Exhibition

The AMC-distributed Taylor Swift concert movie Taylor Swift: The Eras Tour, which paused weekday play from Monday-Thursday, is looking at a 60%-70% dive in its second weekend with $27M-$37M off its first weekend of $92.3M. Those industry projections are based on the front-loaded nature of female-skewing pics, per sources. Disney’s Hannah Montana and Miley Cyrus:
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An Iranian American woman navigating culture clash, an Argentine bank heist and an animated ghost story voiced by Stephen Fry and Hugh Laurie debut this weekend with a handful of docs and some notable expansion, vying with Apple wide release Killers Of The Flower Moon. Sony Pictures Classics The Persian Version opens on eight screens
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EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD
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Cannes Palme d’Or winner Anatomy Of A Fall from Neon grossed $125,377 at five theaters for a per screen average of $25,075 — a solid limited opening for the Justine Triet-directed film that made its theatrical debut Friday in NYC, LA and San Francisco. A limited expansion is planned for next week.  Sandra Hüller stars
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The AMC distributed Taylor Swift: Eras Tour concert movie officially made $2.8M in Thursday night previews. We told you last night that the rough estimate was below $5M. The pic played in 2,700 theatres with showings last night beginning at 6 p.m. local time. Remember, these previews aren’t indicative of how the weekend will go.
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Two experimental films executive produced by Steven Soderbergh — Eddie Alcazar’s Divinity and Godfrey Reggio’s Once Within A Time – join Neon’s anticipated Anatomy Of A Fall, Cannes Palme d’Or winner, in theaters today, a bit of counter-programming on a weekend dominated by Taylor Swift: The Eras Tour.  Divinity, in a dark and creepy future populated by bodybuilders hooked on an
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Taylor Swift has the highest-grossing concert tour of the year, and she’s about to conquer movie theaters, as well. Taylor Swift: The Eras Tour, opening Friday, October 13, has already sold more than $100 million in advance ticket sales in 8,500 theaters across 100 countries around the world. Will it have a world premiere? Yes.
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The National Association of Theatre Owners has expanded the purview of its government relations chief Todd Halstead to include a new position, director of Independent Exhibitor Engagement. In the role, which is dedicated to indie theater owners, Halstead will collaborate with NATO’s Independent Theatre Owners Coalition (ITOC) “to help the group thrive.” The indie theater
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EXCLUSIVE: Heading into the Swift snowfall this weekend at the box office, here’s what we can tell you about the AMC-distributed film. As has already been reported, a $100M+ projection per distribution sources is in store and another $50M+ overseas (for $150M WW debut); but part of the stats indicating this come from box office
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A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld). The film, based on a
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A wacky film based on a stage show by comedians Aaron Jackson and Josh Sharp, Dicks: The Musical – a riff on The Parent Trap with two adult men as the starring twins — opens in seven theaters in New York, Los Angeles and San Francisco on a crowded specialty weekend as theatrical releases of fall film festival titles accelerates.    
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Story Ave starring Luis Guzman grossed $9.85k in a limited opening at one theater, Quad Cinema, with multiple sold-out shows. The first feature from director Aristotle Torres, which won for Best Cinematography at SXSW (see Deadline review) expands to Chicago and the Bronx next week, followed by LA and additional markets October 13. Guzman plays a
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EXCLUSIVE: Apple Original Films and Paramount‘s Killers of the Flower Moon landed on more tracking services Thursday. The three-hour-plus epic directed by Martin Scorsese and starring Leonardo DiCaprio is set for an opening around $24 million when it goes wide on October 20. Duly note, that new tracking service Quorum, which does six-week projections, had
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A really wet Friday in New York – National Weather Service flash flood warning wet – is likely to take a bite out of specialty film in one of its biggest markets this weekend. Alamo Drafthouse shut its NYC locations in Manhattan, Brooklyn and Staten Island until further notice due to “severe flooding in and
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UPDATE, SEPT. 29: A 27-year-old man has been arrested for a widely publicized fight with a 63- year-old man over movie theater seats in Pompano Beach, the Broward Sheriff’s Office announced Friday. Jesse Montez Thorton II, 27, faces one count of aggravated battery with great bodily harm. “BSO detectives worked this case for months,” BSO
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Hopefully three wide releases can wake up what’s been a relatively sleepy time at the box office, ratcheted down by the SAG-AFTRA strike. With New Regency/20th Century Studios/Disney’s original Gareth Edwards sci-fi movie The Creator, Paramount and Spin Master’s PAW Patrol: The Mighty Movie and Lionsgate’s Saw X, the top three movies look to make
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Disney/Marvel’s The Marvels has secured a China release on November 10, day-and-date with North America. The sequel to the $1 billion+ worldwide grossing Captain Marvel is the latest major studio tentpole to be granted access to the market since Oppenheimer went out August 30. It’s also wasting no time in spreading the word locally, leveraging
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Days before Spin Master/Paramount/Nickelodeon’s PAW Patrol: The Mighty Movie opens with a shot at No. 1 and $20M, a third theatrical movie has been announced for 2026. The long-running preschool franchise, which is celebrating its tenth anniversary, saw its first theatrical release under Paramount (and Elevation Pictures in Canada) open during the pandemic, day and
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David Byrne met A24’s young fans as the Talking Heads Stop Making Sense is set to gross $800,673 from 264 Imax screens in North America this weekend. Its cumulative gross of $1.43 million includes Thursday screenings and a live event at TIFF for this remastered version of the 1984 Jonathan Demme-directed concert film ranked by
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Stop Making Sense, the remastered concert film that sowed delight at TIFF, opens on 300 Imax screens in the U.S., Canada, U.K. and Ireland. Locations Stateside number 260 ahead of a nationwide release next week.   The 1984 Talking Heads extravaganza from Jonathan Demme is presented in its new iteration by A24 — meaning the
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UPDATED, 9:11 a.m.: After introducing The Hunger Games prequel The Ballad of Songbirds and Snakes at CinemaCon, Lionsgate has unveiled a new trailer teasing Rachel Zegler’s fight for survival in the arena. The West Side Story actress stars as Lucy Gray Baird, the female District 12 tribute to the 10th Hunger Games, in the new
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EXCLUSIVE: We promise that you’ll never find another one like this: AMC’s Taylor Swift: The Eras Tour concert movie hit tracking this morning with a $100M-$125M opening-weekend outlook when it opens on October 13 in cinemas. These are industry estimates and do not come from AMC. The Sam Wrench-directed concert film is really hot with
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Bollywood’s Jawan and star Shah Ruhk Khan livened up a slow specialty market, grossing close to $2.5 million in 776 locations in week two for a cume close to $12.2 million. The Yash Raj actioner is no. 6 at the domestic box office. Its weekend split was $694,724k Fri.; $1.024m Sat,; $775k Sunday as Jawan
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AMC Entertainment shares rallied as the company completed a previously disclosed equity offering, raising about $325.5 million of new capital. The company said it sold 40 million shares at an average price of approximately $8.14 per share. The move significantly boosts AMC’s cash reserves, addresses current liquidity concerns, and fortifies the balance sheet, AMC said.
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20th Century Studios’ Kenneth Branagh starring and directed, A Haunting in Venice, has scared up $1.2M in previews. The weekend outlook for the feature take of the Agatha Christie novel Hallowe’en is $12M+, similar to what Branagh’s feature take on the author’s Death on the Nile did back in 2022 in its first weekend, $12.8M.
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Craig Gillespie’s comedy-drama Dumb Money starts its three-step platform release this weekend courtesy of Sony, opening in eight theaters in LA, NY, Chicago, DC, Boston and San Francisco ahead of an expansion next week and a Sept. 29 wide release. Gillespie (I, Tonya, Lars and the Real Girl) saw lots of love in Toronto for the premiere of his
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