Merrily We Roll Along, the Tony-winning mega-hit musical revival starring Jonathan Groff, Daniel Radcliffe and Lindsay Mendez, went out on a very high note last week, selling out with a $2,766,127 weekly gross that the production hails as the biggest ever for a Stephen Sondheim musical on Broadway. Meanwhile, on its way to this Thursday’s
Broadway
Broadway continued settling in to its post-Tonys summer last week, with box office for most shows slipping at least a bit from the previous week and the total roster trimmed to 30 from 32. In all, receipts for the 30 productions totaled $34,783,390, down about 7% from the previous week (one of the shows no
A double-digit slip in the Nielsen ratings notwithstanding, the Tony Awards worked their magic at the box office, with this year’s winners, contenders and show-stealers reporting big increases in attendance and receipts. Just a few examples: An Enemy of the People, Merrily We Roll Along and Stereophonic posted box office gains in the six figures.
For those keeping track of such things, nearly 10% – or $3,239,838 – of Broadway‘s total $36.8 million box office last week was earned by productions directed by Taymors: The Lion King‘s Julie Taymor and her niece, The Outsiders director Danya Taymor. And that’s before The Outsiders‘ big Tony-winning night on Sunday. Two of the
Broadway is heading into its final pre-Tony weeks doing robust business, with box office for last week up 7% over the previous week, nine shows selling out (including the two most-nominated productions) and ticket-buyers for two nominated musicals shelling out more than an average $200 per seat. In all, the 35 shows grossed a total
Broadway box office held fairly steady as the industry settled into a post-Memorial Day summer, with most productions reporting some slippage from the holiday traffic highs. In all, the 35 productions grossed $33,662,845 for the week ending June 2, down about 5% from the previous week (but up 8% over last year at this time).
Broadway box office was down just a bit last week, about 3%, with the first week of the 2024-2025 season reporting a total gross of $35,295,405 for 34 productions. Total attendance was off just shy of 2% from the previous week, settling at 287,246. The total attendance figure for the week ending May 26 indicates
Attendance for Broadway‘s just-ended 2023-2024 season held roughly steady with last year even as it remains nearly 17% below pre-pandemic levels, according to box office figures released today by the Broadway League. The year-end stats indicate that the 71 Broadway productions on the boards from May 22, 2023, to May 19, 2024, grossed a combined
Broadway‘s spring roster seemed to settle into a Tony season box office ranking, with the strongest of the newcomers maintaining their draws and the weakest continuing downward slides. In that first category were repeat sell-outs An Enemy of the People, Cabaret at the Kit Kat Club and Hell’s Kitchen, with both The Outsiders and Stereophonic
The great Broadway Crunch of Spring 2024, when 18 new productions opened between mid-March and late April – 19 if you count the commercial transfer of Appropriate – seems to be showing early signs of the inevitable shake-out, with one show (Lempicka) closing soon and a few others already playing to houses with attendance at
Broadway‘s busy, busy spring of new shows came to an end today with this morning’s Tony nominations announcement, and while the impact, if any, of the nominations won’t be felt at the box office for a while, there were some indications last week about how things could pan out. The Great Gatsby, for example, starring
A very busy Broadway held its own last week, with 36 productions pulling in a combined $34,650,614, a good 10% increase over last year at this time. About 92% of all available seats were occupied, with total attendance of 299,107 about 15% greater year-over-year. No fewer than five shows opening during the week ending April
Broadway‘s spring newcomers continued pulling in the city’s tastemakers, tourists and the merely curious last week, with overall box office down about 10% from the previous week but most new shows filling at least 90% of their seats. Topping the newcomers was Cabaret with Eddie Redmayne as the Emcee (full title of the revival: Cabaret
Ron Thompson, the unheralded actor who starred on Broadway for Charles Gordone in the Pulitzer Prize-winning No Place to Be Somebody and played father and son musicians for Ralph Bakshi in the animated cult classic American Pop, has died. He was 83. Filmmaker Joe Black told The Hollywood Reporter that he found Thompson in his
Broadway box office soared last week, as five productions joined the roster, one returned and no fewer than 30 of the 32 shows saw attendance at 90% of capacity or more. Twenty productions were sell-outs. A raft of recent arrivals were among the strong box office performers, with The Outsiders, The Wiz, Suffs, Hell’s Kitchen
Broadway‘s insanely busy spring doesn’t really kick into full gear until next month when 14 new shows have their official openings, but with March as a sort of sign of things to come – five shows have opened or will soon this month – box office was strong last week. In all, the 25 productions
Winter had a chilling effect on Broadway last week, with most shows reporting at least some downturn at the box office and overall receipts dropping nearly 10% from the previous week. In all, box office for the 24 productions totaled $21,192,251 for the week ending February 11, with attendance of 187,573 down about 12% from
Broadway box office took a slide last week as receipts for Sweeney Todd fell by more than $1 million with the departures of Josh Groban and Annaleigh Ashford (and before the February 9 arrival of big-name replacements Aaron Tveit and Sutton Foster). Overall, box office for the 25 Broadway productions was off by 15% from
Winter doldrums and a closing night be damned: Shucked just had a very good week, with news of a planned movie adaptation and its best-ever Broadway gross of $1,111,038. The Brandy Clark-Shane McAnally-Robert Horn musical, which opened March 8, played its final Broadway performance on January 14 after 28 previews and 327 regular performances. The
Broadway box office was back on earth last week following the previous week’s unusual double-holiday surge, when both Christmas and New Year’s Eve fell within the same theatrical window. For the week ending January 7, Broadway’s 26 productions grossed a total $29,681,396, a 35% drop from the previous week‘s $45,413,789. Attendance was down about 14%
Broadway held steady as it continued through the holiday season, with a total gross of $30,723,247 for the 26 productions up a small 4% from the previous week, and attendance of 227,099 up about the same percentage. Year over year, though, the news isn’t quite so cheery. The $30.7M weekly figure is about 17% lower
Broadway box office and ticket prices fell back to earth last week following the previous week’s Thanksgiving holiday-inflated numbers, with the total gross for the 26 productions dropping 14% to a combined $29,568,897. The average ticket price for the week ending Dec. 3 was $134.70, down $16.19, or 11%, from the holiday week’s average. Total
Thanksgiving proved plentiful for Broadway last week, with box office – and ticket prices – up by nearly 30% over the previous week. With tourists packing New York City, theatergoers splurging on higher priced holiday seats and the annual Macy’s Thanksgiving Day Parade trumpeting Broadway’s bounty, the 26 shows on the boards grossed a combined
Broadway box office took a 7% slide in the week before the Thanksgiving holiday, with the 29 shows settling in at a total $27,060,113 in receipts. Attendance for the week ending Nov. 19 was 228,423, about 86% of capacity and a slip of 3% from the previous week. The attendance figure is 12% lower than
Broadway began its trek into the lucrative holiday season last week at a steady clip, with the 28 shows grossing a total of $29,163,440 for the week ending November 12. That’s up about 10% over the previous week, though down about the same percentage from last year at this time. Last year’s take at this
Broadway box office held fairly steady heading into trick or treat season, with receipts for the week ending Oct. 29 at $26,480,578 (about 6% down from the previous week) and attendance at 218,581 (a slip of just 3%). Staying strong was Merrily We Roll Along, enjoying another sell-out week, with the roster’s top average ticket
Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat. A healthy chunk of those total numbers were contributed by such recent arrivals as Merrily We Roll Along (grossing, for its sold-out week ending Oct. 22, $1,820,753, another
Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88. The figures for the week ending Oct. 15 saw only four productions
Broadway‘s starry Merrily We Roll Along revival had another strong run of previews last week, grossing a hefty $1,471,644 and setting another house record at the Hudson Theatre. The Stephen Sondheim-George Furth musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez topped the venue’s previous seven-performance record of $1,431,543, held by David Byrne’s American Utopia.
Merrily We Roll Along, the new Broadway revival of the Sondheim classic musical starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, broke the six-performance house record at the Hudson Theatre with a $1.3 million gross in its first week of previews. Filling every seat in the venue, the revival carried an eye-popping average ticket price
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