The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by SUPER LTD is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts
Exhibition
Amazon’s upcoming wide release of Ben Affleck and Matt Damon’s Nike movie Air exclusively in theaters in April “could represent the start of a substantive move into theatrical exhibition by streaming companies,” said Sean Gamble, chief executive of nation’s third-largest movie chain. Amazon last month releaves plans to give Air a wide theatrical release April
Super LTD presents Best International Feature Oscar nominee The Quiet Girl and, as the Academy Awards approach, RRR ramps up again and Navalny returns to theaters for one-week run. Also opening, Aaron Eckhart in Ambush, Charlotte Rampling in Juniper and comedian Jim Gaffigan as the host of a failing children’s science TV show in Linoleum.
Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
NATO will present Christopher Nolan and Emma Thomas with its Spirit of the Industry Award at CinemaCon in April for the event’s closing night Big Screen Achievement Awards. It comes as the Nolan written-directed Oppenheimer is set for theatrical release July 21 from Universal Pictures. Produced by Thomas, Atlas Entertainment’s Charles Roven and Nolan. “I am
Imax chief executive Rich Gelfond said blockbuster titles will probably be back on Imax screens later this year, as per Top Gun: Maverick last year and, more recently, Titanic’s 25th anniversary re-release. “Yes, I think they do. Especially seeing what happens at the Academy Awards, and what wins,” said Gelfond when asked on a conference
Imax said today it expects to return to its pre-pandemic gross box office level of $1.1 billion in 2023, as it reported revenue of $98 million for last year’s fourth quarter, down 10% from the year before. That dip, in-line with Wall Street forecasts, comes despite blockbuster Avatar: The Way of Water and was due largely to
Bankrupt Regal parent Cineworld said it had multiple bids for all or some of its assets in initial expressions of interest due last week. Its business includes Regal in the U.S.; Cineworld and Picturehouse in the U.K. and Ireland; and “rest of world” cinemas in Central and Eastern Europe, and Israel. Cineworld attorney Joshua Sussberg
Sony Pictures Classics said it’s planning to release Sean Mullin’s documentary on baseball superstar Yogi Berra, It Ain’t Over, in theaters in New York and Los Angeles on May 12, expanding over following weeks. The film is produced by Natalie Metzger, Matt Miller, Peter Sobiloff and Mike Sobiloff with Vanishing Angle and Off Media, and
Focus Features has set a September 8 global release date for My Big Fat Greek Wedding 3. That will give some breadth to the post-Labor Day box office and an option for older female moviegoers, that weekend already having New Line’s The Nun 2 on the schedule. Part 3 was written and directed by the
The title that saw Riz Ahmed stifle laughter, the press room crack up and Allison Williams murmur “no comment” at Oscar nominations last month hits theaters today as ShortsTV presents Oscar Nominated Short Films at circa 380 locations in 75 markets. The program, three feature-length presentations of the five nominees for Live Action, Animated and
EO, the Sideshow/Janus films release told from the point of view of a donkey, is set to pass the $1 million mark in week 14. The Cannes-premiering film by Jerzy Skolimowski, Academy Award nominated for Best International Feature, will gross an estimated $27.6k for the four-day President’s weekend on 37 screens for a cume of just
MONDAY AM: Ant-Man and the Wasp: Quantumania wound up hitting its $120M tracking projection from four weeks ago. Disney believes this AM that the Peyton Reed Marvel Studios movie will get there. Sunday was higher at $25.7M than the expected $24.2M and Monday is on track for $14.5M for a $120M result. 3-day revised is
New Line/DC’s Black Adam ends its first week at the domestic box office with $83.4 million, which is slightly ahead of what Dwayne Johnson’s Fast & Furious spinoff Hobbs & Shaw did in its first week at $83.1M. That’s impressive considering Black Adam is a deeper-universe DC character, while the other was connected to a
Three films opening this weekend highlight women’s rights, class and racism — nothing ripped from today’s headlines exactly, but features with a distinctive moment and point of view that appear particularly relevant today. Call Jane, Holy Spider and Armageddon Time join Tár, Till, The Banshees of Inisherin and others already in theaters as it gets
Universal/Working Title’s Ticket to Paradise has winged past the $100 million mark globally. With Tuesday’s grosses included, the Julia Roberts–George Clooney rom-com’s split is $20.6M domestic and $81.9M from the international box office for a worldwide total of $102.5M so far. Having released early overseas, Ticket to Paradise, directed by Ol Parker, just went out
National CineMedia is suing Regal Cinemas, one of its founding partners, for hiding behind Chapter 11 to cancel a longstanding and legally binding contract – a twist in the bankruptcy saga of Regal parent Cineworld. Regal created National CineMedia with AMC and Cinemark in 2007 to provide in-theater advertising in and it still owns a
Searchlight Pictures’ The Banshees Of Inisherin opened to an estimated $181,000 and a raring per screen average of $45,250, beating Tár’s impressive $40,000. Both opened in four locations and now rank no. 2 and no. 3 for an indie per-theater gross this year after A24’s Everything Everywhere All At Once. That film’s in a class
EXCLUSIVE: In an unprecedented move, Netflix and major exhibition circuits in the U.S. and UK recently agreed a 30-day theatrical window for Rian Johnson’s Glass Onion: A Knives Out Mystery. This comes after years of discussions on finding “a way forward to show their high-quality productions on our screens,” says Tim Richards, founder and CEO
The Banshees of Inisherin, which won writer-director Martin McDonagh Best Screenplay and Colin Farrell the Volpi Cup for Best Actor in Venice last month, hits theaters in New York and Los Angeles on Friday, expanding to 10 more markets/50 locations next weekend, and to 600-800 screens November 4. If standing ovations say anything, the comedy-drama had a
The New Line-DC Dwayne Johnson movie Black Adam racked up $7.6 million in previews at 3,500 locations Thursday, a figure that beats the superstar’s previous preview nights for Fast and Furious 6 ($7.5M), Hobbs and Shaw ($5.8M), Jumanji: The Next Level ($4.7M), San Andreas ($3.1M) and Rampage ($2.4M). This is at least a very good
We have confirmed that tracking service NRG is eyeing a $175 million start for Disney/Marvel’s Black Panther: Wakanda Forever. That total would give it the second-best opening of 2022 after Disney/Marvel’s Doctor Strange in the Multiverse of Madness, which debuted to $187.4M in May. Last year’s Marvel sequel Spider-Man: No Way Home owns the biggest
Alamo Drafthouse Crystal City, the chain’s newest location and its fourth in the Washington, DC metro area, will open October 24 as the exhibitor continues to roll out sites. This latest entrant is a 49,000-square-foot, 915-seat, aviation-themed theater at 1660 Crystal Drive in Arlington, Va., joining the Alamo Drafthouse Bryant Street in D.C. proper, and
EXCLUSIVE: Imax has inked a deal with Wanda Films, China’s largest exhibitor, to install six Imax systems in new multiplexes across top Chinese markets including Shanghai, Shenzhen, and Guangzhou. Wanda will also relocate and upgrade three of its existing Imax systems to forthcoming locations. The agreement marks an expansion of their work together and a
Chinonye Chukwu’s Till got off to a solid start at the specialized box office, grossing over $15k per theater from 16 locations in five markets for an estimated weekend gross of $240.9k, possibly more depending on how Sunday plays out. “It’s as much as we could have hoped for,” said Erik Lomis, president of United Artists Releasing. The
Specialty film rollouts continues to accelerate with Chinonye Chukwu’s Till, Park Chan-wook’s Decision To Leave and A24’s Stars At Noon joining releases from previous weeks to populate theaters as awards season gathers steam. Till, from United Artists Releasing, world premiered at the ongoing New York Film Festival to stellar reviews (100% on Rotten Tomatoes,
Exhibition trade group the National Association of Theatre Owners announced Monday that its 24-year CEO and President John Fithian was retiring. While that’s not as long as the late Motion Picture Association boss Jack Valenti’s 38-year run at that trade org, who left behind his own legendary streak with the creation of the ratings system, Fithian
After more than a two decades run as the Boss of trade org the National Association of Theatre Owners, John Fithian is retiring, effective May 1, 2023. Technically, Fithian counts 30 years working for NATO, having begun working with the org as a former attorney at Washington DC’s Patton Boggs, LLC. NATO’s Executive Board has
The over-under on Universal/Blumhouse/Miramax’s Halloween Kills for its debut weekend is $50 million at 3,800 theaters. Some even see it possibly touching $60M, and that’s with a theatrical day-and-date on Peacock. That opening alone is what all films have been averaging at the box office over the last three weekends: $55M. In 2021, Part 2
Rian Johnson’s murder-mystery sequel Glass Onion: A Knives Out Mystery will receive a theatrical UK release after Netflix struck deals with Vue International and Cineworld. The film will screen at select Vue and Cineworld cinemas across the UK between November 23-29 before hitting the streamer on December 23. Discussions are ongoing for the film to
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