Exhibition

Summer’s tentpole rumble continues this weekend with Paramount’s seventh Transformers movie, Transformers: Rise of the Beasts, which is heat-seeking $155 million at the worldwide box office for its opening frame, $100M of that offshore. The movie reps a concentrated reboot by the studio of the long-in-tooth robots-in-disguise franchise, which has suffered in latter installments from
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Celine Song’s Past Lives from A24 is very much here and now, grossing $232k on four screens for over $58k per location, a nice number for Song’s debut film as the second-biggest limited opening of the year so far. A24 also had the highest in April with Beau Is Afraid at $80k per theater at
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A24 follows You Hurt My Feelings last weekend with dual-language romance Past Lives, starting a platform release on four screens in New York and LA including Q&As led by talent who have been champions of the film, including Steve Buscemi, Jodie Turner-Smith and Lulu Wang. Expanding this month. The Sundance premiering pic by Celine Song,
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In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
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A24’s Julia Louis-Dreyfus-starrer You Hurt My Feelings will top an estimated $1.7 million in limited nationwide release for the four-day holiday weekend, at the high end of expectations on 912 screens. That puts it at no. 8 at a domestic box office where Little Mermaid is making all the waves. Breakdown: Friday – $474k; Sat.
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“It was a contributor to the specialty box office, and I hope it will be again,” says Laemmle CEO Greg Laemmle of MoviePass, the subscription service that unsurprisingly went bankrupt in early 2020 after offering a movie a day for ten bucks a month. A co-founder Stacy Spikes, who was pushed out amid strategic differences
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Matt Johnson’s film BlackBerry about the rise and fall of the world’s first smartphone passed $1.7 million its second week out with an estimated three-day gross of $525k in 595 theaters. The Canadian number — $250k from 200 theaters — was only a 13% drop from opening weekend. Stateside, the indie crossed $1 million with a
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As Sanctuary, Zachary Wigon’s twisted tale of a dominatrix and her wealthy client, opens in NY and LA, David Lancaster of producer Rumble Films recalls a speedy 18-day shoot on a custom-made set in Brownsville, Brooklyn in late summer of 2021. It was Covid, so not the easiest time for indie financing. It world premiered
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Universal’s Fast X, in what was an early start for previews for the franchise at 2 p.m., sparked to $7.5 million in Thursday numbers. Forecasts see the Louis Leterrier-directed tenthquel at a $60 million-plus stateside frame this weekend, with a greater amount of gas abroad at $235 million. How last night stacks up: the previous
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In a rare weekend with fewer new studio wide releases, IFC Films had a one-two punch at the box office with Matt Johnson’s film BlackBerry grossing $473k nationwide in 450 theaters, for a U.S. per theater average of $1.05k and cracking the top ten on Friday. It will gross an estimated $740k in North America this weekend,
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A beloved ballplayer and an iconic consumer device join a Hollywood satire by Charlie Day, an Emanuele Crialese film with Penelope Cruz and debuts from Sundance and Venice in a potentially strong specialty weekend that will test the appetite for indie film with no new franchise wide releases. Sony Pictures Classics opens Sean Mullin’s Yogi
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Indian films are a box office mainstay and one, Jodi, from Rhythm Boyz Entertainment, hit big this weekend Stateside, grossing $734,000 on just 125 screens. In April, the film set a record as the most viewed Punjabi trailer in 24 hours (over 12 million views on YouTube). “This has been happening more and more —
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Giant theater chain AMC Entertainment saw sales blow past Wall Street forecasts for the March quarter, rising 20% to $954 million. Losses narrowed by $102 million to $235 million, for an adjusted EPS of 17 cents a share, a also ahead of expectations. “It will take a few more years for the industry box office
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AMC Entertainment CEO Adam Aron said the giant movie theater chain will start making its own candy line that will be cheaper for patrons, and for the company, given price hike by sweets manufacturers post-Covid. “We noticed, as a result of the pandemic and supply chain shortages, that candy manufacturers had increased their prices to
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Filmmaker James Gunn’s Marvel Studios swan song, Guardians of the Galaxy Vol. 3, is blasting off this weekend, the de facto start of the summer box office, with an eye at $250M worldwide. Of that $110M is coming from domestic, and $140M from overseas. Wrinkling some box office sources brows is how the threequel’s start
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Sideshow/Janus Films is estimating a $36k gross or $18k per theater average for The Eight Mountains on two NYC screens, the strongest opening weekend to date for the team behind Drive My Car and EO. The Cannes co-Jury Prize-winning film by Felix van Groeningen and Charlotte Vandermeesch follows the profound friendship over decades of Pietro
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The latest Hunger Games, set decades before the original, is grittier and “more authentic” in some ways but doesn’t waver from existential questions, as relevant now as they were when the first films came out, said the director and producer of Ballads of Songbirds And Snakes. “Are we worthy of freedom? Are we unable to
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Focus Features’ Sundance-premiering Polite Society opens on 927 screens, the feature debut of writer/director Nida Manzoor, creator of We Are Lady Parts, the Peacock comedy about the eponymous British punk rock band. This comedic mash-up of sisterly affection, parental disappointment and bold action, where martial artist-in-training Ria Khan tryies to save her older sister from
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As The Super Mario Bros Movie barrels toward a box office score that will make it the highest-grossing animated movie ever at the domestic box office, and Guardians of the Galaxy Vol. 3 waits to pounce, Lionsgate is navigating the pre-summer calendar this weekend with two movies aimed at two different demos: the long-awaited feature
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CinemaCon 2023 officially drew to a close this evening in Las Vegas, with NATO handing out its Big Screen Achievement Awards to such recipients as Christopher Nolan, Emma Thomas, Zendaya, Chris Meledandri and Melissa McCarthy. The evening’s sentiment continued the running theme of the four-day conference: celebrating and preserving the theatrical experience. Nolan and Thomas
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Mooky Greidinger, chief executive of Regal parent Cineworld, of the world’s two biggest chains and currently in the process of emerging from bankruptcy, made an appearance on the Cinemacon stage today saluting Regal employees and giving a shout-out to Lionsgate and Hunger Games. At the last studio presentation of the week, Lionsgate rolled out the
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Eightyseven North brought a stunt dance crew and motorocycles on stage toward the finale of Universal’s CinemaCon presentation for their 2024 movie The Fall Guy. Quite often the studios here at CinemaCon keep it confined to showing off 2023 product, but Uni wanted to give exhibitors in the room something more. Following the Fast X
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“We thought we’d give you a little taste of it,” said Universal Pictures boss about Wicked, which is in production in London with Jon Chu directing and Ariana Grande and Cynthia Erivo in the respective roles of Glinda and Elphaba. The rough footage, which even some Uni execs haven’t seen, showed, Elphaba getting trained by
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