Refresh for latest…: While the horror genre was the biggest global draw this weekend, the results are far from horrific — and therein is something to be said about the communal experience of scary movies. New Line/Warner Bros’ The Conjuring: The Devil Made Me Do It led the international box office with $26.8M from 43
International Box Office
Refresh for latest…: It was a busy weekend at global turnstiles, with a particularly noisy start for Paramount’s A Quiet Place Part II. The John Krasinski-helmed sequel came out shouting with a $22M overseas debut in just 12 markets for a worldwide opening of $70.4M including the three-day $48.4M North American haul. AQP2 did better
Disney’s Cruella has received a June 6 release date in China, which will see it start on a non-traditional Sunday next week. This is the latest Hollywood title to be confirmed by the Middle Kingdom with a shortened lead-time versus the usual 30-day advance. The Emma Stone-starrer began domestic and international box office rollout this
Paramount’s A Quiet Place Part II is looking to make some noise in China with a last-minute release date now set for this coming Friday (May 28). This is notable given that the first John Krasinski-helmed thriller was among the rare horror pics to gain access to the Middle Kingdom, and then was even granted
China has added a pair of Sony movies to the release calendar with Columbia Pictures’ Peter Rabbit 2: The Runaway set for June 11 — one week before its domestic bow — and Sony Pictures Classics’ Oscar winner The Father due on June 18. The Will Gluck-directed Peter Rabbit sequel opened early in Australia and
Universal’s F9 put the pedal to the metal in its Korea bow with $3.4M (3.9M won) on day one today. That’s the best opening day ever for the Fast & Furious franchise in the market, as well as the top opening of all films in Korea since the pandemic began — even coming in ahead
The Toretto family will be back in action this week as Universal’s F9 speeds into early offshore release beginning in Korea and Hong Kong on Wednesday, followed by Russia and the Middle East on Thursday and China on Friday. In those markets combined, F9 is looking to drive off with an opening weekend in the
Refresh for latest…: A significant week is ahead at the international box office as Universal’s F9 starts its engines in a handful of major markets including China, Russia and Korea — and as the UK and France will reopen cinemas after a roughly seven-month shutdown. In the meantime, Fast & Furious franchise alum Jason Statham’s
There’s excitement in the air — and a whole lot of movies lined up — across the UK and France as cinemas are set to reopen in both markets this week after roughly seven months of darkened screens. Below we take a look at how the situation is shaping up in these majors. In the
EXCLUSIVE: Cineworld has concluded a deal with Disney to show the studio’s movies at its Regal chain in the U.S. and its cinemas in the UK, Deadline has learned. This now means the world’s No. 2 exhibitor has new agreements in place with three of the major studios: Disney, Warner Bros and Universal, the latter
Refresh for latest…: Yet another international box office frame was led by Chinese movies in their home market as local May Day holdovers continued play coming off a record holiday session. While a handful of studio titles are doing business in other pockets of the world, we are in something of a holding pattern until
Refresh for latest…: After a couple of relatively slow sessions, China turned up the heat again this weekend as the five-day May Day/Labor Day holiday dawned. At least 10 new local titles released across Friday and Saturday with romance drama My Love in the lead through Sunday at an estimated RMB 424M ($65M). It was
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong has reached a new global benchmark, crossing $400M with a cume through Sunday of $406.6M worldwide. Of that, $320M comes from the international box office in 41 markets. The monster mash, already the biggest Hollywood movie of the pandemic era, continues to track above its Monsterverse predecessors.
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong is approaching the $400M global mark, as it topped $300M at the international box office this weekend. Adding $12.2M from 41 overseas markets (a good -49% hold), the monsters have cumed an estimated $309.7M offshore for $390.2M worldwide through Sunday. After overtaking Tenet as the No. 1
Fuel-injecting some mega-muscle into the international box office landscape, Universal’s F9 has been set for a May 21 release date in China, a full five weeks before it is due to speed out domestically on June 25. But China won’t be the only overseas market to release early, as I hear several other key hubs
With a confirmed, and late-breaking, re-release date, Peter Jackson’s The Lord Of The Rings: The Fellowship Of The Ring has been scheduled to hit China’s movie theaters tomorrow (April 16). The second film, The Lord Of The Rings: The Two Towers, will follow next Friday, April 23. The Oscar-winning New Line trilogy will play in
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong continues to dominate the global and international box office, now with a $288.3M cume offshore for $357.8M worldwide. It will soon cross Tenet globally and overseas. Domestically, it has overtaken Tenet to become the No. 1 grossing movie of the pandemic era. The full overseas weekend was
Refresh for latest…: After logging the best pandemic-era start for a Hollywood movie at the international box office last weekend, Warner Bros/Legendary’s Godzilla Vs Kong has punched up $285.4M worldwide through Sunday. The overseas running total, which added $76.1M this weekend, is $236.9M, giving GVK bragging rights as the quickest studio movie released during Covid
Refresh for latest…: Warner Bros/Legendary’s Godzilla Vs Kong thrashed off to a $21.5M (RMB 140M) start in China today, good for the best opening day of a Hollywood title in the market since Covid began and portending a weekend in the high $60Ms. The film positively dominated the Middle Kingdom with an 88% share and played on
Cineworld Group today reported its first-ever annual operating loss with the figure dropping over $2.98B in 2020 as compared to 2019. The previous year had seen profits of $724.7M while the period ended December 31, 2020 was at a negative $2,257.7M. The results were severely impacted by the Covid pandemic which forced the group to
Warner Bros/Legendary’s Godzilla Vs Kong will slug it out in 38 offshore markets this weekend beginning Wednesday in such hubs as Mexico, Taiwan, Indonesdia and India; followed by Russia, Korea and Australia among others on Thursday and China notably on Friday. The Adam Wingard-directed pic is releasing abroad ahead of domestic which falls on March
Refresh for latest…: James Cameron’s Avatar held the top spot at the global and international box office this weekend with $14.1M in China for the Friday-Sunday frame. The 2009 sci-fi epic re-released in the Middle Kingdom last weekend — when it reclaimed the title of all-time highest-grossing movie worldwide from Avengers: Endgame — and now
Japanese box office phenomenon Demon Slayer – Kimetsu No Yaiba – The Movie: Mugen Train has been set for a North American theatrical release on April 23. Aniplex of America and Funimation are distributing the anime adaptation which in December became the highest-grossing film in Japanese history, dethroning Spirited Away, which had held the title
Refresh for latest…: As we first reported yesterday, James Cameron’s Avatar is again king of the all-time worldwide box office, having snapped the title back from Avengers: Endgame thanks to a very robust China reissue this session. The full three-day frame in the Middle Kingdom is estimated at $21.1M, also giving the sci-fi epic bragging
As James Cameron’s Avatar once again became the highest-grossing film of all time worldwide today, a long-held Hollywood tradition of the previous record-holder paying homage continued. Marvel Studios, whose Avengers: Endgame was just eclipsed by Avatar, tweeted congratulations to Cameron, as well as producer Jon Landau and “all of the Na’vi Nation” for “reclaiming the
As has been expected over the past few days, James Cameron’s Avatar has swapped places with Avengers: Endgame, reclaiming the title of highest-grossing movie ever worldwide. The China reissue of the 2009 3D sci-fi phenomenon had taken an estimated RMB 58M ($8.9M) through 5PM local time on Saturday after re-releasing on Friday in the market.
UPDATE with amended pre-sale figures, writethru after Wednesday post: Long-rumored for a China re-release, James Cameron’s Avatar suddenly popped onto the calendar this week. The erstwhile highest-grossing film of all time worldwide will hit Middle Kingdom cinemas on Friday, March 12. In so doing, it has a chance to jockey back up to the No.
Scoring another record with a local title in Japan, IMAX has had its best opening day ever for a film there with Shin Evangelion. Overall, the movie, which is the fourth and final installment in the Rebuild Of Evangelion series, grossed nearly 828M yen ($7.6M). Of that, the IMAX portion was $740K. The sci-fi animated
Refresh for latest…: Disney’s Raya And The Last Dragon didn’t exactly come roaring out of the gate at the international box office with $17.6M from 32 markets. The global bow, including domestic’s launch, was $26.2M. Double-digit million-dollar debuts for Hollywood movies in the pandemic era are still a rare positive — and we’ve certainly seen
German Chancellor Angela Merkel on Wednesday extended Germany’s current lockdown to March 28, while also unveiling plans to relax certain Covid restrictions. Under a five-step process, cinemas may be able to reopen beginning March 22 at the earliest (this would be part of Stage 4). All will depend on the infection rate, and Stage 4
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