Madame Web is headed East. Sony said today that its stand-alone origin tale from Marvel will hit China on March 1, two weeks after its North American bow. Dakota Johnson stars as Cassandra Webb, a paramedic in Manhattan who develops the power to see the future and realizes she can use that insight to change
China
Warner Bros/Heyday Films’ Wonka has been granted a December 8 release in China, a week ahead of the domestic start and as part of an early overseas rollout for the Timothée Chalamet-starrer. Wonka will be going the same day as Universal/Illumination’s Migration in China. These are just two of a raft of Hollywood movies to recently
In yet another move to increase its footprint in Asia, IMAX is expanding its partnership with Hengdian Films via an agreement for 20 new IMAX with Laser systems across China. This marks the largest deal for new IMAX systems in four years, reinforcing the strong demand among Chinese exhibitors and audiences for the premium experience
Disney/Marvel’s The Marvels has secured a China release on November 10, day-and-date with North America. The sequel to the $1 billion+ worldwide grossing Captain Marvel is the latest major studio tentpole to be granted access to the market since Oppenheimer went out August 30. It’s also wasting no time in spreading the word locally, leveraging
Christopher Nolan’s Oppenheimer officially launched in China today, grossing an estimated $5.4M. Word of mouth is strong with the Universal title carrying a 9.5 on Maoyan, the platform’s best-ever audience score for a Nolan film. The Douban critics score at 8.7 is on par with 2012’s The Dark Knight Rises. The weekend is shaping up to
Time was, Hollywood filmmakers would regularly travel to China in support of their movies, attending premieres and holding Q&As to drum up buzz in the massive box office market. The pandemic halted that ritual — until this week when Christopher Nolan became the first major Hollywood filmmaker since Covid to stroll a red carpet in
Disney’s live-action take on The Little Mermaid has been cleared for theatrical release in China, as has Fast X — the penultimate installment in Universal’s long-running Fast & Furious action franchise. Dates are still to be set for both films in the market which has increasingly been handing out day-and-date releases for Hollywood titles even
James Cameron’s Titanic is getting another release in China, this one timed to the 25th anniversary of the original film. An April 3 launch date has been set. The version going out on that day will be a remastered 3D 4K HDR update, as was the version that was released elsewhere in February, and will
In another sign of the return to China for Marvel after a long drought, Disney/Marvel’s Guardians of the Galaxy Vol. 3 has been set for a day-and-date release on May 5. The James Gunn-directed finale in the series is due to hit North American cinemas that same day while international rollout will begin on May
Universal/Illumination/Nintendo’s The Super Mario Bros Movie has become the latest Hollywood title to secure a release date in China. The big-screen spin on the iconic videogame franchise will hit Chinese cinemas on April 5, in time for Ching Ming Festival and in step with some other international markets as well as two days before the
Imax just cut a deal for six new big-screen installations in China this year — “a very positive development,” according to CEO Rich Gelfond. The company is a big player in the Chinese market, which is still strained by Covid lockdowns and in limbo for Western theatrical releases. He noted the new contract during a
Universal/Illumination’s Minions: The Rise of Gru bowed in China today (Friday), grossing an estimated RMB 21.74M ($3.2M), including midnights. This was good for the biggest opening day of a Hollywood animated film during the pandemic. Overall, and not including China’s Friday, Rise of Gru has grossed $461.2M at the international box office for $807.7M worldwide.
Refresh for latest…: As with domestic, a pair of new studio offerings opened at the international box office this weekend. However, the biggest grosses came from local pics in China where upcoming release dates for Hollywood continue to be a frustrating question mark. Getting to the studios first, in a 23-market rollout, Universal’s M Night
Disney’s Cruella has received a June 6 release date in China, which will see it start on a non-traditional Sunday next week. This is the latest Hollywood title to be confirmed by the Middle Kingdom with a shortened lead-time versus the usual 30-day advance. The Emma Stone-starrer began domestic and international box office rollout this
China has added a pair of Sony movies to the release calendar with Columbia Pictures’ Peter Rabbit 2: The Runaway set for June 11 — one week before its domestic bow — and Sony Pictures Classics’ Oscar winner The Father due on June 18. The Will Gluck-directed Peter Rabbit sequel opened early in Australia and
Fuel-injecting some mega-muscle into the international box office landscape, Universal’s F9 has been set for a May 21 release date in China, a full five weeks before it is due to speed out domestically on June 25. But China won’t be the only overseas market to release early, as I hear several other key hubs
With a confirmed, and late-breaking, re-release date, Peter Jackson’s The Lord Of The Rings: The Fellowship Of The Ring has been scheduled to hit China’s movie theaters tomorrow (April 16). The second film, The Lord Of The Rings: The Two Towers, will follow next Friday, April 23. The Oscar-winning New Line trilogy will play in
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong thrashed off to a $21.5M (RMB 140M) start in China today, good for the best opening day of a Hollywood title in the market since Covid began and portending a weekend in the high $60Ms. The film positively dominated the Middle Kingdom with an 88% share and played on
Refresh for latest…: As we first reported yesterday, James Cameron’s Avatar is again king of the all-time worldwide box office, having snapped the title back from Avengers: Endgame thanks to a very robust China reissue this session. The full three-day frame in the Middle Kingdom is estimated at $21.1M, also giving the sci-fi epic bragging
As has been expected over the past few days, James Cameron’s Avatar has swapped places with Avengers: Endgame, reclaiming the title of highest-grossing movie ever worldwide. The China reissue of the 2009 3D sci-fi phenomenon had taken an estimated RMB 58M ($8.9M) through 5PM local time on Saturday after re-releasing on Friday in the market.
UPDATE with amended pre-sale figures, writethru after Wednesday post: Long-rumored for a China re-release, James Cameron’s Avatar suddenly popped onto the calendar this week. The erstwhile highest-grossing film of all time worldwide will hit Middle Kingdom cinemas on Friday, March 12. In so doing, it has a chance to jockey back up to the No.
On Wednesday, Chinese New Year box office achieved yet another new milestone with grosses for the holiday period growing to an estimated RMB 7.78B ($1.2B). This beats the previous all-time high set during the comparable 2019 holiday (RMB 5.9B). China often outdoes itself, but the fact that 2021’s Lunar New Year frame came with Covid
Chinese moviegoers ushered in the Year of the Ox with the colossal three-day debut of Detective Chinatown 3 grossing an estimated RMB 2.57B ($398M). This tops Avengers: Endgame’s 2019 five-day China bow of RMB 2.22B to make DC3 not only the biggest opener in Chinese history, but also giving it bragging rights to the biggest
Disney/Pixar’s Soul continues to shine overseas with a $96.2M cume after seven frames. In 11 markets this session, the Pete Docter-helmed original added $6.9M to its international box office kitty with No. 1s again in Russia and Korea. In China, it has surpassed Incredibles 2 to become the market’s 2nd highest-grossing Pixar title ever. China
As 2021 dawned, China shot straight out of the box office gate with a new record. On Friday, the market hit a milestone for New Year’s Day. Estimates are coming in for January 1 at about RMB 600M ($92M), besting the same day in all previous years. The big result was generated largely by new
Warner Bros/DC’s Wonder Woman 1984, as expected, landed at No. 2 in its China debut on Friday, coming in behind local actioner The Rescue. The Patty Jenkins-helmed sequel to 2017’s Wonder Woman grossed an estimated RMB 44.2M ($7M, including sneaks). This portends a weekend in the mid $20M range for the Middle Kingdom, lower than
Monster Hunter director Paul W.S. Anderson has weighed in on the controversy surrounding the film, which was pulled from Chinese cinemas during its opening weekend amid backlash over a line of dialogue that has been perceived as racist by local audiences. In a statement provided to Deadline, Anderson says he is “devastated” and “mortified” that
Germany’s Constantin Film has issued an apology over dialogue in its feature game adaptation Monster Hunter which led to an online backlash in China this weekend, and subsequently resulted in the movie being pulled from Middle Kingdom cinemas. Constantin says it “sincerely apologizes to Chinese audiences for a line of dialogue contained in an early
An online backlash that swirled in China on Friday over a scene in Monster Hunter has resulted in the movie being pulled from the country’s cinemas. The Paul WS Anderson-directed feature game adaptation had been eyeing the market as one of its biggest plays, but a short exchange in the film has been perceived as
More news on the Monster Hunter and Wonder Woman 1984 fronts with China dates now set for both films. The former, starring Milla Jovovich, has landed a December 4 release in the Middle Kingdom while Warner Bros/DC’s Gal Gadot sequel is due on December 18. Contrary to the situation domestically, where Deadline recently reported the