Refresh for latest…: Taylor Swift: The Eras Tour may have missed the century mark in regards to a domestic opening, but the 12x Grammy winner was always guaranteed that number worldwide, with AMC reporting this AM that the Sam Wrench-directed concert pic has racked up $126M-$130M. The international box office opening is estimated at $31M-$33M.
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Cannes Palme d’Or winner Anatomy Of A Fall from Neon grossed $125,377 at five theaters for a per screen average of $25,075 — a solid limited opening for the Justine Triet-directed film that made its theatrical debut Friday in NYC, LA and San Francisco. A limited expansion is planned for next week. Sandra Hüller stars
EXCLUSIVE: Byron Allen’s Freestyle Digital Media has picked up the North American VOD rights to Emmy winning filmmaker Kern Konwiser’s documentary, Still a Black Star about Japanese artist and environmental activist Mago Nagasaka. The pic will debut on VOD platforms and on DVD on Nov. 7 before a theatrical premiere at Laemmle Theaters in Los
SAG-AFTRA Chief Negotiator and National Executive Director Duncan Crabtree-Ireland is very happy with Taylor Swift and not so happy with Netflix co-CEO Ted Sarandos. We spoke with Crabtree-Ireland today at New York Comic-Con where he took the stage for a panel about AI. Talks collapsed on Wednesday night between studios and SAG-AFTRA following the guild’s
Update: The Sydney Sweeney and Glen Powell romantic comedy, Anyone But You is now opening on Dec. 22 instead of Dec. 15. The new release date gives the feature the potential to play into the Christmas four-day weekend, moviegoing always spiking after the holiday. Christmas falls on a Monday this year. First look image above
The AMC distributed Taylor Swift: Eras Tour concert movie officially made $2.8M in Thursday night previews. We told you last night that the rough estimate was below $5M. The pic played in 2,700 theatres with showings last night beginning at 6 p.m. local time. Remember, these previews aren’t indicative of how the weekend will go.
Two experimental films executive produced by Steven Soderbergh — Eddie Alcazar’s Divinity and Godfrey Reggio’s Once Within A Time – join Neon’s anticipated Anatomy Of A Fall, Cannes Palme d’Or winner, in theaters today, a bit of counter-programming on a weekend dominated by Taylor Swift: The Eras Tour. Divinity, in a dark and creepy future populated by bodybuilders hooked on an
EXCLUSIVE: There’s a reason why her last name is Swift. The 12x Grammy award winner, the day after the world premiere of her AMC-distributed concert movie, Taylor Swift: The Eras Tour, found her way back to Kansas City for the Chiefs’ NFL game vs. the Denver Broncos. Why? Because her movie is opening tonight, dummy.
Imax said today it won’t proceed with its proposed acquisition of the outstanding stake in Imax China after a vote of shareholders of its subsidiary fell short. Some 70% of the shares voted were in favor of the deal, but those against exceeded the 10% threshold required by Hong Kong law to defeat a privatization transaction. Approximately
The National Association of Theatre Owners has expanded the purview of its government relations chief Todd Halstead to include a new position, director of Independent Exhibitor Engagement. In the role, which is dedicated to indie theater owners, Halstead will collaborate with NATO’s Independent Theatre Owners Coalition (ITOC) “to help the group thrive.” The indie theater
A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld). The film, based on a
Who else but hosts Wendy Stuart and Tym Moss could “spill the teaâ€Â on their weekly show “If These Walls Could Talk†live from Pangea Restaurant on the Lower Eastside of NYC, with their unique style of honest, and emotional interviews, sharing the fascinating backstory of celebrities, entertainers, recording artists, writers and artists and bringing their
Refresh for latest…: Just as it came in lower than hoped for domestically, Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer didn’t fully convert overseas audiences, summoning a $17.9M international box office debut for $45.1M global. The R-rated David Gordon Green-directed reboot/sequel did see some of its 52 launch markets give it a No. 1 start, while in
A wacky film based on a stage show by comedians Aaron Jackson and Josh Sharp, Dicks: The Musical – a riff on The Parent Trap with two adult men as the starring twins — opens in seven theaters in New York, Los Angeles and San Francisco on a crowded specialty weekend as theatrical releases of fall film festival titles accelerates.
David Gordon Green’s The Exorcist: Believer kept the horror peace train going at the box office with $2.85M in previews last night on its way to a potential high $20M to $30M start at the box office. Previews began at 5PM yesterday in 3,050 theaters. Universal has Imax and PLFs on this one. Exorcist: Believer‘s
Why are people acting so crazy these days? Because crazy behavior is becoming the new normal.  In other words, what was clearly insane ten years ago is normal today. Why? One of the most potent causes is what researchers call “toxic leadership.” We have an example of toxic leadership in the firing of the Speaker of
The 11x Oscar nominee remembered the late distribution boss on Wednesday night at the Will Rogers Pioneers Dinner, the two having worked together during the latter’s time at Weinstein Co. with The Master and at MGM with Licorice Pizza. Paul Thomas Anderson had the first 70MM made movie in 20 years with 2012’s The Master;
Taylor Swift: The Eras Tour concert film had sold more than $100 million in advance tickets globally as of today, according to AMC Theatres Distribution and AMC Entertainment as the film is set to opens at close to 8,500 theatres across 100 countries in a week. Audience demand “has been incredible” across the U.S., AMC
Laughs blended with tears tonight at the Beverly Hilton as many in Hollywood remembered late MGM Theatrical Distribution Boss and big screen champion Erik Lomis who was lauded posthumously with the Will Rogers Motion Picture Pioneers Foundation‘s Pioneer of the Year award. Lomis passed suddenly at 64 on March 22. It was a fitting tribute
Augustus Meleo Bernstein’s new movie At the Gates is getting a November 3 theatrical release date in New York and Los Angeles from Picturehouse. The Beacon Pictures and Five Towers production stars Miranda Otto, Noah Wyle, Ezekiel Pacheco, Vanessa Benavente and Sadie Anne Stanley. Bernstein wrote and directed in his feature debut. In the movie,
The National Association of Theatre Owners (NATO) Executive Board of Directors has elected B&B Theatres President & CEO Bob Bagby as the new NATO Executive Board Chair. He’ll be taking over for previous chair, Rolando B. Rodriguez, who is exiting; his retirement as the top executive at Marcus Theatres announced last year. In addition, Harkins Theaters
Broadway‘s starry Merrily We Roll Along revival had another strong run of previews last week, grossing a hefty $1,471,644 and setting another house record at the Hudson Theatre. The Stephen Sondheim-George Furth musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez topped the venue’s previous seven-performance record of $1,431,543, held by David Byrne’s American Utopia.
Universal/Blumhouse/Morgan Creek’s The Exorcist: Believer will continue horror’s head-spinning roll at the autumn box office with a $30M-$36M domestic start at 3,600 locations. Currently, the R-rated reboot/sequel is trending demo-wise like The Nun 2, which saw a $32.6M opening, meaning it’s great with the 18-34 demographic, Hispanic and Latino audiences as well as older guys.
EXCLUSIVE: Sources are telling us that the first day presales for the top three exhibitors stateside for Renaissance: A Film by Beyoncé is estimated to be around $6M-$7M+. Note these figures do not come from AMC. An official number from AMC could conceivably come in higher, if they release one. We understand that on Fandango,
SUNDAY AM Final: Paw Patrol: The Mighty Movie is lapping up $23M, a big win for Paramount and Spin Master, as the picture is part of a $14 billion global retail franchise which both companies get a nice cut from. And successful movies drive toy sales. It was part of Brian Robbins’ plan when he
Story Ave starring Luis Guzman grossed $9.85k in a limited opening at one theater, Quad Cinema, with multiple sold-out shows. The first feature from director Aristotle Torres, which won for Best Cinematography at SXSW (see Deadline review) expands to Chicago and the Bronx next week, followed by LA and additional markets October 13. Guzman plays a
Refresh for latest…: Here we are with a sort of hybrid weekend at the international box office: there were fresh entries from the Hollywood studios, as well as major new titles timed to holiday play in local markets, and a holdover that’s continuing to rack up records. On the studio side, Paramount/Spin Master’s Paw Patrol:
EXCLUSIVE: Apple Original Films and Paramount‘s Killers of the Flower Moon landed on more tracking services Thursday. The three-hour-plus epic directed by Martin Scorsese and starring Leonardo DiCaprio is set for an opening around $24 million when it goes wide on October 20. Duly note, that new tracking service Quorum, which does six-week projections, had
A really wet Friday in New York – National Weather Service flash flood warning wet – is likely to take a bite out of specialty film in one of its biggest markets this weekend. Alamo Drafthouse shut its NYC locations in Manhattan, Brooklyn and Staten Island until further notice due to “severe flooding in and
Updated: Deadline has learned exclusively that the theatrical release date for Beyonce Renaissance World Tour is looking like Dec. 1, the post Thanksgiving/Black Friday weekend frame which is typically a dead zone at the box office. AMC didn’t respond to request for comment. Interesting that AMC is looking to hit a grand slam in 2023
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