Ari Aster, the horror maestro behind Hereditary and Midsommar, is out with Beau Is Afraid on four screens as A24 presents the SXSW-premiering film In LA (AMC Century City and Burbank) and New York (AMC Lincoln Square, Alamo Brooklyn), in Imax on both coasts, followed next week by a regional Imax expansion and into to
A24
The head of the VC firm that invested several hundred million dollars in A24 a year ago says the indie producer-distributor’s “extraordinary” momentum could lead to a large international business and potential acquisitions. As is their wont, A24 executives are not talking publicly, but Stripes partner Ken Fox did speak with Deadline soon after the
In the wake of delivering Talking Heads frontman David Byrne his second Oscar nomination with Everything Everywhere All at Once, A24 has acquired worldwide rights to his former band’s 1984 cult hit concert pic, Stop Making Sense, for theatrical release later this year. A24 will give the Jonathan Demme directed movie (the filmmaker’s first concert
EXCLUSIVE: A24 has mapped out three films for summer release: the Nicole Holofcener-Julia Louis Dreyfus reteam You Hurt My Feelings, the Celine Song directed/written title Past Lives and the distributor’s hot Sundance horror pick-up Talk to Me. You Hurt My Feelings, which played to great laughs at the Eccles Theater, will go wide nationwide over
EXCLUSIVE: A24’s The Whale, whose Oscar-nominated star Brendan Fraser scooped the prize for Male Actor in a Leading Role at the SAG Awards on Sunday night, is enjoying a strong run globally, having crossed $30M worldwide in the latest frame. Now at $32.3M global and with more overseas markets to release, the drama counts $15.5M
Updated: This year’s arthouse breakout, Everything Everywhere All at Once has hit the $70M mark finally at the domestic box office with its global ticket sales now at $103M. The film from Dan Kwan and Daniel Scheinert crossed $100M a while ago. The pic previously broke records as A24’s highest grossing ever, both on a worldwide
A steady flow of specialty films starts this weekend with the return of a key player to cinemas and a broader arthouse slate that will expand steadily into awards season. This is still a weird theatrical landscape but independent distributors and theater owners have agreed for months that there’s no recovery without a brisker pace
Cohen Media Group hopes a Spanish film can dent the tough market for foreign language fare, Bleecker Street is out with a hostage drama and A24 presents Owen Kline’s directorial debut about a teenage cartoonist as the arthouse market flexes more muscle than it has in weeks. The dearth of new releases itself nudged some
A24’s Marcel The Shell With Shoes On hit the top ten in North America at no. 8 with an estimated $340k in week three at just 48 locations and a cume north of $963k – the latest hit for the distributor after powerhouse Everything Everywhere All At Once blasted off at the specialty box office.
The big screen debut of Marcel The Shell With Shoes On opened at $170K on six screens in New York and LA, the highest PSA of the weekend at $28,267 for the iconic lonely snail voiced by Jenny Slate. The mock documentary about the loveable anthropomorphic mollusk hails from distributor A24, a distributor that manages
A24 is going animated whimsical with Marcel the Shell With Shoes On, Neon opens Beba, Cohen Media Group presents Apples, IFC Midnight Flux Gourmet and Abramorama a documentary The Human Trial in limited release at arthouse cinemas. These venues have been doing a bit better, slowly luring Covid-spooked key older demos back into the theater-going
EXCLUSIVE: Hot off scoring eight nominations from the London Critics’ Circle Film Awards today, A24’s Saint Maud will be hitting theaters in a limited release on Jan. 29. Additionally, I hear Epix went after the movie strongly for a pay TV-all platform release on Feb. 12 in a deal that was estimated to be in the
It really hasn’t been broadcasted widely, but Sofia Coppola’s latest dramedy from Apple/A24, On the Rocks, is opening in key markets next weekend, October 2. I hear it will be a very limited run followed by a debut on the Apple TV+ streaming service on October 23. The movie made its world premiere at the New
As theaters shutter and big studio films postpone wide theatrical releases, indie and arthouse films are trying their best to navigate the waters of the coronavirus outbreak. Like big banner titles, many indie films that were set to release this weekend are opting to delay their debuts, while a handful are opting for a digital
EXCLUSIVE: A24’s religious horror movie Saint Maud is flying from April 3 to April 10 after MGM/Eon/Universal’s No Time to Die departed this morning to Thanksgiving. Saint Maud is the second wide entry today after Dreamworks Animation’s Trolls World Tour (which was originally scheduled for April 17) to fill the vacancy left behind by Bond 25.
As blockbusters battled it out at the box office, the specialty space hit high notes with Judy, flew with The Peanut Butter Falcon, shined with Uncut Gems and gave us one helluva Farewell. Major box office strides were made in 2019 with fare from indie, art-house-driven distributors that delivered confident numbers, proving that audiences are craving bold and
As we enter the holidays Lionsgate and Bron Studios are looking to explode with the nationwide release of the Jay Roach-directed Bombshell starring Charlize Theron, Nicole Kidman and Margot Robbie. The Fox News sexual harassment drama had a stellar limited opening last weekend, earning an estimated $312,000, with a per-screen average of $78,000. As it opens today
Apple has met with cinema chains and is working with former Imax head of entertainment Greg Foster as a consultant in an effort to bring their movies to the big screen before they hit their upcoming streaming service Apple TV+. One of the tech giant’s first major features in contention for this plan is Sofia
Of all the films opening this weekend at the specialty box office, all eyes will be on Judy, the biopic about Hollywood icon Judy Garland. The film made its premiere at Telluride and played the Toronto Film Festival to a great ovation, prompting early awards contender buzz for star Renee Zellweger. Joining Judy in a trip
EXCLUSIVE: The first weekend of November is a magical place for limited releases, when a slew of Oscar contenders have launched. It’s when Open Road debuted Spotlight in 2015 which went on to win Best Picture, and it’s also the release date for a number of other Academy Award nominees such as A24’s Lady Bird (2017, 5 noms),