Broadway settled into its new winter clothes last week, with recent arrivals My Name Is Lucy Barton, Grand Horizons and A Soldier’s Play padding the roster as Oklahoma! and Slave Play joined the raft of recent post-holiday departures. In all, the 27 productions (two fewer than the previous week) grossed $30,443,388 for the week ending
Broadway
Broadway’s winter thinning continued last week, with a trimmer roster and lower ticket prices sending total box office on a 28% drop from the previous week to $31.1 million. Attendance for the 29-show lineup was 259,101, a drop of 18% from the previous week’s 36-show list. Most productions reported box office dips for the week
A post-Christmas Broadway box office fell like so many dry pine needles last week, with most shows taking fairly significant tumbles as ticket prices settled back to reality. In all, total grosses for the 36 productions dropped 23% from Christmas week to $43,095,641. Attendance of 317,679 was down only 9%, putting the box office blame
The holiday season boosted Broadway box office for the week ending December 29, with a spate of weekly records established by shows including West Side Story, Beetlejuice, a couple of bio-musicals and others. Total grosses came in at $55,765,408, according to the trade group Broadway League. That was about $2 million lower than the tally for
Broadway’s 2019 was one of lofty highs: the sumptuousness of Hadestown, the twin shocks of Oklahoma! and Slave Play, the marvelous risk-taking of What The Constitution Means To Me and Gary: A Sequel To Titus Andronicus, the belly laughs of Tootsie, the star-making arrival of Tina‘s Adrienne Warren and the star-confirming stands of American Utopia‘s
Broadway’s West Side Story and A Christmas Carol broke house records at their respective theaters last week as holiday business kept overall box office very sturdy. From the previous week, the 34 Broadway productions climbed 5% to a $40,645,773 box office total. The figure pushes Broadway’s season-to-date total past $1 billion. Total attendance of 302,372
Well, that was fast: Director Ivo van Hove’s West Side Story joined Broadway’s Million Dollar Club after only six previews, grossing $1,254,440 in its first week of performances. The musical revival, with all new choreography by Anne Teresa de Keersmaeker, filled all seats at the Broadway Theatre for the week ending Dec. 15, with a
Producers of Broadway’s Tony-nominated Beetlejuice said Monday that the comedic musical based on Tim Burton’s 1988 cult movie will play its final performance at the Winter Garden Theatre on June 6. A national tour is being mounted to kick off in fall 2021. Beetlejuice the musical opened April 25, 2019 and was nominated for eight
Broadway’s Thanksgiving Weekend was a trip to bountiful, with Tina and Beetlejuice breaking house records, David Byrne joining the Million Dollar Club and total box office for the 35 productions soaring a big 30% over the previous week. In all, Broadway grossed $41,687,333, strong if not quite matching last Thanksgiving’s $43M. With attendance of 292,940
Broadway box office mostly held steady last week, even as many shows might not have overmuch to cheer about during the pre-holiday week. In all, the 35 productions took in $32,015,929, down just 2% from the previous week’s 36-production roster. Total attendance for the week ending Nov. 24 was 278,056, off about 4% from the
Broadway box office took a step back last week, with most shows reporting receipt drops from the prior week (which included Veterans Day Weekend, perhaps boosting tourist money). In all, the 36 Broadway productions grossed $32,819,621 for the week ending Nov. 17, about 7% down from the previous week. Attendance, though, held steady at 289,802.
Jagged Little Pill, the Alanis Morissette musical that’s not about Alanis Morissette, joined the Million Dollar Club in its first full week on the Broadway grosses chart, taking in $1,107,845 for eight previews for the week ending Nov. 10. The Jagged take no doubt helped Broadway’s overall total, which jumped about 14% from last week
Tootsie, the Broadway musical that had an easier time charming critics than winning potential ticket buyers, will play its final performance on Sunday, January 5, 2020. The musical, based on the hit Dustin Hoffman movie from 1982 and a winner of two Tony Awards, will have played 293 regular and 25 preview performances since opening
Declarations of “She’s Got Legs” might be premature, but Broadway’s Tina: The Tina Turner Musical is already strutting to $1M+ at the weekly box office, becoming one of the season’s most promising productions. In its second week of previews, Tina was a sell-out at the Lunt-Fontanne Theatre, grossing $1,386,360 for seven previews. With an average
Broadway tiptoed another step into the fall season last week, with a hefty batch of newcomers mostly toting less than hefty bags of box office receipts. Total box office for all Broadway productions were up a wispy 2% over the previous week, tallying $29,894,777. Total attendance was 260,498, just 2% more than the previous week
Broadway’s fall season kicked into gear last week, with no fewer than eight new shows in previews, including three that just began performances. Overall box office, alas, was pretty much stuck in the summer doldrums, with total receipts of $29,320,908 up a measly 1% over the previous week – and that’s with three additional shows
Phyllis Newman, known for her Tony Award-winning role as the bath towel-clad Martha Vail in the musical Subways Are for Sleeping, has died. The star of stage and screen was 86. The news was announced by her son Adam Green, a theater critic for Vogue, via Twitter. “My sister @amanda_green and I had to say
Rupert Everett will take over for the previously announced Eddie Izzard as George in director Joe Mantello’s upcoming Broadway staging of Who’s Afraid of Virginia Woolf? co-starring Laurie Metcalf as Martha. The announcement was made today by producers Scott Rudin/Barry Diller/David Geffen, who said Izzard is leaving the production due to scheduling conflicts. The revival
Broadway box office was down nearly 10% from the previous week’s Labor Day holiday tourist bulge, with the 25 productions grossing a total $25,965,471. Attendance of 224,402 was steady with the prior week, though should have been better: The roster count was up by two over the previous week’s 23 shows. Just about every production
Broadway box office was up a bit last week, despite being down a show from the previous week. With a very slight 2.4% rise, the 23 productions grossed a combined $28,652,877, with attendance of 227,568 holding steady. The roster, thinned from the summertime line-up with The Cher Show, King Kong and Pretty Woman not-so-long gone,
King Kong, Pretty Woman: The Musical and The Cher Show took their final bows on Broadway last week, all three bucking a late summer downward box office trend with some last-chance ticket-buyers. In general, though, Broadway box office was down about 5% from the previous week, with one fewer show on the roster and a
Soul Train, the iconic music variety series created and hosted by Don Cornelius beginning in 1971 that showcased black musicians both established and up-and-coming, could make Broadway a stop on its long-running journey. A musical based on the show, with a creative team that includes three of the leading black women working in theater today,
Broadway’s Be More Chill, The Prom and Sea Wall/A Life were at near-capacity last week, as the first two headed out and the latter had its official welcome. Together they helped Broadway maintain a steady total box office of $34M for the week of summer dog days ending Aug. 11. Total attendance for Broadway’s 29
Broadway box office held steady last week, with grosses of $33,730,889 and a total attendance of 270,067 for the week ending August 4. Adding to the tally was the $956,611 from five performances of Barry Manilow’s 17-show engagement at the Lunt-Fontanne Theatre. Manilow, in the final summer residency concert series at the theater, played to
The Broadway League said Wednesday that the the Committee of Theatre Owners will dim the lights of its New York theaters for one minute Wednesday night at 7:45 PM ET to commemorate the life of Harold Prince, the Broadway icon who died today at age 91. Prince was a former chairman of the board of
Broadway lost a true icon today, and the theater community is paying tribute to the man who produced and/or directed all-time classics ranging from Damn Yankees, West Side Story and Fiddler on the Roof to Cabaret, Evita and The Phantom of the Opera. Harold “Hal” Prince, who died today at 91, was the king of Main Stem musicals,
Miss Saigon in 2019 is not the Miss Saigon I remember from 1997. With music by Claude-Michel Schönberg and lyrics by Richard Maltby Jr. and Alain Boublil, Miss Saigon is inspired by the opera Madame Butterfly and revered as a theater classic since it made its London debut in 1989. It later premiered on Broadway in 1991 to wild
Even the most wholly original works of art can, in the service of story or character or heart, summon the stray memory, the whispery chill of déjà vu. They’ll switch on the bittersweet recall of better times or drip-drop echoey little splashes of the worst. Most, though, remember to turn the damn spigot off. Watching
Broadway was back to full power last week (New York City’s latest blackout bypassed the theater district), rebounding 12% to $34M from the previous week’s summer-without-a-Saturday box office bruising. With nearly all 29 of the productions resuming their regular eight-performance schedules for Broadway’s Week 8 (ending July 21) , the expected boosts in box office
It’s not one fine day for Beautiful: The Carole King Musical. The hit show’s producers said it will end its nearly six-year Broadway run on October 27. Based on the songs of its titular pop legend and her inner circle, Beautiful earned seven Tony nominations in 2014 and won a pair, including one for lead actress Jessie Mueller.