Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing
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Warner Bros. Pictures and DC Films’ AQUAMAN AND THE LOST KINGDOM moves from Wednesday 12/20/23 to Friday 12/22/23 Director: James Wan Producers: Peter Safran, Wan and Rob Cowan. Executive Producers: Galen Vaisman and Walter Hamada. Writers: David Leslie Johnson-McGoldrick, from a story by James Wan & David Leslie Johnson-McGoldrick and Jason Momoa & Thomas Pa’a Sibbett, based on characters from DC,
Lots of release dates changes and additions as the theatrical release schedule take a turn due to the ongoing actors strike. Universal Pictures has staked out June 27, 2025 for The Black Phone 2. The first movie, released during the summer 2022 as moviegoers were coming back to cinemas from the pandemic, was a surprise
The phenomenon that is Universal/Blumhouse’s Five Nights at Freddy’s is currently looking at a global opening of $130M. Fazbear and crew are playing in 64 international box office markets where they are expected to reach $52M through Sunday. The worldwide number reps the biggest horror opening of the year and the biggest global debut ever
EXCLUSIVE: Ahead of its U.S. release on November 3, Eugenio Derbez-starrer Radical is off to a great start in Mexico. The film, which won the Festival Favorite Award when it premiered at Sundance in January, opened last weekend in Mexico, selling 631.7K tickets, outdoing the sophomore frame of Taylor Swift: The Eras Tour, as well
Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24
Renaissance: A Film By Beyoncé, the theatrical release chronicling Beyoncé’s global world tour, will premiere in Los Angeles Nov. 25 and London Nov. 30 before hitting movie theaters around the world December 1. Tickets will be available Nov. 9 in most international markets including Africa, Asia, Australia, Europe, South America and the Caribbean, Parkwood Entertainment and
EXCLUSIVE: “We may have a big hit on our hands,” beamed one person close to the production of Universal/Blumhouse’s feature take of videogame Five Nights at Freddy‘s today. And while the movie, which hits theatrical-day-and-date today on screens at 2PM and on Peacock at 6PM is projected to do around $50M, there are some crazy
EXCLUSIVE: Lionsgate and Francis Lawrence’s return to the Suzanne Collins franchise with a pic based on her prequel novel is looking like a $50M start on Nov. 17, which is in the vicinity of 2011’s Rise of the Planet of the Apes ($54.8M). While women 17-34 are indeed the hot demo for The Hunger Games:
Imax CEO Rich Gelfond predicts the long SAG-AFTRA strike will settle relatively soon. If, instead, it drags on, theater chains will face a rocky second half of 2024 but he sees the large-format exhibitor standing apart. “An exhibitor who programs a multiplex needs lots of movies,” he told Wall Streeters after Imax reported a record
EXCLUSIVE: Concrete Utopia, South Korea’s International Film Oscar entry this year, will hit theaters in NY and LA on Dec. 8 with a wide release on Dec. 15. In the U.S, 815 Pictures and Seismic Releasing are releasing the Lotte Entertainment feature. The movie opened in South Korea on Aug 9 and minted over $27M
Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat. A healthy chunk of those total numbers were contributed by such recent arrivals as Merrily We Roll Along (grossing, for its sold-out week ending Oct. 22, $1,820,753, another
No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M). Note the
The Blind is now the most successful release in the history of Fathom Events, as the faith-based feature has grossed $15.7 million at the North American box office as of Monday. The film is Fathom’s first to see a longer theatrical run than its traditional event cinema releases. Originally slated for an eight-day run as
EXCLUSIVE: EVO Entertainment Group will begin operating as Elevate Entertainment Group (EEG). Simultaneously, the company has acquired Austin-based arthouse chain Violet Crown Cinemas. Elevate Entertainment Group currently operates 15 cinema entertainment centers across the U.S. with an additional four in the pipeline. Violet Crown Cinemas is known for their plush big screen, bar and cafe
Following Disney’s delay of Marvel Studios’ Deadpool 3 due to the actors strike, Paramount has made changes to next year’s schedule and beyond. Similar to Deadpool 3, Mission Impossible 8 ne Mission: Impossible – Dead Reckoning Part Two needs to restart production, and that is looking unlikely with each day that passes in the SAG-AFTRA
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in
A trio of Indian films led by Leo: Bloody Sweet, at no. 8, and two Fathom events bulked up the specialty box office this weekend as The Persian Version debuted, Anatomy Of A Fall entered week two and Dicks: The Musical expanded nationwide. Prathyangira Cinemas opened Tamil-language thriller Leo: Bloody Sweet in 720 locations to
‘Barbenheimer‘ was completely unexpected, but the studio behind Barbie gladly leaned in, said Dana Nussbaum, EVP of worldwide marketing for Warner Bros. Pictures, calling the unusual double-feature frenzy one of a few unforseen and welcome twists while rolling out the Greta Gerwig’s blockbuster. “That was absolutely a surprise to us. But one that we found
The AMC distributed Taylor Swift: The Eras Tour returned yesterday, Thursday, at around noon after a three day pause, pulling in $5.9M per industry estimates. This takes the running total of the Sam Wrench directed concert film to $98.7M at 3,855 theaters. Meanwhile, Apple Original Films big splash into wide theatrical releases with Martin Scorsese’s
An Iranian American woman navigating culture clash, an Argentine bank heist and an animated ghost story voiced by Stephen Fry and Hugh Laurie debut this weekend with a handful of docs and some notable expansion, vying with Apple wide release Killers Of The Flower Moon. Sony Pictures Classics The Persian Version opens on eight screens
New Line’s The Nun II, one of the few bright spots at the fall box office rocked by the actors strikes, will hit Max on Oct. 27. That premiere date is after the pic’s 50-day theatrical window. The Michael Chaves directed sequel in the Conjuring universe opened to $32.6M and through yesterday counts $84.4M at
Marvel Studios/Disney’s The Marvels hit four-week lead tracking with a $75M-$80M. The Nia DaCosta directed movie opens on Nov. 10. That start is roughly 50% below the opening for the first Captain Marvel movie starring Brie Larson which posted a 3-day of $153M. This projection is down from long-lead tracking’s $90M figure two weeks, that
EXCLUSIVE: In one of the first major blows to the 2024 theatrical release schedule due to the ongoing actors strike, sources tell us that Marvel Studios‘ Deadpool 3 won’t be making its May 3 start-of-summer theatrical release date. Even if the strike ends in the next few weeks, a 2024 restart on the half-finished Deadpool
In yet another move to increase its footprint in Asia, IMAX is expanding its partnership with Hengdian Films via an agreement for 20 new IMAX with Laser systems across China. This marks the largest deal for new IMAX systems in four years, reinforcing the strong demand among Chinese exhibitors and audiences for the premium experience
EXCLUSIVE: Here’s an eyebrow raiser in the wake of a zany box office season turned upside down by the actors strike, and ruled by Taylor Swift: Universal/Blumhouse‘s feature take of videogame, Five Nights at Freddy’s, is shaping up for an opening around $40M. That would be the second-best opening at the fall box office YTD
Disney distribution executive Matt Kalavsky has been promoted to Senior Vice President and General Sales Manager, Domestic Theatrical Distribution, for Disney Entertainment. He succeeds Ken Caldwell, who is retiring at the end of the year. Kalavsky will oversee domestic distribution, which includes U.S. and Canada, for all of the studio’s film labels including Disney, Walt
The third-highest grossing movie of the year, Christopher Nolan’s Oppenheimer ($942M) arrives on 4K Ultra HD, Blu-ray and digital on Nov. 21. And boy, are there a lot of extras. Like over three hours on the DVD. This includes the global debut of “The Story of Our Time: The Making of Oppenheimer,” a 70+ minute immersive piece
Merrily We Roll Along, the Sondheim revival starring Daniel Radcliffe, Jonathan Groff and Lindsay Mendez, cemented its place among Broadway’s top earners during its opening week, grossing $1,706,962, filling all seats at the Hudson and securing the highest average ticket price with $220.88. The figures for the week ending Oct. 15 saw only four productions
Streaming series, The Chosen, which follows the life of Jesus Christ will see all of its episodes in season 4 play first in theaters this coming February. Fathom Events is distributing. After the full-season run in theaters, The Chosen will see its debut across streaming platforms including The Chosen TV and mobile apps, broadcast and cable TV. Last season, watched the
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