Aquaman and the Lost Kingdom

Matthew Vaughn’s Argylle, the third Apple Original Films movie to go wide in cinemas, spied an estimated $35.3M global debut through Sunday, including $17.3M from 78 international box office markets. While that makes it the top title worldwide, overseas and domestically this frame, the ultra-expensive ensemble thriller was harshed on by critics and didn’t get
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Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set
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MONDAY AM writethru: Yes, Virginia, there is a Santa Claus, and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office, a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday, coupled by a Q4 impacted by the double strikes. The numbers were compiled from
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Releasing three tentpole movies into December, Warner Bros is walking away with bragging rights to giving the holiday season an important boost – particularly given the absence of an Avatar or a Spider-Man as in recent years. In total, WB’s three titles on release have grossed $700 million since Wonka first began offshore rollout on
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SATURDAY AM: Refresh for updates Yes, Virginia, there is a Santa Claus and he’s delivering the motion picture industry a $9 billion-plus year at the domestic box office; a feat many thought was unimaginable with the lack of a mega-tentpole over the holiday with a Q4 impacted by the double strikes. But it was a
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EXCLUSIVE: Saudi hit thriller Night Courier (Mandoob) has continued its record-breaking box office run at home in its second week on release, outpacing Aquaman and Dunki with just under three times the admissions of either picture. Per the figures of the movie’s Saudi distributor Front Row Arabia, the joint distribution label of Front Row Filmed
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Typically the momentum of Christmas moviegoing spills over into Dec. 26, but that wasn’t the case this year as Warner Bros’ Wonka led all titles with $8.9M — the second lowest take for a No. 1 movie after Christmas (since 2000) ahead of the studio’s own Wonder Woman 1984 which made $5.8M when a bulk
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It’s funky times at the holiday box office. At a glance, without a major monolith title in the marketplace and another pic leading with a single-digit take, it looks like a scenario of the tide failing to lift all boats. On Wednesday, it was Warner Bros.’ Wonka that won the day with $8M at 4,213
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Christmas week rang in an estimated $281.4M, +14% from the Dec. 23-29 period a year ago ($246.4M), indicating that moviegoing remains healthy post-pandemic for a family-heavy, yet diversified lineup of movies — this despite the lack of one big five-quad tentpole on marquees. Warner Bros./DC’s Aquaman and the Lost Kingdom won the week with $58.3M,
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Warner Bros/DC’s Aquaman and the Lost Kingdom began offshore rollout on Wednesday, and with numbers through Friday included has grossed $40.9M in 73 international box office markets. This portends a full overseas opening in the $70M range. With domestic’s three- and four-day, the global start will top $100M. Overseas, the UK debuted on Thursday, with
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Refresh for more ….Warner Bros’/DC’s Aquaman and the Lost Kingdom posted $4.5M last night at 3,400 locations while Illumination/Universal’s Migration did $1.5M in what is expected to be a slow weekend at the 4-day Christmas box office. That’s largely due to the fact that there isn’t a massive want-to-see movie in the marketplace, Aquaman 2
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After a domestic box office that’s been battered by double strikes, exhibition and the industry overall, we can thank Warner Bros for leaving three potential $100M-grossing movies under the tree: Aquaman and the Lost Kingdom, Wonka and The Color Purple. However, it’s not going to be a Christmas like those of yore, either pre- or
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When was the last time that Warner Bros had a hefty trifecta at the Christmas box office? No Oompa Loompa is set to jinx the David Zaslav-run Warner Bros Discovery over the holidays for by Christmas week, it’s conceivable that the studio will own the top three movies at the box office between DC’s Aquaman
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EXCLUSIVE: Warner Bros/DC’s Aquaman and the Lost Kingdom hit three week tracking with an outlook of $50M-$60M for the four-day. The James Wan directed sequel arrives in theaters on Dec. 22 and Christmas Day falls on a Monday this year. That means business for all movies will be off on Christmas Eve Sunday by -60%
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UPDATED, 11:07 AM: Dune: Part Two is just a little bit closer now. Warner Bros said today that Denis Villeneuve’s sequel starring Timothée Chalamet will open March 1, two weeks earlier that planned. PREVIOUSLY, August 24: In what was to be expected, Legendary Entertainment and Warner Bros’ anticipated sequel Dune: Part Two from Denis Villeneuve
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Warner Bros/Heyday Films’ Wonka has been granted a December 8 release in China, a week ahead of the domestic start and as part of an early overseas rollout for the Timothée Chalamet-starrer. Wonka will be going the same day as Universal/Illumination’s Migration in China. These are just two of a raft of Hollywood movies to recently
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In what was to be expected, Legendary Entertainment and Warner Bros’ anticipated sequel Dune: Part Two from Denis Villeneuve is moving off its November 3 theatrical release to March 15, 2024, due to the ongoing SAG-AFTRA strike. The sequel based on the Frank Herbert novel also will play Imax on its new date. Don’t be
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EXCLUSIVE: Deadline has learned that Warner Bros is making a slew of release-date changes next year. First of all, James Wan’s Aquaman and the Lost Kingdom needs more time in postproduction, so it’s moving from March 17, 2023 to December 25, 2023. You’ll remember the first Aquaman was released during Christmas 2018 and made $335.1 million domestic
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