Exhibition

AMC Entertainment chief executive Adam Aron said a booming box office and sharp pivot to theatrical by studios and streamers makes him “as relaxed and confident about AMC future as I possibly can be.” Speaking with Deadline at CinemaCon in Las Vegas on Tuesday, Aron indicated the icing on the cake would be a judge’s
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“I thank you from the bottom of my heart,” Denzel Washington told a Colosseum-full of exhibition executives at CinemaCon. The star of The Equalizer 3 — first trailer dropping tomorrow — received a Lifetime Achievement Award presented by director Antoine Fuqua during Sony’s presentation, which kicked off the annual four day-event in Las Vegas. “We
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Digital and social media marketing chiefs of major studios said today they’re really hoping the threat of a U.S. government ban on Tiktok never materializes, so crucial has the platform become to launching films. They’d also like Elon Musk-owned Twitter to get itself together, since that’s also a key platform for Hollywood. “I don’t personally
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Alamo Drafthouse Cinema has promoted its Chief Experience Officer Michael Kustermann to the newly created post of president, taking on a larger role in supporting and accelerating the growing chain’s organization and strategic vision. The exec’s key initiatives have included Alamo Season Pass, Rolling RoadShow, Fantastic Fest, a new Silent Service ordering platform and work
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Ari Aster’s Beau Is Afraid did decent business in its second week, expanding from four screens to well over 900 for a gross of $2.7+ million and a cume of $3.14 million. The A24 film starring Joaquin Phoenix has a $2.8k per screen average and no. 9 spot. It’s a weekend with a wide range
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James Cameron climbs the ladder to cut the net for winning Deadline’s 2022 Most Valuable Blockbuster Movie Tournament after Avatar: The Way of Water cleared over a half-billion dollars in profit after all ancillaries. Given the sleeper nature of this sequel, and given the overall boom expected from this year’s global box office to $32
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After posting giant per screen numbers at four theaters last weekend, A24’s Beau Is Afraid  jumps to 926 for the distributor’s third outing with Ari Aster. It’s a very different film from his horror favorites Hereditary and Midsommar but one the distributor hopes will cement the director’s place as a modern auteur. According to one
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Regal parent Cineworld has decided to terminate the marketing process for its businesses outside of the U.S., UK and Ireland. Although it received offers from “a number of prospective counterparties,” the proposals “did not meet the value level required by the group’s lenders,” the exhibition giant said today. The so-called “rest of world” businesses include
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Beau Is Afraid posted the top per-screen average of the year so far and the best limited opening for distributor A4 since Uncut Gems, grossing an estimated $320,396 at four locations in New York and LA for a hefty per screen average of $80k+ to sold out shows on both coasts. (Uncut Gems with Adam
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“Show me the money” was the memorable battle cry in Jerry Maguire, the 1996 movie about a sports agent who must “deliver” for his manic client. Matt Damon, the negotiator at the center of his and Ben Affleck’s new movie, delivers big time for his client, and so does the film. Air is an angry,
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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FRIDAY AFTERNOON: Illumination is looking at another record 3-day as the Universal/Nintendo co-production Super Mario Bros Movie is on its way to a $72M Friday-Sunday, the best second weekend for the animation studio. That’s a 51% ease at 4,371 theaters after a $20M second Friday, -64%. Running total by end of Sunday will be $332.8M.
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Ari Aster, the horror maestro behind Hereditary and Midsommar, is out with Beau Is Afraid on four screens as A24 presents the SXSW-premiering film In LA (AMC Century City and Burbank) and New York (AMC Lincoln Square, Alamo Brooklyn), in Imax on both coasts, followed next week by a regional Imax expansion and into to
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
0 Comments
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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The nation’s biggest movie theater advertising network National CineMedia said tonight it’s filed a voluntary Chapter 11 petition in U.S. District Court in the Southern District of Texas – where one of its biggest shareholders and customers, Regal parent Cineworld, has just presented a restructuring plan to emerge from bankruptcy itself.   Cineworld filed in
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
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Oscilloscope Laboratories’ Cannes Jury Prize Winner and Independent Spirit international film winner Joyland led New York’s Film Forum to one of its biggest opening weekends for a foreign language film in nearly a decade, taking in north of $21k on one screen, the distributor said. Buoyed by strong reviews and strategic marketing, the film by Saim Sadiq sold out nine showtimes,
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Owen Wilson is back, with brushes, as the longtime host of a beloved but fading Burlington, Vermont-based PBS instructional art show. Paint from IFC Films opens on 800+ screens. Public television is always ripe for parody and happens to be a world Wilson knows. His father Robert Wilson helped launch, and ran, Dallas PBS station
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Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
0 Comments
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
0 Comments
Deadline’s Most Valuable Blockbuster tournament took a hiatus during the pandemic as movie theaters closed for the majority of 2020-2021 and theatrical day-and-date titles on both the big screen and studios’ respective streaming platforms became more prevalent. Coming back from that brink, the studios have largely returned to their theatrical release models and the downstream
0 Comments
Illumination/Nintendo/Universal’s Super Mario Bros Movie doesn’t need a mushroom to get bigger, it just organically is. Out of the gate today Wednesday, sans any Tuesday previews, the feature take of the classic game is looking at $26M, for what’s translating into a $86.2M 3-day, $127.5M Wednesday through Sunday haul. Interesting, even though its opening day
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Anthony Ramos and Dominique Fishback have been set to receive the Rising Stars of the Year Award at CinemaCon 2023. The Transformers: Rise of the Beasts duo will receive the recognition from NATO’s official convention at its Big Screen Achievement Awards ceremony, which takes place at The Colosseum at Caesars Palace in Las Vegas the
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