Alex Garland’s dystopian Civil War, about America torn asunder by a president run amok and brutal acts of war committed on ordinary citizens, sparked plenty of speculation — and assumptions — heading into its debut in theaters over the April 12-14 weekend. Would it be a win in blue states but a losing battle in
Kirsten Dunst
The details of American politics do not concern Alex Garland in Civil War. Despite the controversy it’s already courted about its supposed prescience, the unsettling feature from the British filmmaker doesn’t predict a future based on the country’s current two-party system. Garland is far more interested in the United States’ self-regarding exceptionalism, its belief in