the chain’s chief marketing and content officer
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Disney has kept Kenneth Branagh’s 20th Century Studios Hercule Poirot franchise going following its inception at Fox with 2017’s Murder on the Orient Express, but recent installments have yet to reach that first pic’s box office heights. The latest Branagh adaption of an Agatha Christie tome, A Haunting in Venice, looks to make around $12
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Sony Pictures Entertainment chairma-CEO Tony Vinciguerra figures Taylor Swift: The Eras Tour could gross $200 million, calling it a “massive, unexpected rescue” for movie theaters as Hollywood strikes have led to shifting release dates and slowed the production pipeline, casting a damper on this year’s vigorous box office recovery. “The exhibitors are our friends there’s
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EXCLUSIVE: STX’s first movie under its Lionsgate pact, Neil Burger’s The Marsh King’s Daughter via Roadside Attractions will now go on Nov. 3 instead of Oct. 6. Even though AMC’s Taylor Swift: Eras Concert opens on Oct. 13 and plays for four weekends, it’s clear Roadside doesn’t want to play this movie starring Star Wars
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Angel Studios, the outfit behind one of summer’s biggest hits, Sound of Freedom, will release its next film and first original, The Shift, in theaters Dec. 1. The sci-fi thriller stars Neal McDonough (Yellowstone, Minority Report), Sean Astin (Stranger Things, The Lord of the Rings), Kristoffer Polaha (Wonder Woman, 1984, Mad Men), Liz Tabish (The
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With Funny Girl off the boards last week and the impact of the 2-for-1 ticket prices of the Broadway Week promotion, Broadway box office receipts for the week ending Sept. 10 took an 18% tumble from the previous week, settling in at $21,334,228. Gone from the roster was Funny Girl and its $2 million-plus contributions
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A new Thursday matinee seems to be paying off for the Neil Diamond Broadway bio-musical A Beautiful Noise: Last week the show grossed more than $1 million, a nine-month high attributable at least in part to an unusual new performance schedule. Last month, producer Ken Davenport announced that beginning in September the musical would no
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Refresh for latest…: There’s a lot to unpack this weekend at the international box office, including a flying start for Warner Bros/New Line’s The Nun II, Indian superstar Shah Rukh Khan continuing to outdo himself and a major milestone afoot for Christopher Nolan’s Oppenheimer. Meanwhile, Barbie has danced past $1.4B worldwide. Let’s start with the
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The specialty market had a Shah Rukh Khan-nice weekend as Yash Raj Films’ Jawan pulled in an estimated $6.2 million in 813 theaters — a per-theater average $7.6k — taking the no. 4 spot at the North American box office. That’s a $7.56 million cume for the Bollywood action thriller including Thursday shows.   SRK
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Jawan, a Hindi action thriller with Bollywood royalty Shah Rukh Khan set opening day records in India that are echoing Stateside. The Yash Raj Films release grossed more than $1.36 million on Thursday at 764 locations, meaning it was the no. 2 movie across North America behind wide release The Eoqualizer 3 with Denzel Washington.
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Shah Rukh Khan has outdone himself. After a record-breaking run with Pathaan in January, the Indian superstar has hit new milestones with his latest, Jawan, which scored the biggest ever opening day worldwide for a Hindi film on Thursday at 129.6 crore ($15.5M).  The Thursday debut was also the best ever in India for a
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Barbie will contribute more than $125 million in gross billings to Mattel this year, the toymaker’s CFO said today in a shout-out to the “nice contribution” from the blockbuster film as it closes in on $1.4 billion worldwide. Chief financial officer Anthony DiSilvestro, speaking alongside CEO Ynon Kreiz at a Goldman Sachs media conference, said
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Imax CEO Rich Gelfond turned a media conference Q&A back on the host today, grilling a Goldman Sachs analyst about the firm’s two-year ‘sell’ rating on the stock when, he said, much of the Street has a ‘buy’.   The two were discussing Gelfond’s $1.1 billion box office projection for Imax, made earlier this year,
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Sound of Freedom director Alejandro Monteverde is reteaming with Angel Studios again who’ll release his next movie, Cabrini on March 8, 2024. Angels Studios and Monteverde had monumental success this past summer as the anti-child trafficking movie, Sound of Freedom, racked up $180M at the domestic B.O. The pic is rolling out overseas. Deadline first
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Lea Michele treated the final-night audience of Broadway’s Funny Girl to an extra song Sunday, performing “My Man,” popularized by Fanny Brice in 1921 but not included in the musical’s original score. Michele performed the song – omitting, as did Barbra Streisand in the 1968 film version, the infamous “he beats me too” introductory verse
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Lea Michele, the star of Funny Girl, ends her stay today in the Broadway revival. She noted the milestone with an Instagram post that touted thhe show’s recoupment of its $16.5 million capitalization. “For the past year, I’ve had the honor and privilege of playing the iconic Fanny Brice in Funny Girl on the August Wilson Stage,”
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In its second weekend in theaters, MGM and director Emma Seligman’s teen comedy Bottoms broke into the top ten films for the weekend (no. 7) on 715 screens, a major North America expansion from a 10-theater opening last week. An estimated $3 million gross for the three days, and $3.6 million for the four-day Labor Day
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Though Labor Day is upon us domestically — and its somewhat equivalents in many overseas markets to mark the end of summer — the hits keep coming as holds this session were strong on the season’s leaders while a new entry surprised. To wit, and starting with the latter: Sony/Escape Artists’ The Equalizer 3 blazed
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EXCLUSIVE: The AMC-distributed concert film, Taylor Swift: The Eras Tour according to sources has actually clocked $37M+ from the three big theater circuits –AMC, Regal and Cinemark– in its first 24 hours of presales. That’s definitely higher than the first day presales of Star Wars: Force Awakens at $20M. The current opening weekend projection for
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Antoine Fuqua’s The Equalizer 3 will not let this summer go out quietly in what’s expected to be a $30M-$40M 4-day opening weekend; poised to be the second-best ever for the holiday after Shang-Chi ($94.6M). Last night from showtimes that began at 3PM, the Sony threequel clocked $3.8M at 3,241 locations. While 76% with critics
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The two seemingly unstoppable phenoms of summer 2023 are each setting new milestones this weekend as Greta Gerwig’s Barbie through Friday has become the No.1 film of the year globally, overtaking The Super Mario Bros Movie with $1.365B. In the same breath, Christopher Nolan’s Oppenheimer this frame is continuing its incredible run with the Universal
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EXCLUSIVE: The Kingdom Studios and Lionsgate drama Ordinary Angels starring 2x Oscar winner Hilary Swank is departing from its Oct. 13 theatrical release date as AMC’s Taylor Swift: The New Eras Tour looks to open to at least $70M off a female-heavy audience. Universal’s The Exorcist: The Believer seeing the crazy amount of presales at
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Meg Ryan was scheduled to return to her romantic comedy big screen stomping ground on Oct. 13, however, Taylor Swift spoiled it. No prob, the Ryan directed and starring What Happens Later holiday-set feature from Bleecker Street will now go on Nov. 3, the last weekend of AMC’s Taylor Swift: The Eras Tour concert movie.
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