BoxOffice

Well, that’s that. After all the controversies and badly handled original castings and headlines and backstage bruisings and firings or resignations or whatever they were, Funny Girl is, as so many suspected all along, the musical that Lea Michele was born to lead. Broadway’s new Fanny Brice is, to put is simply and without exaggeration,
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Imax is out this Sunday with Brandi Carlile: In The Canyon Haze – Live from Laurel Canyon on 31 screens nationwide, an encore of a live event that reps a milestone for the large format exhibitor. The concert was broadcast Thursday from LA’s storied Laurel Canyon neighborhood to 87 Imax theaters (there would have been
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SATURDAY AM: Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak, a standard audience reaction for such fare.
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Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
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Paramount’s horror movie Smile struck up $2M in Thursday night previews that started at 7 p.m., a figure that’s just above M. Night Shyamalan’s Old from summer 2021, which did $1.5M in its previews, and just under Universal/Blumhouse’s Black Phone Thursday previews which were $3M in June. Paramount is expecting a high-teens start this weekend,
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Ailing exhibition giant Cineworld Group, which is currently finalizing a reorganization plan having filed for Chapter 11 bankruptcy in the U.S. earlier this month, has released encouraging interim results for the six months to June 30, 2022. Overall revenue rose to $1.5b against $292.8m in the same period in 2021, for a gross profit of
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There might be a box office surprise this weekend in Paramount’s horror movie Smile. Yes, we’re serious. The pic, from writer-director Parker Finn, was developed by Paramount Players, and the studio took a wait-and-see approach as to where would land — on Paramount+ or theatrical. Then Paramount held a test screening, and Smile played to great
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The Piano Lesson led the pack of Broadway’s recent arrivals at the box office last week, with the August Wilson revival starring Samuel L. Jackson, John David Washington and Danielle Brooks grossing $795,306 for its first seven performances at the Ethel Barrymore Theatre. Coming in a close second, in terms of gross receipts, was Leopoldstadt,
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With Hurricane Ian en route to hit Florida’s Gulf Coast on Wednesday morning, Deadline hears that nearly 80 movie theaters have closed throughout Tampa, Orlando, the Panhandle and southwestern part of the state. This includes such properties as the spruced-up Regal Naples, the Regal Hollywood 18, the AMC Veterans Expressway 24 in Tampa, the AMC
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UPDATE, writethru: There was extra oomph at the international box office this weekend as Disney’s rerelease of 20th Century Studios’ Avatar grossed $20.5M from 50 offshore markets for a $30.5M global launch. The remastered 4K HDR version of the biggest movie ever was catnip to fans with No. 1s in several markets and, as designed,
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The dinosaurs have done it as Universal/Amblin’s Jurassic World Dominion crossed the $1B mark at the global box office with Thursday’s business included. It took a little while, but that shouldn’t diminish that this makes the Colin Trevorrow-directed installment, one of only three films to the milestone since the beginning of the pandemic. It is
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Apple Original Films will premiere holiday musical comedy Spirited in theaters November 11 and globally on Apple TV+ on November 18. The modern musical rendition of Charles Dickens’ classic holiday story A Christmas Carol directed by Sean Anders stars Will Ferrell, Ryan Reynolds, Octavia Spencer, Patrick Page, Sunita Mani, Loren Woods, Joe Tippett, Marlow Barkley
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The sequel to a beloved British family film, a heavy metal re-release, an Apple title from TIFF and Abigail Disney’s takedown of the American Dream populate the specialty film weekend in a market that may have found sturdier footing ahead of awards season and amid a dearth of blockbuster fare. “I think there’s a lot
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Roadside Attractions has taken domestic rights for To The End, the follow-up film from Rachel Lears (Knock Down The House), and set a Dec. 9 theatrical-only release date. The deal was announced by Co-Presidents Howard Cohen and Eric d’Arbeloff. The film, which premiered at Sundance, covers three years of both hope and crisis leading to
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New Line’s Olivia Wilde-directed genre movie Don’t Worry Darling grossed $3.1M in previews split between Monday’s sold-out Imax fan screenings and Thursday showtimes that began at 4 p.m. Warner Bros.’ original projection for the movie starring Harry Styles and Florence Pugh was $17M this week, while industry sources peg the R-rated pic’s start between $20M-$26M.
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Disney yesterday began overseas rollout on the remastered rerelease of James Cameron’s Avatar in five early markets with the Na’vi seeing a collective $877K gross. The 4K high dynamic range version was No. 1 in France at $513K, coming in 8% ahead of the comparable 3D rerelease of Titanic in 2012. In Korea, the 20th
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Social media is abuzz in overseas markets where Disney today began rollout on a remastered version of James Cameron’s original 2009 Avatar, and as audiences are being treated to sneak footage from the upcoming sequel, Avatar: The Way of Water. The studio isn’t commenting, but based on myriad Twitter posts, there appears to be a
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A slate of four new productions and renewed interest in a couple of old ones pushed Broadway box office up by 20% last week, with total receipts for the 24 shows reaching $24,954,517 and attendance climbing 14% to 201,321 for the week ending September 18. Among the newcomers: Death of a Salesman, 1776, Cost of
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After a near month of mudslinging behind the scenes drama for Don’t Worry Darling which hovered around its Venice Film Festival world premiere, the sophomore feature directorial from Olivia Wilde finally opens in 4,000 theaters. However, Warner Bros. need not sweat the tabloid headlines. No, all of that has only made this Florence Pugh, Harry
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Julia Roberts and George Clooney landed at the top of the international box office chart this weekend as Universal/Working Title’s Ticket to Paradise expanded its offshore rollout. Adding 39 markets for a $12.1M session in 46 lifted the overseas cume to $14.8M with several majors still to come; domestic begins on October 21. Collectively, the
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