Movie Features

On the Los Angeles Times’ culture desk back in the 2010s, reporters would have a shorthand for readers’ hypersensitivity to spoilers. “And Rosebud was a sled,” a journalist might say upon reading aloud such subscriber feedback, which might prompt another to volley back, “And Bruce Willis was dead the whole time.” Those two references, of
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New technologies led by artificial intelligence and virtual production are profoundly changing visual effects but are still “another paintbrush” in the service of storytelling, says VFX veteran George Murphy. “Virtual production is not just a tool for VFX; it’s a storytelling tool that allows actors to feel fully immersed in the scene, instead of having
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While fans of The Hunger Games await the new new Hunger Games film from Lionsgate and Suzanne Collins’ forthcoming fifth novel in the saga (titled The Hunger Games: Sunrise on the Reaping), there are a myriad of movies and TV shows that volunteer as tribute to fill the void. Whether seeking stories about similar dystopian worlds, young protagonists trying to
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Adria Arjona’s new movie Hit Man is a rousing success, but she’s trying not to think about it. The Richard Linklater feature, starring Glen Powell as an undercover fake-killer-for-hire and Arjona as a woman who tries to solicit his services, first premiered to rave reviews at the 2023 Venice Film Festival, shortly before it was acquired by Netflix
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[This story contains spoilers for The Watchers.] As an artist, it’s no easy task to define oneself, to showcase a perspective and style that differentiates you from others. And it’s always that “other” that looms large, impacting your and everyone else’s perceptions of you. This is certainly the case for Mina (Dakota Fanning), a young,
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Welcome to George Miller’s Wasteland. It’s a post-apocalyptic world not too far removed from our own. A hellscape where resources have run dry, pushing humanity to barbarism, tribalism and a twisted sense of justice. The scarcity of supplies has made gasoline one of Earth’s most precious resources, as the only thing left to do for
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Ryoo Seung-wan has been a pillar of the South Korean film industry for over 20 years, respected there for his keen social observation and thrilling action. But Europe’s great film festivals have feted him conspicuously less than some of his more internationally well-known peers. The Cannes Film Festival recently took a step toward correcting that
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When asked to name her organization’s biggest accomplishment so far, Charlene Deleon-Jones, the executive director for Film AlUla and Saudi Tourism leadership board member, doesn’t hesitate to name-check Norah, the first Saudi film to crack the Cannes lineup. The Tawfik Alzaidi-helmed indie movie, which will compete in the fest’s Un Certain Regard section, was shot in
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Before he returns to the role of Spider-Man’s best friend, “Guy in the Chair” and emergency sorcerer, Jacob Batalon is deepening his relationship with Sony Pictures. Today, Batalon is back on the big screen in the studio’s supernatural horror film, Tarot. Written and directed by Anna Halberg and Spenser Cohen, Tarot chronicles seven college friends
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“Schindler’s List was never a cure for antisemitism,” emphasizes Steven Spielberg. “It was a reminder of the symptoms of it.” These days, tragically, antisemitism is all over the headlines: Neo-Nazis chanting “Jews will not replace us” in Charlottesville. The Tree of Life Synagogue shooting in Pittsburgh. The Oct. 7 terrorist attack on Israel that claimed the
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