20th Century Studios’ Kenneth Branagh starring and directed, A Haunting in Venice, has scared up $1.2M in previews. The weekend outlook for the feature take of the Agatha Christie novel Hallowe’en is $12M+, similar to what Branagh’s feature take on the author’s Death on the Nile did back in 2022 in its first weekend, $12.8M.
Exhibition
Craig Gillespie’s comedy-drama Dumb Money starts its three-step platform release this weekend courtesy of Sony, opening in eight theaters in LA, NY, Chicago, DC, Boston and San Francisco ahead of an expansion next week and a Sept. 29 wide release. Gillespie (I, Tonya, Lars and the Real Girl) saw lots of love in Toronto for the premiere of his
EXCLUSIVE: A24 and Chernin Entertainment’s Dicks: The Musical, in the wake of having a rowdy world premiere at TIFF’s Midnight Madness, is tweaking its release date, now going limited on Oct. 6 instead of Sept. 29. The movie, directed by Borat filmmaker Larry Charles and starring and written by Aaron Jackson and Josh Sharp, will
Cinemark, the nation’s third largest theater chain, is letting fans reserve auditoriums for Taylor Swift: The Eras Tour concert film, out this fall. “We are excited to offer fans the ultimate Taylor Swift | The Eras Tour concert film VIP experience in their own private Cinemark auditorium,” said the chain’s chief marketing and content officer
Disney has kept Kenneth Branagh’s 20th Century Studios Hercule Poirot franchise going following its inception at Fox with 2017’s Murder on the Orient Express, but recent installments have yet to reach that first pic’s box office heights. The latest Branagh adaption of an Agatha Christie tome, A Haunting in Venice, looks to make around $12
Sony Pictures Entertainment chairma-CEO Tony Vinciguerra figures Taylor Swift: The Eras Tour could gross $200 million, calling it a “massive, unexpected rescue” for movie theaters as Hollywood strikes have led to shifting release dates and slowed the production pipeline, casting a damper on this year’s vigorous box office recovery. “The exhibitors are our friends there’s
Angel Studios, the outfit behind one of summer’s biggest hits, Sound of Freedom, will release its next film and first original, The Shift, in theaters Dec. 1. The sci-fi thriller stars Neal McDonough (Yellowstone, Minority Report), Sean Astin (Stranger Things, The Lord of the Rings), Kristoffer Polaha (Wonder Woman, 1984, Mad Men), Liz Tabish (The
The specialty market had a Shah Rukh Khan-nice weekend as Yash Raj Films’ Jawan pulled in an estimated $6.2 million in 813 theaters — a per-theater average $7.6k — taking the no. 4 spot at the North American box office. That’s a $7.56 million cume for the Bollywood action thriller including Thursday shows. SRK
Jawan, a Hindi action thriller with Bollywood royalty Shah Rukh Khan set opening day records in India that are echoing Stateside. The Yash Raj Films release grossed more than $1.36 million on Thursday at 764 locations, meaning it was the no. 2 movie across North America behind wide release The Eoqualizer 3 with Denzel Washington.
Imax CEO Rich Gelfond turned a media conference Q&A back on the host today, grilling a Goldman Sachs analyst about the firm’s two-year ‘sell’ rating on the stock when, he said, much of the Street has a ‘buy’. The two were discussing Gelfond’s $1.1 billion box office projection for Imax, made earlier this year,
AMC Entertainment is setting the table to sell up to 40 million shares, which it can now do with stockholder approval and after it dispensed with its APE units. But just because stockholders approved a sale doesn’t mean they’re happy with the move, which dilutes their holdings. AMC shares are down more than 20% in
In its second weekend in theaters, MGM and director Emma Seligman’s teen comedy Bottoms broke into the top ten films for the weekend (no. 7) on 715 screens, a major North America expansion from a 10-theater opening last week. An estimated $3 million gross for the three days, and $3.6 million for the four-day Labor Day
Meg Ryan was scheduled to return to her romantic comedy big screen stomping ground on Oct. 13, however, Taylor Swift spoiled it. No prob, the Ryan directed and starring What Happens Later holiday-set feature from Bleecker Street will now go on Nov. 3, the last weekend of AMC’s Taylor Swift: The Eras Tour concert movie.
MGM’s raunchy high school comedy Bottoms by Emma Seligman, a surprising teen girl version of Fight Club, is punching into a lot more theaters this week, expanding from ten to 715 nationwide. The numbers so far look solid and MGM might be hoping for anything in the $2.5+ million range over the three days. It had an
This summer’s box office is set to hit $4 billion for the 13th time ever, +16% over last summer. Barbie and Oppenheimer, which together rep 22% of that figure created a blast radius, finally bringing infrequent moviegoers back to cinemas after Covid sidelined audiences. However, with the ongoing strikes set to upset both the production
Christopher Nolan’s Oppenheimer officially launched in China today, grossing an estimated $5.4M. Word of mouth is strong with the Universal title carrying a 9.5 on Maoyan, the platform’s best-ever audience score for a Nolan film. The Douban critics score at 8.7 is on par with 2012’s The Dark Knight Rises. The weekend is shaping up to
Several multiplexes in Florida are seeing their final shows tonight before Hurricane Idalia hits the state in what’s expected to be a category 3 storm with surges of 15 feet on the state’s Gulf Coast side. Deadline hears that at least 24 cinemas are closing in Florida tonight including but not limited to AMC locations
National Cinema Day did 8.5 million admissions we hear off of a Sunday total day box office that’s estimated around $34M. All tickets for all movies and showtimes were $4 vs. last year’s $3. Note this figure could go up later today once final numbers are tabulated. Last year’s National Cinema Day drew 8.1M. The
Emma Seligman’s Bottoms is looking at an estimated weekend gross of $516k on ten screens with a possible leading $51,625 per-theater average for the raunchy, teenage high school girl take on Fight Club. That’s a win for MGM, its Orion Pictures label and Brownstone Productions, producers on the modestly budgeted ($11.3 million) film written by
Box office analytics firm EntTelligence which is monitoring 13.5 million seats in over 100K showtimes for Sunday’s National Cinema Day is currently seeing that day’s presales outstripping Saturday by more than 700%. The second annual National Cinema Day will see all movies on Sunday selling for $4, for all showtimes and formats. Last year’s National
It’s an unusual theatrical weekend as the second National Cinema Day rolls out Sunday with $4 tickets for all shows and formats at participating theaters — the bulk of the nation’s circuits big and small. The event was announced Monday with a dedicated clip of new openings, recent returning (The Super Mario Bros. Movie) and
In what was to be expected, Legendary Entertainment and Warner Bros’ anticipated sequel Dune: Part Two from Denis Villeneuve is moving off its November 3 theatrical release to March 15, 2024, due to the ongoing SAG-AFTRA strike. The sequel based on the Frank Herbert novel also will play Imax on its new date. Don’t be
Deadline has confirmed that the National Association of Theatre Owners Tech Advisor, Jerry Pierce, has resigned from the exhibitor trade org following the dismissal of EVP and General Counsel Jackie Brenneman. Pierce is a former Universal SVP who was key in exhibitors’ transition from film to digital cinema projection. Pierce is the third staffer from
EXCLUSIVE: The National Association of Theatre Owners’ EVP & General Counsel Jackie Brenneman has departed, several sources inform Deadline. This became effective Friday. Brenneman was also one of the founders, and the President of NATO sister org, The Cinema Foundation. The news follows in the wake of the new administration at NATO led by new
National Cinema Day will return this Sunday, August 27, for a second edition, the nonprofit Cinema Foundation announced today, with discounted admissions for all movies at over 3,000 participating theaters and 30,000 screens. Tickets for all tickets, all shows and all formats will be no more than $4. Concession discounts are up to each exhibitor. At
Neon’s re-release of Park Chan-Wook’s 2003 Oldboy grossed an estimated $495k on 250 screens this weekend for a total cume of $880k over five days. It’s set to cross the $1 million in its first week back – surpassing a cumulative North American gross of $707k with original distributor Metro Tartan Film. The classic revenge thriller came
Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of
Re-releases reliably dot the theatrical calendar and this week have a standout. Oldboy, the 2004 Cannes prize-winner, re-released by Neon on its 20th anniversary restored and remastered, grossed $235k on Wednesday and $150k Thursday — for a total cume $385k on 250 screens heading into the weekend. San Francisco, NYC and LA, led by Alamo
Even though kids are heading back to school, the summer box office isn’t giving up yet, and there’s a chance we could near $4 billion thanks to the final act power of Barbie and Oppenheimer. Warner Bros is hoping the first Latino superhero movie, Blue Beetle, will stoke its core moviegoers; that DC title seeing
Universal and Christopher Nolan’s Oppenheimer debuted in more than 500 locations in Korea on Tuesday, capitalizing on the Liberation Day national holiday. The epic bowed to $4.3M, capturing 44% market share for the day in a highly competitive environment. That marks the best Nolan opening day in the market, biggest Hollywood opening of the year there (No. 2 launch
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