The Roundup: Punishment, the fourth film in the blockbuster Korean franchise, has set a new all-time opening day presales record in its home market. Releasing there today, the crime actioner that stars and is executive produced by Ma Dong-seok (aka Don Lee), had amassed over 834,000 ticket reservations as of Wednesday morning local time, accounting
International Box Office
Refresh for latest…: For the fourth weekend in a row, Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire was the top studio movie at the global and international box office. While it’s true there have not been a whole lot of wide releases on a worldwide level since the start of the year, it’s
Refresh for latest…: As it crossed the $1B international box office milestone this past weekend, Warner Bros again owned the frame with Godzilla x Kong: The New Empire and its third session haul of $33.7M from 71 markets. That was good for a 47% drop from the previous weekend and lifts the overseas cume to
Led by Dune: Part Two and Godzilla x Kong: The New Empire, Warner Bros has crossed the $1B mark at the international box office, becoming the first studio to reach the milestone this year. Getting there in just 15 weeks, this also sets a new speed record for WB, besting the 17 weeks it took
Following a slightly stronger than projected first quarter at the international box office, and with some titles added to the release calendar later in the year, Gower Street Analytics has increased its global box office projection for 2024 to $32.3B. This is a 2.5% hike from the London-based firm’s previous 2024 estimate of $31.5B, but remains a
UPDATE, EXCLUSIVE: Hit Vietnamese romance drama Mai has notched yet another new milestone, reaching $2M in North America and Europe box office in just two weeks. That makes it the highest grossing Vietnam-produced film of all time on the two continents. Heading into its third weekend of international release, Mai now has a global box
Fack Ju Göhte spinoff Chantal in Fairyland (Chantal im Märchenland) capitalized on its strong start in Germany last Thursday, turning in a weekend performance for the record books. With $6.2M through Sunday, the time travel adventure from Constantin Film scored the best Easter opening frame ever for a German movie in the home market, as
Eight months after it began global release, Christopher Nolan’s Oppenheimer opened in Japan today. The Best Picture Oscar winner about the race to develop the atomic bomb has been met with a mix of reactions, some praising the movie and some finding it uncomfortable to watch. There also have been reports of confusion over the
Warner Bros/Legendary Entertainment’s Godzilla x Kong: The New Empire is out and roaring at the international box office, generating $15.9M from 49 markets through its first two days overseas. Not included in that total is the strong China opening day today which came in at an estimated RMB 96.9M ($13.4M). Among highlights through Thursday, Latin
EXCLUSIVE: Chantal in Fairyland (Chantal im Märchenland) is off to a fantastic start at the German box office. A spinoff of the hugely successful Fack Ju Göhte comedies, the Constantin Film title banked the best Easter holiday launch day ever for a local movie and the best opening day of the year for all films,
EXCLUSIVE: After smashing records in Vietnam, Tran Thanh’s hit romance drama Mai has now set a new milestone for an opening weekend at the international box office, becoming the first Vietnamese title to score a $1M debut outside the home market. Beginning March 22, specialty distributor 3388 Films released the Phuong Anh Dao/Tuan Tran-starrer in
Universal/DreamWorks Animation’s Kung Fu Panda 4 had a rock ‘em sock ‘em weekend at the international box office, adding $55.3M from 69 markets for a $135M overseas running cume, and $268.2M global (there are several key markets still to release, including France, Australia, the UK and Korea). The frame for the fourquel was led by
Coming out of the weekend, and with Sunday’s actuals and Monday’s numbers included, there are new global milestones to celebrate for the two major Hollywood titles currently in release. As noted on Sunday, Warner Bros/Legendary Entertainment’s Dune: Part Two was nearing $500M worldwide. Ultimately reaching $498.1M through Sunday, the Denis Villeneuve sequel added $5.2M from
With a solid offshore hold, Denis Villeneuve’s Dune: Part Two is closing in on $500M globally. The overseas weekend brought in $51.2M across 73 markets, a 40% drop versus last session (-37% excluding China). The international box office cume through Sunday is $289.4M, and worldwide the running total is $494.7M. The latter figure means the film
Warner Bros/Legendary Entertainment’s Dune: Part Two held strongly in its sophomore session at the international box office, adding $81M to handily cross the $200M overseas milestone, and reaching $367.5M globally. We’ll dig further into Dune 2’s second frame below, including its China start. In the meantime, let’s look at what’s new this weekend. Universal/DreamWorks Animation’s
EXCLUSIVE: Specialty distributor 3388 Films has acquired rights to Vietnamese smash Mai, and has set a March 22 theatrical release across North America and Europe. From director Tran Thanh, the romance drama is now the No. 1 movie of all time in Vietnam, having crossed 500B VND ($20M) locally this past week. Mai will go
Sony’s Will Gluck-directed Anyone But You crossed $200M globally over this past weekend, injecting fresh life into the romcom genre and proving yet again that when done right, these films can travel theatrically and bring audiences together for a communal experience. Savvy marketing, viral moments and two hot young stars in Glen Powell and Sydney
FRIDAY UPDATE: Dune: Part Two added 42 international box office markets on Thursday, taking the offshore cume on the Denis Villeneuve-directed sequel to $20.8M in a total 55. This includes two full-days of play and previews in those markets. The Warner Bros/Legendary Entertainment sci-fi spectacular is the No. 1 U.S. title in all markets and
With 7.35 million admissions at the box office, horror-comedy film Agak Laen has become the second biggest Indonesian box office hit of all time. Released domestically on February 1, the film stars Bene Dion Rajagukguk, Oki Rengga, Indra Jegel, Boris Bokir and Tissa Biani Azzahra. It now only trails 2022’s KKN di Desai Penari, another
Refresh for latest…: Paramount’s Bob Marley: One Love continued to sing sweet tunes in its sophomore session, adding $15M from 59 international box office markets for a drop of 37% from its above-expectations stellar opening. The overseas cume is now $49.4M for $120.6M worldwide. We’ll dig into more about the reggae icon below, but for
Refresh for latest…: Paramount’s Bob Marley: One Love brought folks together around the world in its opening frame, singing up a sweet estimated $80M global bow. After coming on strong in early overseas play this week, and as audiences turned a deaf ear to critics, the international box office portion of that is $29M, landing
Paramount’s Bob Marley: One Love had offshore audiences getting together and feeling more than alright in Wednesday international box office play. Beginning overseas release yesterday, the Reinaldo Marcus Green-directed biopic grossed $4.9M across 10 markets, several of them giving the story of the reggae icon No. 1 status and the biggest or second-biggest launch day
The international box office was generally muted this weekend, save for in China which ushered in the Year of the Dragon on Saturday, and with it the lucrative Chinese New Year moviegoing period. According to early figures from Maoyan, the first two days of Spring Festival 2024 amassed RMB 2.44B ($339M), just a touch below
Matthew Vaughn’s Argylle, the third Apple Original Films movie to go wide in cinemas, spied an estimated $35.3M global debut through Sunday, including $17.3M from 78 international box office markets. While that makes it the top title worldwide, overseas and domestically this frame, the ultra-expensive ensemble thriller was harshed on by critics and didn’t get
A film about the impact of divine intervention on a failing relationship has become the first Filipino title to surpass $16M at the global box office. Rewind crossed the the 900M Philippine pesos worldwide gross mark this week, a huge return for the local box office. The local record was previously held by Hello, Love,
So, here we are in mid-January, and though we’re staring down the barrel of a tough year ahead, it’s not all wintry doom and gloom on an international box office (and combined global) level. While we’re not in blockbuster holdover territory, we should celebrate the wins when they come. To wit, there was a new
Vue International, Europe’s largest independent movie theater operator, is in discussions with its shareholders and lenders on a fresh debt-for-equity restructuring. This comes after last year’s dual WGA and SAG-AFTRA strikes caused production delays and pushed a number of titles off of the 2023 and 2024 release calendars. Overall, the industry is facing a severe
Refresh for latest…: Warner Bros/Village Roadshow/Heyday Films’ Wonka continues its sweet run, crossing the $500M mark globally this weekend. The worldwide cume through Sunday is $505.3M including $329.1M from the international box office and with Korea, which has a fondness for Hollywood musicals, still to release at the end of the month. The Timothée Chalamet-starrer
Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
Audiences didn’t have a lot of new choices, nor a mega late-December blockbuster to ring in the first weekend of the new year at the movies, but the studio titles on offer are still drawing crowds and seeing strong holds, particularly with ongoing holidays in many international box office markets. Milestones are also being set
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