After a sluggish start, Venom: The Last Dance gained ground in its second weekend. The Sony comic book movie declined a franchise-low 49 percent to $26.1 million from 4,131 screens to win an overall quiet weekend heading into the hotly contested presidential race. The final installment in the Venom trilogy has now earned $90 million
We Live in Time
The independent film fall festival love affair with moviegoers continues with A Real Pain posting the year’s third best per screen average. Anora continues its standout run as does Conclave. The Ralph Fiennes-starring Vatican thriller is no. 4 at the box office in week 2. A24’s We Live In Time is no. 6. Searchlight Pictures’
Four top films this weekend are indies – five including The Substance at no. 11, as the specialty market roars back to life. No. 3 at the domestic box office is a great story, Conclave from Focus Features, the studio behind the Downtown Abbey films. excels at drawing still elusive but key older demos to
Great indie numbers this weekend as Anora turned out highest per-screen-average of 2024 at $90k on six screens for a $540k gross. We Live In Time, the best platform expansion of the year, grossed $4.2 million on 956 screens in week 2 for a $4.5 million cume. Newcomers Union and The Line fared well on
With the last couple of October weekends stateside being off from the strike-laden marketplace a year ago, here’s hoping that superhero sequelitis and moviegoers’ erratic attitudes toward prestige fare don’t push the theatrical marketplace down further. Sony this weekend has its Marvel title Venom: The Last Dance, which is bound to see its lowest opening
EXCLUSIVE: The theatrical late Q3 and Q4 schedule is getting booked up as A24 has dated five releases as follows: On Sept. 6, going wide, is The Eggers Brothers’ psychological horror movie The Front Room. The movie follows a woman’s mother-in-law who movies and proves to be the house guest from hell. Sound familiar? Brandy