Refresh for latest…: It’s been another very busy weekend at the international box office with milestones and great holds, as well as a new entry and local-language movies adding to the mix. Coming off of a record-breaking debut in Korea, Christopher Nolan and Universal’s Oppenheimer led the overseas frame for the studios with a $32M
Oppenheimer
Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of
Even though kids are heading back to school, the summer box office isn’t giving up yet, and there’s a chance we could near $4 billion thanks to the final act power of Barbie and Oppenheimer. Warner Bros is hoping the first Latino superhero movie, Blue Beetle, will stoke its core moviegoers; that DC title seeing
Universal and Christopher Nolan’s Oppenheimer debuted in more than 500 locations in Korea on Tuesday, capitalizing on the Liberation Day national holiday. The epic bowed to $4.3M, capturing 44% market share for the day in a highly competitive environment. That marks the best Nolan opening day in the market, biggest Hollywood opening of the year there (No. 2 launch
Refresh for latest…: It’s still a Barbie world this weekend as the Greta Gerwig-directed charmer reached a global cume of $1.184B. Last session, Margot Robbie’s living doll crossed the $1B threshold, and in this 4th frame added $45.1M in 75 offshore markets (a 47% dip) to bring the international box office cume to $657.6M. Overall,
Christopher Nolan’s Oppenheimer has reached the $500M global milestone, on its way to an estimated $551M through Sunday. This would make it the filmmaker’s fifth-highest-grossing film of all time, ahead of Dunkirk. The worldwide total through Friday is $499.3M, meaning that it has already topped the five-century mark today. Overseas, the Universal title is expected to see an
As she heads into the third weekend of release, Warner Bros’ Barbie has hit two new milestones, crossing both $500M at the international box office and the nine-century mark worldwide. The Greta Gerwig-directed phenomenon added $16.8M from 69 offshore markets on Thursday, bringing the overseas total to $509.7M through yesterday. Globally, the doll is standing
FRIDAY MIDDAY: The third weekend of Warner Bros’ Barbie at $51M (-45%) is higher than the opening of the Brad Pitt action movie, Bullet Train, which did $30M during the first weekend of August. It just goes to show how far we’ve come along at the box office. The Greta Gerwig directed take on the
Not streaming, nor strikes, nor shell shock from the pandemic kept this July’s domestic box office down with studio tentpoles and a faith-based surprise movie racking up the second-best record for the month with $1.37 billion per Comscore. Warner Bros’ Barbie and Universal’s Oppenheimer were the No. 1 and 2 movies with $366.4M and $181.4M
As expected, Warner Bros’ Barbie has now officially crossed the six-century mark globally with Friday’s figures included. The global cume is $637.5M through yesterday with the international box office repping $350.5M after a $30.1M Friday in 69 offshore markets. The Greta Gerwig-directed phenom should high-heel it past $700M through Sunday worldwide. We’ll have much more
EXCLUSIVE: The UK box office is booming thanks to Barbenheimer. According to seven-day figures from Comscore, this past week is the highest ever recorded at the UK and Ireland box office, with £66,373,575 clocked from all movies between July 21-27. The feat has been fueled by the Barbenheimer phenomenon, which has seen Greta Gerwig’s Barbie
Very early figures here for Barbenheimer given their wonderous first week. So early we don’t have the figures for Disney’s Haunted Mansion previews yet, nor the official studio numbers. But it’s another sexy $20M+ day for Barbie with an estimated $21.4M on Thursday (-7% from Wednesday), ending its first week at $258.6M. The pic should
Wednesday isn’t a day like Tuesday, where there are cheap tickets up for sale, but that didn’t stop Warner Bros.’ Barbie from continuing its daily weekday $20M+ streak. The Greta Gerwig-directed feature grossed $23M yesterday, -12% from Tuesday, sending its six-day running total to $237.1M. America’s No. 1 doll definitely is crossing $300M this weekend,
We knew Warner Bros’ Barbie and Universal’s Oppenheimer were going to be big — but not this big. Paramount’s Tom Cruise sequel Mission: Impossible – Dead Reckoning Part One learned that the hard way (65% Weekend 2 decline with $19.3M) by going one weekend before the dual tidal wave, trying to avoid the wake of
The mysterious sanctuary hidden away in the Jemez mountains was known only as Box 1663 in the mid 1950s. The mission of its 13,000 residents was to create “the gadget.” Living there was a challenge. “It’s a prison camp for eggheads,” whispered one scientist. As a young newsman, I decided I had to find a
AMC Entertainment set a new post-Covid record for global admissions revenue this past weekend with Barbie and Oppenheimer leading a charge that drew 7.8 million moviegoers to theaters. Warner Bros/Mattel’s Barbie racked up $162 million opening weekend. Universal’s Oppenheimer stands at $82.4 million for a $300 million weekend at the domestic box office. For Imax, Christopher Nolan’s Oppenheimer delivered a $35 million debut
Searchlight Pictures’ comedy Theater Camp held its own on a big weekend of box office coin flowing in from Barbie and Oppenheimer. Molly Gordon and Nick Lieberman’s Sundance-winner (U.S. Dramatic Special Jury Award for Ensemble) expanded to 10 markets/51 theaters, up from six locations in New York and LA opening weekend, taking in an estimated $266,000
While the Hollywood Studios and WGA and SAG-AFTRA are at a standstill in labor talks –streaming residuals being a big bone of contention– the theatrical side of the business exploded with Barbenheimer together grossing over $511M worldwide, $235.5M of that being domestic. Never before in the history of Hollywood movies have two films opened respectively
Christopher Nolan’s highly-anticipated and highly-reviewed Oppenheimer has begun overseas rollout with strong results versus some of the director’s previous titles. On Wednesday, the Universal film opened in 10 offshore markets, grossing $2.4M and led by France and Indonesia. These are early days as the critically-lauded Cillian Murphy-led biographical drama/political thriller will be playing a total
EXCLUSIVE: The box office event of the year which has Warner Bros. mass female attraction, Barbie, and Universal’s Christopher Nolan directed, Oppenheimer, has officially fired off its confetti guns with the movies seeing respectively an estimated $20M and $9M+ from their previews. Again, these numbers could fluctuate by morning. Even if Barbie falls short of
Cillian Murphy and Christopher Nolan are marking their sixth collaboration with Oppenheimer, the biographical epic about the titular complicated and brilliant physicist tasked with leading the Manhattan Project, the secret effort to create the atom bomb, and the moral and political struggles that followed. This is the first time Murphy, who plays Oppenheimer, is essaying
“You’re being managed on Barbie” was a snarky text I received last night, “it’s at least $130M.” The point of that is the projections out there for the Greta Gerwig directed feature take of the Mattel doll are indeed wild. Rivals were spotting $90M-$125M; Warners asserting $75M. Today, to support the crazy fever of moviegoing
At a time when the industry is suffering through historic dual strikes by the WGA and SAG-AFTRA, the motion picture industry is poised to see an enormous weekend at the box office with Warner Bros./Mattel’s long awaited toy feature adaptation Barbie and Christopher Nolan’s World War II era three-hour adult drama Oppenheimer reaping a combined
What was it W. B. Yeats wrote, that line Joan Didion lifted and twisted in her essay “Slouching Towards Bethlehem,” about West Coast chaos in 1967? Things fall apart; the center cannot hold. That’s how it felt on Thursday, a few minutes before lunch with some seasoned film executive-friends at the Academy Museum (Salad Niçoise
It is quite conceivable another near $200M weekend will be in store at the box office over the weekend of July 21-21. Warner Bros.’ highly anticipated comedic feature take on girl toy Barbie starring Margot Robbie in the title role and Ryan Goslin as Ken cruised on to tracking today and hot would be a
Universal trotted out a dog, some “possessed” girls and a Wicked light show, during its CineEurope presentation here in Barcelona, while also celebrating the studio’s force in the animated space and touting next month’s Oppenheimer from Christopher Nolan. All this followed a reel of filmmakers heralding the cinema experience which it had previously shown at
Six weeks into the writers strike, the early returns on summer studio films have been some of the best since Covid brought the exhibition business to a screeching halt. But if SAG-AFTRA members trade lines of dialogue for picket lines beginning July 1, the business might well look like pandemic redux. The domestic box office
Universal revved up exhibition at its CineEurope presentation today in Barcelona, offering a glimpse at 2023’s Fast & Furious X, including a first look at new cast members Jason Momoa and Brie Larson. The Louis Leterrier-directed 10th installment is currently in production for release next summer. That was the capper to a jam-packed Uni session