While tentpoles resuscitated moviegoing this past summer with pics like Top Gun: Maverick, it’s true that more adult-skewing fare is having a much harder time now. Nowhere was this more true than with David O. Russell’s Amsterdam, which rivals believed had a shot at opening to $12 million-$15 million this past weekend based on the
Exhibition
Focus Features’Tár opened in limited release to strong results with $160,000 at four locations in New York and Los Angles for a $40,000 per theater average, one of the best PTAs since Covid and not bad for a 2-hour and 38-minute arthouse film pre-pandemic. Riding strong reviews, the Cate Blanchett-starrer by Todd Field was no. 1 in three
Today Focus Features opens Tár, the strikingly original return of Todd Field, in four locations in NY and LA. The film premiered at Venice winning star Cate Blanchett Best Actress as musician and conductor Lydia Tár. Early this week, it seemed to mesmerize a sold-out Allice Tully Hall at the New York Film Festival. A 97%
Don’t underestimate the second weekend of Paramount’s horror movie Smile. The Parker Finn directed and written title, which has provided many in town that horror remains a bankable genre for the big screen after a $22.6M opening, has a shot of possibly upsetting Sony’s family movie Lyle, Lyle, Crocodile and 20th Century Studios/New Regency/Disney’s upscale
Sarigama Cinemas’ Ponniyin Selvan: Part One crashed the weekend box office at no. 6, looking at $4+ million on 500 screens for a per theater average of $8,260, the biggest of the top ten. The Tamil-language historical epic being billed as India’s Game of Thrones is based on a Tamil history book series that’s read
Imax is out this Sunday with Brandi Carlile: In The Canyon Haze – Live from Laurel Canyon on 31 screens nationwide, an encore of a live event that reps a milestone for the large format exhibitor. The concert was broadcast Thursday from LA’s storied Laurel Canyon neighborhood to 87 Imax theaters (there would have been
SATURDAY AM: Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak, a standard audience reaction for such fare.
Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
No surprise here, but we hear Regal has shuttered 12 of its 542 multiplexes as parent company Cineworld remains in Chapter 11 bankruptcy. Those 12 include Anaheim Hills 14, Calabasas Stadium 6, Westpark 8 in the Los Angeles market; Crow Canyon Stadium 6 in the San Francisco area, the Broadway Faire in Fresno, CA; Richland
Paramount’s horror movie Smile struck up $2M in Thursday night previews that started at 7 p.m., a figure that’s just above M. Night Shyamalan’s Old from summer 2021, which did $1.5M in its previews, and just under Universal/Blumhouse’s Black Phone Thursday previews which were $3M in June. Paramount is expecting a high-teens start this weekend,
Ailing exhibition giant Cineworld Group, which is currently finalizing a reorganization plan having filed for Chapter 11 bankruptcy in the U.S. earlier this month, has released encouraging interim results for the six months to June 30, 2022. Overall revenue rose to $1.5b against $292.8m in the same period in 2021, for a gross profit of
Cineworld plans to file its reorganization plan by Oct. 31, an attorney for the giant chain said today at a hearing. It also won’t be forced to state its case in a Canadian appeals court next month for reneging on a merger agreement with Cineplex. Judge Marvin Isgur of the Southern District of Texas, who
There might be a box office surprise this weekend in Paramount’s horror movie Smile. Yes, we’re serious. The pic, from writer-director Parker Finn, was developed by Paramount Players, and the studio took a wait-and-see approach as to where would land — on Paramount+ or theatrical. Then Paramount held a test screening, and Smile played to great
With Hurricane Ian en route to hit Florida’s Gulf Coast on Wednesday morning, Deadline hears that nearly 80 movie theaters have closed throughout Tampa, Orlando, the Panhandle and southwestern part of the state. This includes such properties as the spruced-up Regal Naples, the Regal Hollywood 18, the AMC Veterans Expressway 24 in Tampa, the AMC
No surprise here as Paramount has temporarily removed Star Trek from its release schedule. The news comes a month after director Matt Shakman exited the project. A search for a new director is underway. The movie starring Chris Pine — scripted by the feature franchise’s first female writers, Lindsey Beer and Geneva Robertson-Dworet — had
Giant theater chain AMC Entertainment filed today to sell up to 425 million AMC Preferred Equity Units, or APEs, its new securities that have seen a price collapse amid a sour market and investor backlash. They sank some more early Monday, then popped higher. AMC distributed the initial batch of APE shares to stockholders in
Brett Morgen’s Moonage Daydream swept up a cool $922,000 at the domestic box office this weekend, while an impressive array of top industry players took Saturday to mull the global future of arthouse film. The real test — of specialty’s core adult audience willingness to return to cinemas — starts this fall, according to execs
Apple Original Films will premiere holiday musical comedy Spirited in theaters November 11 and globally on Apple TV+ on November 18. The modern musical rendition of Charles Dickens’ classic holiday story A Christmas Carol directed by Sean Anders stars Will Ferrell, Ryan Reynolds, Octavia Spencer, Patrick Page, Sunita Mani, Loren Woods, Joe Tippett, Marlow Barkley
The sequel to a beloved British family film, a heavy metal re-release, an Apple title from TIFF and Abigail Disney’s takedown of the American Dream populate the specialty film weekend in a market that may have found sturdier footing ahead of awards season and amid a dearth of blockbuster fare. “I think there’s a lot
Roadside Attractions has taken domestic rights for To The End, the follow-up film from Rachel Lears (Knock Down The House), and set a Dec. 9 theatrical-only release date. The deal was announced by Co-Presidents Howard Cohen and Eric d’Arbeloff. The film, which premiered at Sundance, covers three years of both hope and crisis leading to
New Line’s Olivia Wilde-directed genre movie Don’t Worry Darling grossed $3.1M in previews split between Monday’s sold-out Imax fan screenings and Thursday showtimes that began at 4 p.m. Warner Bros.’ original projection for the movie starring Harry Styles and Florence Pugh was $17M this week, while industry sources peg the R-rated pic’s start between $20M-$26M.
Big screen exhibitor Imax has extended the employment agreement of chief executive Richard Gelfond through Dec. 31, 2025. The amendment to Gelfond’s initial agreement, effective as of January 1, 2023, also commits to annual equity award grants in 2023, 2024 and 2025. Otherwise his compensation and severance terms remain the same, according to an SEC
Brett Morgen’s kaleidoscopic ode to David Bowie landed at no 10 in North America this weekend, singing up $1.225 million on 170 screens – exclusively Imax (159 U.S. locations, 11 in Canada). The $7,207 PSA for the Neon distributed Moonage Daydream – expanding to about 600 screens next week — was the best of the
UPDATED, 8:33 AM: For those who forgot to read the news on Deadline back in December, it was never, ever in the cards for the Cinerama Dome to reopen this year. Like, never ever. 2023 was always the eyed date. The Dome’s owners are doing a full refurbish of the venue, top to bottom. There’s
Saturday AM Update: TriStar/eOne’s The Woman King is coming in higher than expected, with an $18M opening boosted by lively word of mouth off an A+ CinemaScore and a massive 95% positive on Comscore/Screen Engine’s PostTrak. Friday, including $1.7M previews, came in at $6.8M. Comping this Black female epic to previous Hollywood titles was a challenge,
A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
The Viola Davis African warrior epic The Woman King —a flashback to the type of historical epics Columbia Pictures has had a long history of notching Oscars with– is looking at a $12M opening this weekend, per Sony, while rivals have it in the $13M-$16M range. While adults made their way back to the box
Imax just cut a deal for six new big-screen installations in China this year — “a very positive development,” according to CEO Rich Gelfond. The company is a big player in the Chinese market, which is still strained by Covid lockdowns and in limbo for Western theatrical releases. He noted the new contract during a
On the heels of National Cinema Day, a smaller event that debuted last year, called National Cinema Week, has set Oct. 7-13 for its second annual push to celebrate moviegoing in the U.S., Canada and the Caribbean. Over 1,200 theaters repping 12,00+ screens are participating and more may join. The dates are one week later
Global anime destination Crunchyroll will release the anticipated One Piece Film Red in the U.S. and Canada on Nov. 4. The film, produced by Toei Animation and One Piece creator Eiichiro Oda, will hit theaters in Australia and New Zealand the day before, on Nov. 3, following a release in Austria and Germany Oct. 13.
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