EXCLUSIVE: Twentieth Century Fox/Chernin Entertainment’s Ford V Ferrari has revved its engines past the $200M mark globally, accelerating to $200.6M through Monday. The split is $106.6M domestic and $94M at the international box office. Disney is handling the awards-season contender that reps the sort of movies Fox has excelled at making. Directed by James Mangold
International Box Office
Refresh for latest…: Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker has climbed to $724.8M globally after 12 days in release. The split is $363M from the international box office and $361.8M domestic. This is after a $94.3M offshore weekend, which is above projections and reps just a 43% drop from the debut frame in 52
After a confirmed $198.8 million international box office bow for Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker this past weekend, the Monday grosses have pushed Episode IX to $226.8M offshore. Globally, the JJ Abrams-directed flying Stormtroopers have hit $433.4M through yesterday. While the initial overseas weekend session was off 16% from Star Wars: The Last
Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker powered up its light sabers in 46 material offshore markets through Thursday, grossing $59.1M at the international box office. That includes China where the force is, unsurprisingly, not strong with this final installment. Elsewhere, Episode IX has seen launches above Star Wars: The Last Jedi in most majors.
After crossing the unprecedented $10B milestone worldwide last weekend, becoming the first studio ever to do so, Disney has bragging rights to another notch in its belt as Frozen 2 topped $1B global on Saturday. This means that the Mouse has roared to have six movies over $1B in 2019. The international box office portion
Refresh for latest…: As global turnstiles start greasing up for next week’s Star Wars: The Rise Of Skywalker, audiences are continuing to warm up to the two current titles in wide release: Sony’s Jumanji: The Next Level and Disney’s Frozen 2. Expanding to another 34 offshore hubs after an early rollout last weekend, The Next
Frozen 2 and its cumulative $919.7M in global snow dust, have helped bring Disney to the $10B threshold worldwide for 2019. Officially, the studio will cross the mark within the next day. Current studio cumes stand at $3.28B domestic and $6.717B from the international box office. That’s $9.997B global through today. This is a new
Refresh for latest…: Sony’s Jumanji: The Next Level is out in 18 early overseas release markets ahead of domestic next weekend, and in many, the movie is stepping up versus predecessor Jumanji: Welcome To The Jungle. Overall, the Jake Kasdan-directed sequel opened to $52.5M at the international box office, slightly down on the last film’s
Sony’s Jumanji: The Next Level opens early in 18 overseas markets this week, beginning today in France and including Netherlands, some of South East Asia and, notably, China, through Friday. This is a different rollout pattern to 2017’s reboot, Jumanji: Welcome To The Jungle, which went day-and-date with domestic in 53 offshore markets, landing No.
Refresh for latest…: The Frozen 2 blizzard continued at the global and international box office this weekend with the Disney sequel now minting $738.6M worldwide and $451M overseas through Sunday. The offshore hold was -38 for a $163.8M weekend, and Elsa continued her No. 1 reign in 45 open markets. This comes after a record-setting
Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker has been set for a December 20 China release, in step with domestic. This marks a change from the saga’s recent holiday installments which have each bowed in the Middle Kingdom in January, after initial rollout elsewhere. The official Star Wars Weibo account posted a Chinese-subtitled trailer today
Refresh for latest…: Disney’s Frozen 2 is off to a hot start overseas with $18.6M from 26 markets at the international box office through Thursday. All debuts were No. 1, while Anna and Elsa now own the biggest animated opening day of all time in Korea ($4.2M) and several other hubs including Indonesia, Turkey, the
The China release of Lulu Wang’s indie breakout The Farewell has been delayed. The Sundance hit was due in theaters on Friday, November 22, but was abruptly pulled from the schedule this week. There’s been no official word as to the reasons behind the change, although it is believed the family dramedy will get a
Refresh for latest…: Fox/Chernin Entertainment’s Ford V Ferrari raced its way to a $21.4M start at the international box office this weekend. The Disney release went out in 41 material markets and came in slightly above pre-frame projections. This is a solid start that combines with domestic’s high-octane debut to make for a $52.4M global
Warner Bros/Village Roadshow/Bron Studios’ Joker is dancing across the $1B global box office mark today, becoming the first R-rated movie ever to the milestone. It is Warner Bros.’ 7th film to cross $1 billion behind Harry Potter and the Deathly Hallows Part 2 ($1.34B), Aquaman ($1.148B), Lord of the Rings: Return of the King ($1.12B), Dark Knight Rises ($1.08B), Hobbit: The Unexpected
Ford v Ferrari, an original movie aimed at older males about the 1966 Le Mans race between Henry Ford II and Enzo Ferrari will lay claim to the No. 1 spot at the domestic box office with $20M, maybe even $30M+ start, stopping Sony’s franchise reboot of Charlie’s Angels in its tracks with its lowest opening
Refresh for latest…: While Warner Bros’ Doctor Sleep is snoozing at the domestic and international box office with a global total of just $34.1M to date (and despite good reviews and audience scores), the Burbank studio has a major milestone ahead as Joker closes in on the $1B mark worldwide. Not only will the movie
Refresh for latest…: Paramount/Skydance/Fox’s Terminator: Dark Fate found little salvation in its wider offshore rollout this weekend. Handled overseas by Disney, it came in below pre-weekend projections, grossing $72.9M in 48 material markets (including a soft $28M from China where Tencent Pictures is handling). Along with the early releases and holds from last session, the
Refresh for latest…: This was a busy weekend at the international box office with the sophomore session of Disney’s Maleficent: Mistress Of Evil seeing a 43% drop to lead studio pics at $64.3M in 100% of its offshore footprint. Behind the sorceress, Warner Bros/Village Roadshow/Bron Studios’ Joker continued its laugh-a-minute run to add $47.8M (just
EXCLUSIVE: Another casualty of China’s crackdown on potentially sensitive local films this past summer has been given a lifeline. Derek Tsang’s Better Days will release this Friday in the Middle Kingdom after being okayed just this week. Well Go USA has the movie domestically and was forced to postpone the release this summer when Better
Refresh for latest…: Disney’s Maleficent: Mistress Of Evil came within, but on the low end, of pre-weekend industry projections with $117M at the international box office. Counting the disappointing domestic opening of $36M, the global debut is $153M. Heading into the launch session, the industry was seeing a $115M-$125M overseas start for the Angelina Jolie
Refresh for latest…: After arriving with a massive jolt last weekend, Warner Bros/Village Roadshow/Bron Studios’ Joker maintained a serious grip on audiences this frame. The sophomore session’s international box office is estimated at $123.7M in 79 markets. That reps a 29% drop from opening, and brings the offshore tally to $351.2M after only 12 days
Warner Bros/Village Roadshow’s Joker is putting on a happy face in its early overseas debuts. Through Wednesday, the Venice Golden Lion winner is at $4.2M from just four international box office markets which include only one major. The total cume so far is $5.4M with previews. It is early days, however initial indications are that
Refresh for latest…: In its sophomore frame, Fox/New Regency’s Ad Astra again led the international box office, landing another $18M from 50 material markets. The overseas cume is $53.5M for $89M worldwide. The Brad Pitt-starrer is now out in all markets handled by Disney which is not across China, Taiwan or Hong Kong. Bona Film
Refresh for latest…: Newcomer Ad Astra, from Fox/New Regency and distributed by Disney, launched this weekend with an estimated $26M in 44 markets for a $45.2M worldwide start. The international box office debut is within the range we were hearing before the weekend, and is 49% ahead of last year’s First Man and 23% above
Refresh for latest…: New Line/Warner Bros’ It Chapter Two had its second reading at the global and international box office this weekend, after screaming to the 2nd highest worldwide opening ever for a horror movie last session. With the sophomore frame’s extra balloons, the franchise has now crossed $1B worldwide. The split on Chapter Two
EXCLUSIVE: Downton Abbey, the movie, began offshore rollout this week in 17 markets including the UK where the film had its world premiere on Monday. The big screen transfer of the award-winning and game-changing period drama is off to a strong start in key hubs. The weekend is estimated at $12.5M. Currently, the Focus/Universal/Carnival Films
New Line/Warner Bros’ IT Chapter Two has begun its reign of terror at the international box office with $16.5M from 48 markets through Thursday. The Andy Muschietti-directed sequel landed No. 1 in all debuts and set records for a horror opening in both Russia and Italy, notably, topping the 2017 predecessor. Pre-weekend projections on the
Universal’s Fast & Furious Presents: Hobbs & Shaw has shot past the $700M mark worldwide, rocking a $700.53M gross through Thursday. The split on the Dwayne Johnson/Jason Statham-starrer is currently $160.53M domestic and $540M at the international box office. A $725M-$750M finish is expected globally. The H&S muscle has pushed the Fast & Furious franchise
Pennywise will be handing out balloons in 75 overseas markets as well as the U.S. and Canada this weekend, a nearly full day-and-date release versus 2017’s staggered rollout on the original. All in, industry sources are seeing a global debut that potentially scores the worldwide opening record for a horror pic with $200M+, besting the