When Deadline runs its Most Valuable Blockbuster film profitability countdown each year, readers often ask about certain films that make big bucks but don’t make the list because they don’t hit the minimum on domestic grosses. Here are five pics that deserve honorable mentions for 2019. (The takeaway for all the overachievers: screw Disney.) THE FILM
Parasite
The Parasite train keeps on gaining traction. The four-time Oscar-winning Bong Joon-ho dark comedy is crossing $50M right now at the domestic box office — but the real question is, can it beat Life Is Beautiful’s box office gross of $57M. If it maintains its momentum, signs are pointing to yes. As its Imax run comes to
Here’s something to sail NEON’s Parasite past the $50M mark at the domestic box office: The 4x Oscar winner, including, best picture is getting an Imax release in 214 U.S. and Canadian auditoriums tomorrow for a one week release. The Cannes Palme d’Or winning movie was digitally re-mastered into the Imax format. In the wake of making
The indie distributor Neon is becoming the cool, popular kid in Hollywood and on the box office playground since they dominated the Oscars with the multiple Parasite wins. This weekend, the distributor, founded by Tim League and Tom Quinn, saw the return of Portrait of a Lady on Fire in theaters, while Parasite took a victory lap after winning
Refresh for latest…: Paramount’s Sonic The Hedgehog raced to a $100M worldwide opening this weekend, including $43M from the international box office, and a domestic record for a videogame pic. The adaptation of Sega’s globally popular property is playing in 40 offshore markets, repping 60% of the overseas footprint. Directed by Jeff Fowler, Sonic had
With the 2020 summer Olympics around the corner, the timing of the release of the IFC Films romantic comedy Olympic Dreams couldn’t be any more perfect — but this isn’t an ordinary rom-com or a film about the Olympics. Directed by Jeremy Teicher (Tracktown, Tall as the Baobab Tree, Speed Goggles), who co-wrote it with his wife
Who says theatrical is dead? Despite Bong Joon Ho’s historic Best Picture Oscar winner Parasite already being available on DVD and SVOD, there’s a huge appetite among moviegoers following Sunday’s awards ceremony to watch it on the big screen this weekend. As of EOD Monday, advance ticket sales for Parasite had jumped 443% week over week
Newly minted four-time Oscar winner Bong Joon Ho is being hailed in his native South Korea and elsewhere today for Parasite’s history-making achievement in becoming the first foreign-language film to win the Best Picture Academy Award. From social media salutes to an official message from President Moon Jae-in, the Bonghive is abuzz. Moon congratulated Parasite
While a post-Oscars box office boost was already expected for Bong Joon Ho’s Parasite tonight even with Best International Film and Best Director wins, now with a Best Picture win, the pic has a shot to go into the $40M-plus zone, possibly even more. The NEON release, after winning the Palme d’Or at the Cannes Film
The Roadside Attractions Vietnam War drama The Last Full Measure had a solid debut this weekend earning an estimated $1,055,335 on 614 screens. Crossing the million-dollar mark on its first weekend out, the 2020 release is a decent start for Roadside after stellar box office numbers in 2019 with awards season contenders Judy and The Peanut Butter Falcon.
EXCLUSIVE: Following its six Oscar nominations, Bong Joon Ho’s Parasite is bolstering its presence in theaters in the U.S. — but it’s going to look a little different. Neon is teaming with the Film at Lincoln Center in New York and the American Cinematheque in Los Angeles to release the highly anticipated black and white
Oscar nominations continue to make a difference at the box office, and the box office continues to be important to Oscar contenders. At a time when prestigious, financially risky award bets are often destined to Netflix, nothing beats having that extra exhilaration from great ticket sales, as studios vie to raise the profiles of their
The GKIDS anime feature Weathering with You made its U.S. debut on over 450 screens this weekend and the forecast was very sunny, as the Makoto Shinkai pic shined with a 3-day weekend estimate of $1,701,195. It is on track or a 4-day weekend estimated gross of $2,007,523. Its two-day preview of fan screenings banked $3,046,250
This weekend will be a little more retro and lo-fi with the release of Oscilloscope Laboratories’ forthcoming comedy VHYes from writer and director Jack Henry Robbins. In limited release, the pic is a new take on the found footage genre — and it’s all shot entirely on VHS. For those of you who aren’t familiar, VHS
Amazon Studios released Les Misérables gripping police brutality drama, and despite being a Cannes Jury Prize winner, recent Golden Globe nomination, and being France’s official Oscar entry for Best International Feature, the film opened to a disappointing low, earning an estimated $24,414 in its four runs in New York and Los Angeles. It seems that the
As blockbusters battled it out at the box office, the specialty space hit high notes with Judy, flew with The Peanut Butter Falcon, shined with Uncut Gems and gave us one helluva Farewell. Major box office strides were made in 2019 with fare from indie, art-house-driven distributors that delivered confident numbers, proving that audiences are craving bold and
In its tenth weekend at the box office in a limited release at 306 theaters, NEON’s Parasite continues to suck up cash and counts $20.3M at the domestic box office. At that B.O. level, for a film that’s from a foreign country and entirely in a different language, Parasite is very, very close to busting into the top 10
Despite pumping out some of the most riveting cinema in the world, South Korea has long flailed at the domestic box office. Until now, with NEON’s release of Bong Joon-ho’s Cannes Film Festival Palme D’or winner Parasite, which soared past $11.278M this weekend, with many distribution sources projecting the pic’s stateside endgame at $20M. Worldwide,
All was fairly quiet on the specialty box office front for the first weekend of November when it came to new releases, which gave the opportunity for Neon’s critically-acclaimed Parasite to flourish even more and the Fox Searchlight’s World War II satire Jojo Rabbit to shine brighter. However, things didn’t turn out so well for this weekend’s
In a busy weekend at the box office — specialty and otherwise — Taika Waititi’s Jojo Rabbit moved ahead of the class. Opening in New York and Los Angeles in a total of five theaters, the World War II satire earned an estimated $350,000 for the weekend, with a per-screen average of $70,000. That should put
Everything was peachy for Bong Joon-ho’s critically acclaimed Parasite, as it latched on to the specialty box office this weekend, dominating with an estimated gross of $376,264 and a per-screen average $125,421. That makes it the highest for 2019 and tops the opening of La La Land in 2016. It has also earned the title
As Jokers, Gemini men and charmingly eccentric spooky families hit the theaters this weekend, there is one movie that is looking to latch on to the box office and shake things up. Auteur Bong Joon-ho’s Parasite has already been released abroad and has been making its festival runs leading up to what Neon hopes to be a
Warner Bros/Village Roadshow/Bron Studios’ Joker earned $13.9 million on Tuesday, easily making it the best Tuesday at the October box office and continuing to pummel Sony’s Venom records from a year ago. That movie owned the previous October Tuesday high of $8.2M. The domestic total for Todd Phillips’ R-rated movie stands at $119.8M through five days,