In a new milestone, Sony’s Venom: The Last Dance has waltzed past the four-century mark globally, now with $405.5M through Tuesday. Breaking that down, the Tom Hardy-starrer has grossed $118.5M domestically and $287M at the international box office since opening late last month. This brings the franchise total to $1.7B so far. The Marvel symbiote
International Box Office
Twenty-four years after Best Picture Oscar winner Gladiator reinvented the swords and sandals genre, its sequel, Gladiator II, is finally entering the arena. Paramount began overseas rollout Wednesday on the continuation of Ridley Scott’s Roman Empire action saga. Through Friday, 63 international box office markets will be open — the full offshore footprint, save for
UPDATED: Offshore audiences continue to devour Sony’s Venom: The Last Dance with a sophomore weekend of $68.4M in 66 markets for an international box office cume of $227M so far. The running global total after two frames has clicked past the three-century mark, now at $317.1M, which is 4% ahead of Venom: Let There Be
UPDATED: Here’s something we rarely see: It’s a dead heat for the launch of Paramount’s Smile 2 at the domestic and international box office with $23M apiece. That makes for a $46M global debut. Overseas, the sequel to 2022’s surprise hit opened in 62 markets with the horror audience out in full force. On a like-for-like
Sony’s Venom: The Last Dance chomped into its first suite of international box office markets today, with the Marvel symbiote nabbing a strong $9.3M start in China. This is the biggest opening day for a superhero film since Spider-Man: Far From Home in the market, and portends a five-day launch in the upper $30M neighborhood there.
There’s joy in toon town today as Disney/Pixar’s Inside Out 2 has become the highest-grossing animated movie ever at the worldwide box office. With $1,462.8M through Tuesday, the sequel has surpassed Disney Animation Studios’ Frozen II ($1.454B). Disney has seven of the Top 10 animated movies ever globally, five of which are from Pixar. Directed
Baltasar Kormákur was in a reflective mood at the Taormina Film Festival, where his romantic drama Touch had its Italian premiere this past week. The Icelandic filmmaker compared Touch to his first feature, 2000’s 101 Reykjavik. The former was “a black comedy about love,” while Touch is “a way more sincere approach to love and
Refresh for latest…: Universal/Warner Bros/Amblin’s Twisters positively blasted past forecasts domestically this session. While the international box office result is pretty close to where we saw it coming in, there’s no denying this is much more of a domestic play. The global cume, largely boosted by domestic’s heartland turnout this weekend, is now $123.2M. Universal
Refresh for latest…: Animation domination continues at the global and international box office with Universal/Illumination’s Despicable Me 4 leading the pack this frame, and Disney/Pixar’s Inside Out 2 still positively on fire after five sessions. At the same time, we’re seeing encouraging numbers for all major titles in release. And that’s a great thing; yes,
As Illumination/Universal’s Despicable Me 4 continues global rollout, and with its Friday numbers included, the latest from Gru and the gang has helped propel the Despicable Me/Minions franchise across the $5B mark (to $5.025B through Friday) at the worldwide box office. This makes it the first animated franchise ever to reach the milestone. It was
As it continues its mind-blowing trajectory, and with Tuesday’s receipts now included, Disney/Pixar’s Inside Out 2 has become the highest-grossing Pixar movie of all time at the worldwide box office. On Tuesday, it passed Pixar’s Incredibles 2 ($1.243B) to get to this latest milestone. The running global cume on Inside Out 2 through Tuesday is
Refresh for latest…: The global and international box office were extra animated this weekend with the expansion of Illumination/Universal’s Despicable Me 4 to domestic as well as another 52 overseas markets. At the same time, Disney/Pixar’s Inside Out 2 continues to jump for joy having reached $1,216.9M globally. It’s also now the No. 5 animated
Making the most of the fact that Deadpool & Wolverine is the first original film of the franchise to land a China release date, stars Ryan Reynolds and Hugh Jackman, along with director Shawn Levy, appear to have had a grand time promoting the Disney/Marvel pic in Shanghai this week. During the trip, which was
The 39th edition of France’s reduced-price movie ticket scheme, La Fête du Cinéma, has blasted through all previous records with 4.65 million admissions across the four-day event. The promotion sees movie tickets discounted to 5 euros each for all showings in participating cinemas (excluding premiums for 3D and other special screenings). French exhibition org, the
Refresh for latest…: Paramount’s A Quiet Place: Day One not only set a domestic opening record for the franchise, it also did it at the international box office. Of the $98.5M global start, $45.5M is from 59 overseas markets, well exceeding expectations. Overall, on a like-for-like basis, the offshore result on AQPD1 is 4% above A
Refresh for latest…: There’s joy all around as Disney/Pixar’s Inside Out 2 has crossed the coveted $1B milestone at the worldwide box office. With $1,014.8B through 19 days, this is the quickest time to the mark for an animated movie ever, besting the previous record holder, Frozen 2, which got there in 25. Only 11
Disney/Pixar’s Inside Out 2 has reached $863.1M worldwide through Thursday, overtaking the original film’s lifetime of $859M global. The sequel got there in just 16 days of release and already is the No. 19 animated film ever worldwide. Earlier this week, Inside Out 2 cracked the all-time domestic animated Top 10 and is now No.
Disney/Pixar’s Inside Out 2 keeps on soaring, reaching $799.7M globally through Tuesday. Within that, its international box office crossed the four-century mark at a running cume of $411.9M from 44 overseas markets through Tuesday. In North America, Inside Out 2 rose to $387.8M, moving well up the domestic animated chart. After 12 days in domestic
Refresh for latest…: Wednesday was yet another joyous day for Disney/Pixar’s Inside Out 2 as the sequel set opening benchmarks in new overseas releasing markets. The full offshore day was $29M (22% of the weekend), lifting the international box office cume to $203.3M in 42 markets, and global to $438.7M. The half a billion worldwide
Disney/Pixar’s Inside Out 2 had its first full day of play at the international box office on Wednesday with No. 1 starts in each of its eight material markets, including strong debuts in majors Korea and Germany as well as the Philippines. The total through day one overseas is $4.9M. Majors joining through Friday include
After emerging from bankruptcy in the U.S. last summer, Regal parent Cineworld is exploring options for its UK business which could include a potential sale or restructuring, Sky News reported over the weekend. According to the report, the world’s second largest cinema operator has enlisted AlixPartners, which helped its lenders navigate bankrupcty, as consultant and
Refresh for latest…: Sony’s Bad Boys: Ride or Die pummeled pre-weekend opening projections, coming in with a $104.6M global bow, including $48.6M from the international box office. While the overseas debut is slightly off 2020’s Bad Boys for Life which did $50.3M in like-for-like offshore markets at today’s exchange rates, that film had strong legs. Either
Refresh for latest…: It may be a stretch, but we could coin a new phrase and call this the cat days of spring. To wit: Sony/Alcon’s The Garfield Movie, which began early overseas release last month, took the No. 1 spot for Hollywood on the domestic, international, and global charts this frame. The offshore session
Refresh for latest…: Warner Bros’ Furiosa: A Mad Max Saga was greeted with a very warm reception during its Cannes Film Festival world premiere in an early showcase last week, and amid much love for franchise architect George Miller. It has followed up with strong critical and social scores. Nevertheless, in this currently wonky theatrical
Refresh for latest…: After starting early offshore release on John Krasinski’s IF last weekend, Paramount expanded the imaginary friends film to another 56 international box office markets this session. The overseas frame was worth $20M, bringing the international running cume to $24M. With domestic’s $35M debut, the worldwide total is now $59M. Despite some unfriendly
Following the global success of Oppenheimer and Dune: Part Two, Imax is looking forward to its biggest ever “filmed for Imax” slate in 2025, including at least 14 titles currently shooting with Imax film or Imax-certified digital cameras, which are due for release next year. The company said today that the 2025 slate more than
Alex Garland’s Civil War has been set for a June 7 theatrical release date in China. This marks the first time an A24 production will officially hit cinemas there. The dystopian thriller was acquired by Huahua Media in the market with Alibaba set to partner on the local release. After world premiering at SXSW, Civil
EXCLUSIVE: 20th Century Studios/Disney’s Kingdom of the Planet of the Apes is beating its chest towards a $125M global bow this weekend. At the international box office, we understand the Wes Ball-directed installment is at around $31M through Friday. As Anthony has reported, domestic is looking at a $52M-$55M start for the full frame. Overseas,
After debuting early last weekend, Universal’s The Fall Guy expanded to 78 overseas markets during its sophomore session, adding $25.4M for a running total of $36.9M at the international box office. That’s in line with Bullet Train and above The Lost City at the same point in release. Globally, the David Leitch-directed action romance is
EXCLUSIVE: DreamWorks Animation/Universal’s Kung Fu Panda 4 crossed the $500M mark globally this past weekend, reaching the milestone on a staggered release pattern that has worked well for the partners in the past (think Puss in Boots: The Last Wish). Through Wednesday, it’s at $324M international box office and $509M worldwide. Directed by Mike Mitchell
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