Radical with Eugenio Derbez built on its smash opening in Mexico to hit no. 5 at the U.S. box office with a super $2.7 million at 416 theaters. The Pantelion film had delayed its debut Stateside by two weeks to skirt The Eras Tour juggernaut, allowing word of mouth to build for the drama about
Independent
A24’s Priscilla by Sofia Coppola catapults from four screens to 1,300, Alexander Payne’s The Holdovers from Focus Features expands to 60 from six and two new indies have wide debuts — What Happens Later from Bleecker Street, directed by and starring Meg Ryan, opens at 1,400 locations and Daisy Ridley-starring The Marsh King’s Daughter from Roadside
Alexander Payne’s The Holdovers from Focus Features pulled in an estimated $200k on six screens in New York and LA for a per-screen average of $33.3k, a good limited opening on an upbeat specialty weekend that also saw A24’s Priscilla by Sofia Coppola off to a fine start. We’re in anomalous times with the ongoing
Independents are out in force with high-profile fall festival fare from Pricilla to The Holdovers, a big Viva Pictures push with Inspector Sun (voiced by Ronny Chieng), Cannes documentary winner Four Daughters and Waikiki, the debut feature by Hawaiian filmmaker Christopher Kahunahana. the first homegrown feature to be shown there. Sofia Coppola’s Priscilla from A24
Cannes Palme d’Or winner Anatomy Of A Fall from Neon grossed $125,377 at five theaters for a per screen average of $25,075 — a solid limited opening for the Justine Triet-directed film that made its theatrical debut Friday in NYC, LA and San Francisco. A limited expansion is planned for next week. Sandra Hüller stars
A24’s Dicks: The Musical had one of the best limited openings of the year, grossing $220,867 on seven screens in New York, Los Angeles and San Francisco. It expands in NY/LA/SF next weekend ahead of a national rollout starting 10/20 for the R-rated romp directed by Larry Charles (Borat, Seinfeld). The film, based on a
A wacky film based on a stage show by comedians Aaron Jackson and Josh Sharp, Dicks: The Musical – a riff on The Parent Trap with two adult men as the starring twins — opens in seven theaters in New York, Los Angeles and San Francisco on a crowded specialty weekend as theatrical releases of fall film festival titles accelerates.
Augustus Meleo Bernstein’s new movie At the Gates is getting a November 3 theatrical release date in New York and Los Angeles from Picturehouse. The Beacon Pictures and Five Towers production stars Miranda Otto, Noah Wyle, Ezekiel Pacheco, Vanessa Benavente and Sadie Anne Stanley. Bernstein wrote and directed in his feature debut. In the movie,
Story Ave starring Luis Guzman grossed $9.85k in a limited opening at one theater, Quad Cinema, with multiple sold-out shows. The first feature from director Aristotle Torres, which won for Best Cinematography at SXSW (see Deadline review) expands to Chicago and the Bronx next week, followed by LA and additional markets October 13. Guzman plays a
A really wet Friday in New York – National Weather Service flash flood warning wet – is likely to take a bite out of specialty film in one of its biggest markets this weekend. Alamo Drafthouse shut its NYC locations in Manhattan, Brooklyn and Staten Island until further notice due to “severe flooding in and
David Byrne met A24’s young fans as the Talking Heads Stop Making Sense is set to gross $800,673 from 264 Imax screens in North America this weekend. Its cumulative gross of $1.43 million includes Thursday screenings and a live event at TIFF for this remastered version of the 1984 Jonathan Demme-directed concert film ranked by
Stop Making Sense, the remastered concert film that sowed delight at TIFF, opens on 300 Imax screens in the U.S., Canada, U.K. and Ireland. Locations Stateside number 260 ahead of a nationwide release next week. The 1984 Talking Heads extravaganza from Jonathan Demme is presented in its new iteration by A24 — meaning the
Bollywood’s Jawan and star Shah Ruhk Khan livened up a slow specialty market, grossing close to $2.5 million in 776 locations in week two for a cume close to $12.2 million. The Yash Raj actioner is no. 6 at the domestic box office. Its weekend split was $694,724k Fri.; $1.024m Sat,; $775k Sunday as Jawan
The specialty market had a Shah Rukh Khan-nice weekend as Yash Raj Films’ Jawan pulled in an estimated $6.2 million in 813 theaters — a per-theater average $7.6k — taking the no. 4 spot at the North American box office. That’s a $7.56 million cume for the Bollywood action thriller including Thursday shows. SRK
Jawan, a Hindi action thriller with Bollywood royalty Shah Rukh Khan set opening day records in India that are echoing Stateside. The Yash Raj Films release grossed more than $1.36 million on Thursday at 764 locations, meaning it was the no. 2 movie across North America behind wide release The Eoqualizer 3 with Denzel Washington.
In its second weekend in theaters, MGM and director Emma Seligman’s teen comedy Bottoms broke into the top ten films for the weekend (no. 7) on 715 screens, a major North America expansion from a 10-theater opening last week. An estimated $3 million gross for the three days, and $3.6 million for the four-day Labor Day
MGM’s raunchy high school comedy Bottoms by Emma Seligman, a surprising teen girl version of Fight Club, is punching into a lot more theaters this week, expanding from ten to 715 nationwide. The numbers so far look solid and MGM might be hoping for anything in the $2.5+ million range over the three days. It had an
Emma Seligman’s Bottoms is looking at an estimated weekend gross of $516k on ten screens with a possible leading $51,625 per-theater average for the raunchy, teenage high school girl take on Fight Club. That’s a win for MGM, its Orion Pictures label and Brownstone Productions, producers on the modestly budgeted ($11.3 million) film written by
It’s an unusual theatrical weekend as the second National Cinema Day rolls out Sunday with $4 tickets for all shows and formats at participating theaters — the bulk of the nation’s circuits big and small. The event was announced Monday with a dedicated clip of new openings, recent returning (The Super Mario Bros. Movie) and
Neon’s re-release of Park Chan-Wook’s 2003 Oldboy grossed an estimated $495k on 250 screens this weekend for a total cume of $880k over five days. It’s set to cross the $1 million in its first week back – surpassing a cumulative North American gross of $707k with original distributor Metro Tartan Film. The classic revenge thriller came
Jailer, the Tamil-language action thriller with one of India’s most enduring stars, blasted off to circa $2.56 million on 450 screens, hitting the top ten at the box office this weekend, according to Comscore. Bollywood (Hindi), Tollywood (Telugu) and Kollywood (Tamil) pics, which open day-and-date in India, occasionally cross over to general audience, especially following
Releases keep coming but talent is not comfortable promoting films, even indies, even if productions have waivers or don’t need them. Where that’s leading isn’t clear. “Who’s going to take the plunge first? We’ll see. The festivals will be the big test,” said one independent distribution exec. From a moderate release like Jules, in nearly
CatVideoFest, which is just what it sounds like, joined notable indie debuts and festival favorites Shortcomings and Passages, the re-release of Shiva Baby and juggernaut Talk To Me in another weekend of varied specialty fare, both new and holding over. Indies are helping drive a buoyant box office. They’re also waiting for the Barbenheimer tsunami
Festivals past are populating a busy specialty market this weekend with films from Sundance and Venice. Sony Pictures Classics is giving Randall Park’s Shortcomings a substantial 400+ screen release. See Deadline review. Mubi is out with Passages in New York and LA – both premiered to critical acclaim in Park City. There’s been some drama
A24’s supernatural horror Talk To Me by first time filmmakers Danny and Michael Philippou blew past box office projections grossing over $10 million on 2,340 screens opening weekend. The breakout by the first-time filmmaker brothers and popular YouTubers from Australia was no. six at the domestic box office. The film was well reviewed as a
Return To Dust, an arthouse hit in China last summer before being pulled from release, opens Stateside this weekend with Film Movement presenting on two screens – NYC’s BAM Rose Cinema and the Gene Siskel Film Center in Chicago, expanding to LA and Seattle next Friday. The distributor acquired the film directed by Li Ruijun
Searchlight Pictures’ Sundance-winning original comedy Theater Camp will take in an estimated $281,172 or $46.9k per theater at six locations opening weekend — the best limited opening for the distributor since Jojo Rabbit in the fall of 2019 ($349k in five locations). That’s after the A CinemaScore film on Sunday pulled ahead of Searchlight’s The
Expressing solidarity with Hollywood actors on Day 1 of the SAG-AFTRA strike, specialty distributors polled were anxiously juggling opening weekend Q&As and movie premieres without talent. They were trying to clarify which actors on what international productions are SAG-AFTRA, bound by the guild, or neither. And, for those involved in production, trying to pin down
A sci-fi comedy by Mel Eslyn and a literary noir by Alice Troughton – who are, respectively, the longtime producer for the Duplass brothers, and an award-winning UK television director (Dr. Who, Cucumber, The Living And The Dead) — debut in limited release this weekend, alongside Adele Lim’s Joy Ride, a Lionsgate wide-release – marking
Fans of The Name of The Rose author Umberto Eco turned out in NYC, boosting the documentary on medieval scholar turned novelist and social commentator to over $9.1k on one screen – a nice showing by The Cinema Guild for a foreign language documentary on a solid weekend for some indie and arthouse fare. Umberto