Sean Baker

For Sean Baker, it’s theatrical or bust. Paychecks from streamers can be tantalized in front of him, but when it comes to his original work, not only is about making works for the cinema, but shooting on celluloid, too. “We shouldn’t abandon the medium which created this artform,” Baker tells us on this episode of
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Great indie numbers this weekend as Anora turned out highest per-screen-average of 2024 at $90k on six screens for a $540k gross. We Live In Time, the best platform expansion of the year, grossed $4.2 million on 956 screens in week 2 for a $4.5 million cume. Newcomers Union and The Line fared well on
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In accepting the Palme d’Or today for his latest movie Anora, Sean Baker gave a shoutout for the survival of cinema. At the Cannes Film Festival awards presser he said he hopes his movie is “certainly one step toward helping” theaters. “You see theaters closing every day unfortunately. I follow a Twitter feed about theaters
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