We Live in Time

A record-breaking Thanksgiving frame is lifting all boats, tentpoles the most evident, with boom, boom, boom for Moana 2, Wicked and Gladiator II. Some 30 million moviegoers went to see one of these. In the weird post-Covid shift, tentpoles can slay, and indies can disappear. This weekend, however, they didn’t. Audiences showed decent specialty support
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The independent film fall festival love affair with moviegoers continues with A Real Pain posting the year’s third best per screen average. Anora continues its standout run as does Conclave. The Ralph Fiennes-starring Vatican thriller is no. 4 at the box office in week 2. A24’s We Live In Time is no. 6. Searchlight Pictures’
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Great indie numbers this weekend as Anora turned out highest per-screen-average of 2024 at $90k on six screens for a $540k gross. We Live In Time, the best platform expansion of the year, grossed $4.2 million on 956 screens in week 2 for a $4.5 million cume. Newcomers Union and The Line fared well on
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With the last couple of October weekends stateside being off from the strike-laden marketplace a year ago, here’s hoping that superhero sequelitis and moviegoers’ erratic attitudes toward prestige fare don’t push the theatrical marketplace down further. Sony this weekend has its Marvel title Venom: The Last Dance, which is bound to see its lowest opening
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EXCLUSIVE: The theatrical late Q3 and Q4 schedule is getting booked up as A24 has dated five releases as follows: On Sept. 6, going wide, is The Eggers Brothers’ psychological horror movie The Front Room. The movie follows a woman’s mother-in-law who movies and proves to be the house guest from hell. Sound familiar? Brandy
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