Lily Gladstone, the guest on this episode of The Hollywood Reporter’s Awards Chatter podcast, is a trailblazing Native American actress whose breakout performance in Martin Scorsese’s film Killers of the Flower Moon, as an Osage woman named Mollie Burkhart whose oil wealth made her a target of white men during what is known as the
Killers Of The Flower Moon
Spurned by many critics and consumers alike, Matthew Vaughn‘s pricey spy comedy Argylle bombed at the North American box office in the biggest miss to date for Apple’s theatrical ambitions. The movie opened to an estimated $18 million from 3,605 cinemas against a price tag of $200 million to $250 million, according to sources. The
Isabelle Thomas, British documentary filmmaker and the wife of Oscar-nominated Killers of the Flower Moon producer Bradley Thomas, was found dead at a Los Angeles hotel this week, medical records show. Thomas was 39. Isabelle Thomas died by suicide and was discovered with “multiple traumatic injuries” at a local hotel, according to online records from the Los Angeles County
Universal/Blumhouse’s Five Nights at Freddy’s was still plenty game this weekend, crossing $100M at the international box office and $200M worldwide. The sophomore frame overseas, where this is a pure theatrical play, dipped 54% to deliver $35.6M in 74 markets for a $103.5M offshore cume and $217.1M global. Fazbear and crew have surpassed the reported
Martin Scorsese’s Killers of the Flower Moon has set a milestone, crossing the $100M mark at the global box office through Thursday. As it heads into its third frame, the epic western crime saga from Apple, Paramount and Imperative Entertainment is at $102.1M worldwide, including $45.3M domestic and $56.8M from the international box office. The
The world’s most valuable company saw another revenue dip with sales down about 1% at $89.5 billion (a hair above Wall Street expectations) for its fiscal fourth quarter. EPS at $1.46 was up 13% percent year-on-year for the three months ended in September, also a beat. But investor had hoped for a bit more from
Imax CEO Rich Gelfond predicts the long SAG-AFTRA strike will settle relatively soon. If, instead, it drags on, theater chains will face a rocky second half of 2024 but he sees the large-format exhibitor standing apart. “An exhibitor who programs a multiplex needs lots of movies,” he told Wall Streeters after Imax reported a record
No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M). Note the
There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in
The AMC-distributed Taylor Swift concert movie Taylor Swift: The Eras Tour, which paused weekday play from Monday-Thursday, is looking at a 60%-70% dive in its second weekend with $27M-$37M off its first weekend of $92.3M. Those industry projections are based on the front-loaded nature of female-skewing pics, per sources. Disney’s Hannah Montana and Miley Cyrus:
The AMC distributed Taylor Swift: The Eras Tour returned yesterday, Thursday, at around noon after a three day pause, pulling in $5.9M per industry estimates. This takes the running total of the Sam Wrench directed concert film to $98.7M at 3,855 theaters. Meanwhile, Apple Original Films big splash into wide theatrical releases with Martin Scorsese’s
EXCLUSIVE: Apple Original Films and Paramount‘s Killers of the Flower Moon landed on more tracking services Thursday. The three-hour-plus epic directed by Martin Scorsese and starring Leonardo DiCaprio is set for an opening around $24 million when it goes wide on October 20. Duly note, that new tracking service Quorum, which does six-week projections, had
With guild agreements being signed and production ramping up, Hollywood hopefully awaits a moment of youthful innovation. Oops: The most newsworthy films set for imminent release are directed by filmmakers in their 80s – grizzled veterans who understand their muscle but, like the neophytes, are perplexed by the chaotic landscape. Will this become a Back
Imax CEO Rich Gelfond turned a media conference Q&A back on the host today, grilling a Goldman Sachs analyst about the firm’s two-year ‘sell’ rating on the stock when, he said, much of the Street has a ‘buy’. The two were discussing Gelfond’s $1.1 billion box office projection for Imax, made earlier this year,
Altering an initial platform-release plan, Apple Original Films will instead launch the Cannes Film Festival hit Killers of the Flower Moon to a wide global theatrical release October 20. Apple is partnered with Paramount Pictures on the theatrical release. This before the Martin Scorsese-directed film that stars Robert De Niro, Leonardo DiCaprio and Lily Gladstone
The North American box office has been a challenge to track the past couple of years, first with movie theaters shuttering along with almost everything else due to the Covid pandemic, and then in 2023, just when thing were returning to normal, a pair of Hollywood strikes has further complicated studios’ release-date strategies. Still, as
Paramount President of International Theatrical Distribution Mark Viane kicked off the studio’s CineEurope presentation with his annual fun pre-taped video, this time essaying the role of Mission: Impossible’s Ethan Hunt before appearing on stage dragging a parachute behind him in an homage to Tom Cruise’s latest spectacular stunt in Mission: Impossible – Dead Reckoning Part
EXCLUSIVE: Deadline has learned that Oscar winning filmmaker Martin Scorsese will be making an appearance at CinemaCon this year to receive the Legend of Cinema Award. The honor will happen during a sitdown lunch discussion with Scorsese following Paramount Pictures’ Thursday morning presentation on April 27. It’s very timely as Scorsese in mid-May will have
The media news cycle is in a frenzy today over a Bloomberg piece that Apple will shell out a $1 billion to produce big screen features annually. That’s great news for exhibition, yes. But, in reality, doing the math, the streamer was already bound to spend in the billions on a feature slate. Apple’s deep