Broadway Box Office

Following its sold-out Off Broadway Encores! run this past spring, the revival of Into The Woods continued drawing audiences in the first performances of its Broadway transfer, filling 94% of seats at the St. James Theatre and grossing a big $1,380,760. The revival of the James Lapine and Stephen Sondheim classic, featuring a cast that
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Broadway box office held steady last week, with total grosses of $30,789,627 showing a 4% increase over the previous week even with two fewer shows on the boards. Of particular note, A Strange Loop and MJ have held on to their post-Tony Award strength: Both productions were among the roster’s full houses. A Strange Loop,
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MJ and A Strange Loop saw Tony Award glory translate into box office surges in the week after the June 12 ceremony, with MJ leaping by $216,921 over the previous week’s take to a huge $1,660,978. A Strange Loop grossed $845,313 for the week ending June 19, a jump of $168,998 over the previous week. Both
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Broadway producers are “cautiously optimistic” as attendance figures for last week show little, if any, immediate impact from the global coronavirus scare. Charlotte St. Martin, president of the Broadway League trade organization representing producers and theater owners, said in a conference call with reporters this afternoon that she was “even a bit surprised” with today’s
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Heading into the final stretch of its limited Broadway run, David Byrne’s American Utopia set a box office house record at the Hudson Theatre, grossing $1,416,344 for the week ending February 9. The figure – for only seven performances – beat out the previous high-water mark set by an eight-performance week of Sunday in the
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Broadway continued to drop a some box office winter weight last week, though no one seems to have notified David Byrne: The former Talking Head’s American Utopia was not only a sell-out but surpassed the $200 mark for average ticket price. The priciest seat on Broadway after the blockbusting champ Hamilton, Byrne’s concert-style theater piece,
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Broadway settled into its new winter clothes last week, with recent arrivals My Name Is Lucy Barton, Grand Horizons and A Soldier’s Play padding the roster as Oklahoma! and Slave Play joined the raft of recent post-holiday departures. In all, the 27 productions (two fewer than the previous week) grossed $30,443,388 for the week ending
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A post-Christmas Broadway box office fell like so many dry pine needles last week, with most shows taking fairly significant tumbles as ticket prices settled back to reality. In all, total grosses for the 36 productions dropped 23% from Christmas week to $43,095,641. Attendance of 317,679 was down only 9%, putting the box office blame
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The holiday season boosted Broadway box office for the week ending December 29, with a spate of weekly records established by shows including West Side Story, Beetlejuice, a couple of bio-musicals and others. Total grosses came in at $55,765,408, according to the trade group Broadway League. That was about $2 million lower than the tally for
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Broadway’s West Side Story and A Christmas Carol broke house records at their respective theaters last week as holiday business kept overall box office very sturdy. From the previous week, the 34 Broadway productions climbed 5% to a $40,645,773 box office total. The figure pushes Broadway’s season-to-date total past $1 billion. Total attendance of 302,372
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Well, that was fast: Director Ivo van Hove’s West Side Story joined Broadway’s Million Dollar Club after only six previews, grossing $1,254,440 in its first week of performances. The musical revival, with all new choreography by Anne Teresa de Keersmaeker, filled all seats at the Broadway Theatre for the week ending Dec. 15, with a
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Broadway’s Thanksgiving Weekend was a trip to bountiful, with Tina and Beetlejuice breaking house records, David Byrne joining the Million Dollar Club and total box office for the 35 productions soaring a big 30% over the previous week. In all, Broadway grossed $41,687,333, strong if not quite matching last Thanksgiving’s $43M. With attendance of 292,940
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Broadway box office took a step back last week, with most shows reporting receipt drops from the prior week (which included Veterans Day Weekend, perhaps boosting tourist money). In all, the 36 Broadway productions grossed $32,819,621 for the week ending Nov. 17, about 7% down from the previous week. Attendance, though, held steady at 289,802.
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Jagged Little Pill, the Alanis Morissette musical that’s not about Alanis Morissette, joined the Million Dollar Club in its first full week on the Broadway grosses chart, taking in $1,107,845 for eight previews for the week ending Nov. 10. The Jagged take no doubt helped Broadway’s overall total, which jumped about 14% from last week
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Declarations of “She’s Got Legs” might be premature, but Broadway’s Tina: The Tina Turner Musical is already strutting to $1M+ at the weekly box office, becoming one of the season’s most promising productions. In its second week of previews, Tina was a sell-out at the Lunt-Fontanne Theatre, grossing $1,386,360 for seven previews. With an average
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Broadway tiptoed another step into the fall season last week, with a hefty batch of newcomers mostly toting less than hefty bags of box office receipts. Total box office for all Broadway productions were up a wispy 2% over the previous week, tallying $29,894,777. Total attendance was 260,498, just 2% more than the previous week
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Broadway box office was down nearly 10% from the previous week’s Labor Day holiday tourist bulge, with the 25 productions grossing a total $25,965,471. Attendance of 224,402 was steady with the prior week, though should have been better: The roster count was up by two over the previous week’s 23 shows. Just about every production
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Broadway box office was up a bit last week, despite being down a show from the previous week. With a very slight 2.4% rise, the 23 productions grossed a combined $28,652,877, with attendance of 227,568 holding steady. The roster, thinned from the summertime line-up with The Cher Show, King Kong and Pretty Woman not-so-long gone,
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King Kong, Pretty Woman: The Musical and The Cher Show took their final bows on Broadway last week, all three bucking a late summer downward box office trend with some last-chance ticket-buyers. In general, though, Broadway box office was down about 5% from the previous week, with one fewer show on the roster and a
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Broadway’s Be More Chill, The Prom and Sea Wall/A Life were at near-capacity last week, as the first two headed out and the latter had its official welcome. Together they helped Broadway maintain a steady total box office of $34M for the week of summer dog days ending Aug. 11. Total attendance for Broadway’s 29
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Broadway box office held steady last week, with grosses of $33,730,889 and a total attendance of 270,067 for the week ending August 4. Adding to the tally was the $956,611 from five performances of Barry Manilow’s 17-show engagement at the Lunt-Fontanne Theatre. Manilow, in the final summer residency concert series at the theater, played to
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Broadway was back to full power last week (New York City’s latest blackout bypassed the theater district), rebounding 12% to $34M from the previous week’s summer-without-a-Saturday box office bruising. With nearly all 29 of the productions resuming their regular eight-performance schedules for Broadway’s Week 8 (ending July 21) , the expected boosts in box office
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