Barbie‘s dream house keeps getting stuffed with cash. The Greta Gerwig-directed Mattel doll adaptation has become the highest grossing Warner Bros. movie in the studio’s 100-year history at the domestic box office with $537.4M, unseating previous champ, Christopher Nolan’s The Dark Knight which made $534.9M back in 2008. Barbie crossed the half billion mark in
Warner Bros.
Unlike last August which was totally lacking product after Sony’s Bullet Train, the month looks to keep chugging even as the WGA and SAG-AFTRA strikes continue and many talent not permitted to promote. Recently, Warner Bros/DC’s Blue Beetle hit tracking with an eye on a $30M start when it opens on Aug. 18. With Blue
Sequin- and self-actualization sprinkled congratulations are in order for Greta Gerwig, Margot Robbie and all the dolls and guys as the phenomenon that is Barbie has now crossed $1B global in just its third weekend. We said yesterday it was on the cusp, and now here’s the pudding. Through Sunday, the international box office estimate is
When it comes to the road to blockbuster glory, some projects are willed, some happen instantaneously, while others go through a long development hell. That’s just what happens when you’re perfecting toward a hopeful billion-grossing title. In the case of Mattel’s Barbie, it was arguably a 14-year journey that began at Universal. It stands to
Vietnam has banned commercial screenings of Warner Bros’ Barbie due to a scene that depicts a map of the South China Sea with the “nine-dash line” that is contested by the Vietnamese government. The film, directed by Greta Gerwig and starring Margot Robbie and Ryan Gosling, was scheduled for release in Vietnam on July 21.
It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
Warner Bros’ CineEurope show here in Barcelona was a starry, jam-packed affair featuring Zendaya and Timothée Chalamet who talked up Dune: Part Two, as well as their respective upcoming titles Challengers and Wonka. The proceedings kicked off with a pre-taped intro video featuring President of International Theatrical Distribution Andrew Cripps zipping along the 405 in
There are a lot of lessons to be learned this weekend, but chief among them, is what’s it like for a major motion picture studio to open a movie with largely a number of its cast, primarily its main star, not available to do press. That’s the big looming question which has been on everyone’s
D. Barry Reardon, former longtime Warner Bros. President of Sales and Distribution, has died at 92. The exec known as “The Dean of Distribution” among industry peers and filmmakers passed May 27 in Vero Beach, FL. Reardon was the head of theatrical distribution at Warner Bros from 1978-99, and was known for breaking the mold
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
When New Line/DC’s Shazam: Fury of the Gods hit tracking four weeks ago with a low $35M projection, it was shocking and not shocking to rival distributors. Shocking, because in a spring full of franchise tentpoles, many of which are seeing record opening domestic highs, how can a DC property like Shazam! not keep up
Friday afternoon: We’re hearing that New Line’s Shazam! Fury of the Gods is currently on its way to an $11M Friday, inclusive of last night’s $3.4M, for what’s looking like a $30M opening at 4,071 theaters. The pic cost $125M before P&A, $25M more than the first Shazam! While that’s nothing to scream “Shazam!” about
Refresh for latest…: MGM’s Creed III is enjoying a knockout opening weekend, punching up $100.4M globally. Of that, $41.8M is from 75 international box office markets. Domestically, the Michael B Jordan-directed movie opened to a franchise record and the best debut ever for a sports title. Internationally, this is also the biggest opening for the
MGM’s Creed III is off to a powerful start at the international box office with the Michael B Jordan-directed movie grossing $6.9M through Thursday in 56 markets. The threequel, the first major title released overseas by Warner Bros under a multi-year pact that was entered last August, has another 19 markets to add today and
Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
Warner Bros/New Line/DC’s Black Adam began rolling out at the international box office on Wednesday, and through Thursday has rocked to $13.8M from 57 markets. Today adds the UK and Spain as overseas release continues. Initial markets to go on Wednesday included France and Korea. In the former, the Dwayne Johnson-starrer has grossed $1M through
Warner Bros has shifted the release date by two weeks next year for Dune: Part Two going from Nov. 17 to Nov. 3 and still hanging onto Imax screens for the Denis Villeneuve directed sequel. The news comes as Disney/Marvel’s Blade evacuates the first weekend of November for Sept. 2024. Dune 2 stands unopposed. A
EXCLUSIVE: Keeping in line with Warner Bros. Discovery CEO David Zaslav’s business belief that movies are destined for theatrical, not streaming, the originally conceived Steven Soderbergh-directed HBO Max threequel Magic Mike’s Last Dance is heading to theaters on February 10, 2023 — Super Bowl weekend. Warner Bros already had the date set aside on the release
“I do think the studies will get paid, like they usually do, whatever they are owed. Because we are the suppliers and that’s usually what happens,” Lionsgate vice chair Michael Burns said Wednesday of the Chapter 11 filing earlier in the day by Regal Cinemas’ parent Cineworld. “Those things seem to go through the same
EXCLUSIVE: Deadline has learned that Warner Bros is making a slew of release-date changes next year. First of all, James Wan’s Aquaman and the Lost Kingdom needs more time in postproduction, so it’s moving from March 17, 2023 to December 25, 2023. You’ll remember the first Aquaman was released during Christmas 2018 and made $335.1 million domestic
Wise men say only fools predict that adult-skewing films won’t work at the pandemic box office. But older moviegoers kept falling in love with Warner Bros’ Elvis this summer, to the point where it’s now director Baz Luhrmann’s highest-grossing movie ever in U.S. and Canada with $144.851 million, beating the original run of his 2013 title
The start of the fall box office just got bleaker as Warner Bros is moving New Line’s adaptation of Stephen King vampire novel Salem’s Lot from Sept. 9 to April 21, 2023. I hear the move is due to Covid-related delays in the post production realm. The Gary Dauberman-directed pic also had a handful of days of additional
We gotta wait a little while longer for Denis Villeneuve’s Dune: Part Two as Warner Bros has moved the Legendary film from Oct. 20, 2023 to Nov. 17, 2023. The new release date for Dune: Part Two has been a traditional launch pad for Warner Bros. having opened many Harry Potter and Fantastic Beasts movies in that pre-Thanksgiving space as well as Justice League. However,
Warner Bros. fired up James Gunn’s The Suicide Squad last night, the studio’s first Thursday preview in a long time arguably since pre-pandemic; the DC R-rated ensemble seeing $4.1M off showtimes that began at 7PM; the biggest for a R-rated movie during the pandemic. Previously, Universal/Blumhouse’s R-rated The Forever Purge made $1.3M on its Thursday night.
While the delta variant continues to be a stumbling block for the overseas box office, it’s not entirely certain that’s the continuing case at the domestic box office as more people become vaccinated. Despite comfort levels for moviegoing being down over the last three weeks per NRG, it’s not all doom-and-gloom with such parameters on
With the fall and early winter corridor being fiercely competitive, Warner Bros. is changing a trio of release dates in order to best position their movies. All of them will still go day-and-date on HBO Max (for first 31 days) with theatrical. With MGM/United Artists Releasing’s 007 movie No Time to Die on Oct. 8, Warners
Let’s celebrate victories where we can as the domestic box office looks to get on track from the pandemic. It took 12 weekends, but finally Warner Bros./Legendary’s Godzilla vs. Kong crossed $100M at the domestic B.O., becoming the second movie to do so after Paramount’s A Quiet Place Part II which did it in three weekends. GvK made
Third-party streaming viewership stat org Samba TV reports this morning that 693k U.S. households watched In the Heights on HBO Max in their live+3-day window. The news comes in the wake of the Warner Bros. feature musical losing the No. 1 spot at the weekend B.O. to the third session of Paramount’s A Quiet Place Part II, $11.5M to
SATURDAY UPDATE: Refresh for updates While it appeared that the summer box office was dusting itself off from the pandemic over the last two weeks, both newcomers Warner Bros. highly anticipated Jon M. Chu directed Lin-Manuel Miranda musical In the Heights and Sony’s Peter Rabbit 2: The Runaway are currently filing less than spectacular results respectively with a No.
The National Association of Theatre Owners, the Motion Picture Association, studios and industry figures are teaming for The Big Screen Is Back, a conference to be held on Wednesday, May 19 at the AMC Century City 15 in Century City, CA which will rally the comeback of exhibition as it reopens from the pandemic and present studios
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