Pixar

There’s joy in toon town today as Disney/Pixar’s Inside Out 2 has become the highest-grossing animated movie ever at the worldwide box office. With $1,462.8M through Tuesday, the sequel has surpassed Disney Animation Studios’ Frozen II ($1.454B). Disney has seven of the Top 10 animated movies ever globally, five of which are from Pixar. Directed
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Disney/Pixar’s Inside Out 2 keeps on soaring, reaching $799.7M globally through Tuesday. Within that, its international box office crossed the four-century mark at a running cume of $411.9M from 44 overseas markets through Tuesday. In North America, Inside Out 2 rose to $387.8M, moving well up the domestic animated chart. After 12 days in domestic
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Refresh for latest…: Wednesday was yet another joyous day for Disney/Pixar’s Inside Out 2 as the sequel set opening benchmarks in new overseas releasing markets. The full offshore day was $29M (22% of the weekend), lifting the international box office cume to $203.3M in 42 markets, and global to $438.7M. The half a billion worldwide
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EXCLUSIVE: Disney/Pixar‘s Inside Out 2 came on tracking this AM and sources are telling us it’s bound to be the highest opening at the domestic box office year-to-date, inching out Dune Part Two ($82.5M) and Godzilla X Kong: The New Empire ($80M) with a 3-day between $80M-$85M. Inside Out 2 opens over the Pixar tried-and-true
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In an intriguing move, yet retro, move for Disney on the 2024 theatrical release calendar which is starving for product, three Pixar movies –2020’s Soul, 2021’s Luca and 2022’s Turning Red –which were sidelined on Disney+ during the pandemic, are getting special engagement theatrical runs. We hear all three will receive moderate to wide theatrical
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We can knock Disney all we want over less-than stellar post-Covid results on Marvel, Pixar and Lucasfilm titles, but the fact of the matter is the brands are still delivering, making the theatrical motion picture studio the continued box office leader with $3.4 billion worldwide for the period of Jan. 1-July 2. That breaks out
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Disney kicked off its CineEurope presentation in Barcelona today with 12 minutes of footage from July’s Marvel fourquel Thor: Love And Thunder, and throughout the show teased trailers and looks at its other upcoming titles including four never-before-seen scenes from James Cameron’s Avatar: The Way Of Water. Ahead of the Thor footage, Disney’s Head of
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Pixar, after seeing its movies sidelined to Disney+ during the pandemic, returns to the big screen this weekend with Lightyear, the origin story of the spaceman toy which little Andy plays with in the Toy Story movies. Comps here are Paramount’s Sonic the Hedgehog 2, which is the biggest family movie to open during the pandemic with $72M stateside.
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Disney last week moved Pixar’s Soul off of its domestic November 20 date and onto Disney+, where it will now be released December 25 in the U.S. and other global markets where the streaming service is available. Similar to its move with Mulan, the decision has upset European exhibitors who are starved for major new
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When it comes to evaluating the financial performance of top movies, it isn’t about what a film grosses at the box office. The true tale is told when production budgets, P&A, talent participations and other costs collide with box office grosses and ancillary revenues from VOD to DVD and TV. To get close to that mysterious end
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Disney/Pixar’s Onward made $2 million on Thursday night in box office previews, according to the Burbank, CA studio, from shows that started at 6 PM. Previous previews around this range include Disney’s Dumbo ($2.6M, $45.9M opening), Monsters University ($2.6M, $82.4M opening), Moana (which previewed on a Tuesday before Thanksgiving with $2.6M, 3-day of $56.6M, 5-day much greater due to Thanksgiving
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EXCLUSIVE: Disney/Pixar’s family film Onward has been banned in multiple Middle East markets due to the film’s minor reference to a lesbian relationship. In the movie, about two teenage elf brothers in a mythical world who embark on a quest for magic, there is a passing reference to an LGBTQ relationship between two secondary characters. 
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