There was further good news from the international box office this weekend, even as it continues to be clear that markets need fresh titles to keep the reopening momentum going — be they local, from Hollywood or even reissues of older event pictures. We remain in uncharted waters around the globe. But progress in the
1917
China’s third Friday back to the movies scored a slight increase on last week’s comparable day at $4.38M. It’s short of the $7.6M generated last Sunday which was boosted by Warner Bros’ reissue of Christopher Nolan’s Interstellar, but still a jump on last Friday, while midweeks were solid. Play today was led by DreamWorks/Amblin/Universal’s 1917
EXCLUSIVE: Wasting no time as cinemas prepare to reopen beginning next week in most of China, a first batch of titles due for release has been identified. Universal’s Dolittle has been granted a July 24 date while we understand that Sony’s Bloodshot, handled locally by Bona Film, will also go out that same day. This
When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that
France’s National Film Center, the CNC, has taken measures to relax the country’s notoriously strict windows policy during the coronavirus pandemic. A reduction from the traditional four-month delay between theatrical release and DVD or TVOD was earlier granted for all titles that were already in cinemas on March 14, while movies whose release was set
Refresh for latest…: Universal/Blumhouse’s The Invisible Man made its first appearance at the international box office this weekend, scaring up $20.2M in 47 markets. Combined with the strong domestic start, the Leigh Whannell-directed pic debuted to $49.2M globally. In like-for-like offshore openings, the Elisabeth Moss-starrer is tracking in line with Lights Out, A Quiet Place
Refresh for latest…: Paramount’s Sonic The Hedgehog raced to a $100M worldwide opening this weekend, including $43M from the international box office, and a domestic record for a videogame pic. The adaptation of Sega’s globally popular property is playing in 40 offshore markets, repping 60% of the overseas footprint. Directed by Jeff Fowler, Sonic had
EXCLUSIVE: Sam Mendes’ WWI epic 1917 has become eOne’s highest grossing release ever in the UK, overtaking The Twilight Saga: Breaking Dawn Part 2, with a local grab of £36.2M ($46.9M) through Monday. The milestone hit this past weekend after 1917 dominated the BAFTA Awards on February 2, followed by Oscars this past Sunday for
While a post-Oscars box office boost was already expected for Bong Joon Ho’s Parasite tonight even with Best International Film and Best Director wins, now with a Best Picture win, the pic has a shot to go into the $40M-plus zone, possibly even more. The NEON release, after winning the Palme d’Or at the Cannes Film
Sony’s Bad Boys For Life continues to lead the international box office, taking the top spot for the 3rd weekend in a row. The offshore frame was $30.8M in 63 markets for an overseas cume of $142.7M and a worldwide total of $291M to date. Globally, it’s the biggest in the franchise and is holding
Refresh for latest…: Sony’s Bad Boys For Life kept the joyride going in its sophomore session at the international box office. The weekend was worth $42M in 58 markets for an offshore cume of $95M and bringing global to $215M. The overseas drop was 39% in the holdover hubs. Following last week’s debut, the well-received
Oscar nominations continue to make a difference at the box office, and the box office continues to be important to Oscar contenders. At a time when prestigious, financially risky award bets are often destined to Netflix, nothing beats having that extra exhilaration from great ticket sales, as studios vie to raise the profiles of their
Refresh for latest…: Seventeen years after the release of Bad Boys II, Sony’s Bad Boys For Life dominated domestic, overseas and global turnstiles in its debut, and will cross $100M worldwide when including the domestic four-day weekend. At the international box office, the Will Smith/Martin Lawrence cop flick set a new franchise record launch of
Sony’s Bad Boys for Life, a sequel 17 years in the waiting, previewed at 3,154 theaters last night making a great $6.36M. That amount for the R-rated film is bigger than American Sniper‘s $5.3M preview, which turned out to be the record opener over the 2015 MLK holiday with a 4-day of $107.2M. Sony is seeing a $38M
After Will Smith notched the biggest-grossing film of his career with last summer’s $1 billion hit Aladdin, can he keep the box office heat wave going with Martin Lawrence in reviving their Bad Boys franchise? The third film, Bad Boys for Life, finally arrives over MLK weekend 13 years after the second movie, with a projected take
Refresh for latest…: Sam Mendes’ 1917 takes the worldwide crown this weekend with $56.4M. The Golden Globe Best Picture (Drama) winner from DreamWorks/Amblin/Universal was tops domestically and added $19.92M at the international box office from 30 Amblin and Universal markets. The global total through Sunday brings the estimated worldwide cume to $60.4M. The one-shot movie
Golden Globe Best Picture Winner for Drama, 1917, got off to a bang on Thursday with $3.25M in previews that began at 7PM in 2,900 theaters. The Sam Mendes-directed WWI pic, which debuted in 11 theaters in cities like NY, LA and DC, on Christmas Day, goes wide today in 3,434 theaters. The movie is
Sam Mendes’ Universal/Amblin WWI pic 1917 already is seeing a Golden Globes bounce from its surprise wins for Best Motion Picture – Drama and Director. Fandango reports a boost in advance sales this morning for 1917, selling five times more tickets than the film did a week ago for the Sunday-Monday overnight. Industry projections see the movie
As the specialty box office enters 2020, but Uncut Gems continues to gain momentum for A24 as it had an incredible holdover from its third week expanding to 2,686 theaters and earning an estimated $7,826,928 for the weekend. The critically acclaimed Safdie Brothers crime thriller which stars Adam Sandler in what many are calling a career-defining
The specialty box office space was hustling and bustling on the holiday weekend as moviegoers came out to theaters after unwrapping gifts, eating endless amounts of Christmas cookies or just wanting to take a desperate break from family fun time. A handful of limited releases performed strongly over the five-day Christmas weekend. Universal and DreamWorks
Sam Mendes’ World War I drama 1917 is set to open in limited release this weekend. Moviegoers may be skeptical as they ask themselves, “Do we really need another World War I movie?” but with a certified fresh Rotten Tomatoes critics score of 93%, 1917 is proving to be a must-see film, awards season or otherwise. Co-written
Christmas Eve Update: Disney’s Star Wars: The Rise of Skywalker took in $29.3M on Monday, -27% from Sunday for a 4-day + previews total of $206.7M. The film will remain undefeated with a second weekend in the $70M-$80M range, and the wide entries opening on Christmas Day won’t siphon off any grosses including Sony/Regency’s Little Women ($18M-$22M