Paramount

AMC Theatres, the biggest circuit globally, posted the highest domestic revenue in its 104-year history for a pre-Thanksgiving weekend counting admissions, food and beverage, and merchandise. The past three days, with the debuts of Wicked and Gladiator 2, the circuit also saw the highest domestic admissions revenue on the weekend before Thanksgiving since 2019, and
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As if the great Moana 2 box office news wasn’t enough Wednesday morning, Disney‘s Barry Jenkins- directed Lion King prequel Mufasa and Paramount‘s Sonic the Hedgehog 3 has hit three-week tracking. Currently, the Hedgehog is looking to outrun the Lion, $55 million+ to $50 million, but keep in mind Disney hasn’t screamed out its Mufasa
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As awards buzz accumulates for Paramount‘s Robbie Williams eclectic biopic Better Man and ABC Sports Munich Olympics thriller Sept. 5, the studio is tweaking both titles’ theatrical rollout. September 5, which was previously scheduled to open exclusively on Black Friday, Nov. 29, and expand on Dec. 13, will now bow on Dec. 13 exclusively and
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Twenty-four years after Best Picture Oscar winner Gladiator reinvented the swords and sandals genre, its sequel, Gladiator II, is finally entering the arena. Paramount began overseas rollout Wednesday on the continuation of Ridley Scott’s Roman Empire action saga. Through Friday, 63 international box office markets will be open — the full offshore footprint, save for
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Media mogul Barry Diller is exploring a bid for Paramount, The New York Times reports. The Hollywood potentate-turned-digital media-pioneer’s IAC Corp. has inked nondisclosure deals with Shari Redstone’s National Amusements Inc., the company’s controlling stakeholder, the paper said. The Times said the status of the Diller-Paramount talks is unclear. A Paramount rep declined to comment
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Paramount went all in on Gladiator II at CineEurope today, showing off an exclusive extended look at Ridley Scott’s sequel to his 2000 Best Picture Oscar winner. Introducing the footage in a video clip, Scott promised that Gladiator II, coming nearly two-and-a-half decades after the original, is “well worth the wait”; the audience today agreed.
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Should Sony and Apollo get their hooks into Paramount Global their strategy would be to keep theatrical release output steady between both studios –not reduced– while cutting the more burdensome parts of the conglom, read auctioning off CBS, the linear channels like MTV and Paramount Plus streaming service. The news about theatrical output is per
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
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Has it been 10 years? Yes, and thus, Paramount said Thursday that it will re-release Christopher Nolan‘s 2014 fall tentpole Interstellar. The Warner Bros co-production will hit theaters this fall. The movie grossed $188 million at the box office stateside, and north of $733M worldwide. Prints for Interstellar will include 70MM and Imax. The movie
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What do you do when your conglom might be a target for a takeover. Don’t sweat it and laugh. As Skydance remains in talks with Paramount Global’s majority shareholder National Amusements to take control of the studio Paramount Pictures CEO Brian Robbins made light of sales talks before exhibitors at CinemaCon in Las Vegas saying
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The trailer for Paramount‘s Smile 2 came as a surprise this morning during the studio’s session at CinemaCon. Though not introduced, when the images first hit the screen, it was easy to assume Paramount was distributing a Lady Gaga concert movie (it truly felt that way). But as it continued, it was clear Naomi Scott
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Paramount’s Bob Marley: One Love had offshore audiences getting together and feeling more than alright in Wednesday international box office play. Beginning overseas release yesterday, the Reinaldo Marcus Green-directed biopic grossed $4.9M across 10 markets, several of them giving the story of the reggae icon No. 1 status and the biggest or second-biggest launch day
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Globally, including most everywhere overseas, 2023 box office was led by a mix of Barbie, The Super Mario Bros. Movie and Oppenheimer, curious bedfellows who nevertheless proved that cultural phenomena can come in different forms and set turnstiles spinning. Both the global and international box office saw improvement in 2023 versus 2022 with an estimated
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Exhibitors are lighting candles and saying prayers that Paramount‘s feature musical redux Mean Girls carries them big-time throughout January after a dry spell caused by the double strikes. Ya see, for the next three weeks following Mean Girls, there isn’t a major studio wide release until Apple Original Films’ Argylle arrives on February 2 via
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Paramount‘s new twist on Mean Girls arrived on tracking today and let’s just say it’s not just hot with the cool girls. With double digit in unaided awareness among older and younger women over and under 25, the feature take of the Tina Fey scripted Broadway musical is looking at a $27M+ opening over the
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The AMC distributed Taylor Swift: The Eras Tour returned yesterday, Thursday, at around noon after a three day pause, pulling in $5.9M per industry estimates. This takes the running total of the Sam Wrench directed concert film to $98.7M at 3,855 theaters. Meanwhile, Apple Original Films big splash into wide theatrical releases with Martin Scorsese’s
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EXCLUSIVE: Apple Original Films and Paramount‘s Killers of the Flower Moon landed on more tracking services Thursday. The three-hour-plus epic directed by Martin Scorsese and starring Leonardo DiCaprio is set for an opening around $24 million when it goes wide on October 20. Duly note, that new tracking service Quorum, which does six-week projections, had
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Entertainment Corporate Communications pro Brooke Robertson has been upped to Paramount Pictures’ Head of Global Communications and Media Relations. She will report to Paramount Pictures President and CEO Brian Robbins. Previously, Robertson was the Melrose lot’s SVP, Global Communications and Media Relations, overseeing media relations, executive communications, and daily operations of the global comms team.  From 2019 to 2021,
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Altering an initial platform-release plan, Apple Original Films will instead launch the Cannes Film Festival hit Killers of the Flower Moon to a wide global theatrical release October 20. Apple is partnered with Paramount Pictures on the theatrical release. This before the Martin Scorsese-directed film that stars Robert De Niro, Leonardo DiCaprio and Lily Gladstone
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