Broadway box office was down 6% last week – the second week of the 2023-24 season – with even some Tony-nominated productions taking noticeable hits. Camelot, New York, New York, Life of Pi, Fat Ham, Parade, Prima Facie and Shucked were among the productions reporting at least some box office slippage. In all, the 34
Broadway Box Office
Broadway box office overall held steady last week, even as the recent Tony Award nominations already seemed to lose some of their power to boost ticket sales. Some shows with nominations saw declines at the box office, from Good Night, Oscar and Some Like It Hot to Leopoldstadt and New York, New York. For the
Broadway’s box office was up a bit during the final week of the 2022-23 season, with only a few productions reporting slips from the previous week, including two – Funny Girl and Grey House – that saw temporary declines due to Covid cases within their casts. Last week, Funny Girl announced that Lea Michele had
Broadway box office for the 2022-23 season – the first full season since the industry’s return from the Covid closure – reached $1,577,586,897, a big increase over the last two hard-hit seasons but still about 14% lower than the pre-pandemic high of $1.8 billion. Figures released today by the Broadway League indicate that total attendance
Tony nominations seem to have given a box office boost to at least some of Broadway’s shows, with Some Like It Hot, Kimberly Akimbo, Parade and Leopoldstadt reporting noticeable bumps for the week ending May 14. The biggest improvement, though, was for a musical that scored zero nominations: Bob Fosse’s Dancin’ grossed $678,147 in its
Perhaps last week’s Tony Award nominations started paying off at the box office quicker than expected, at least for a few productions: Figures for last week, while down overall, indicate a nice bump upwards for Some Like It Hot, Shucked, Summer, 1976 and Good Night, Oscar. Some Like It Hot, the musical adaptation of the
The Broadway box office report won’t register the impact of this morning’s Tony Award nominations for a week or two, but today’s news certainly comes as welcome and promising signs for Shucked, Kimberly Akimbo, Fat Ham and other well-reviewed productions doing their best to compete against blockbusters like Sweeney Todd and Parade. Shucked in particular
The Phantom of the Opera, Andrew Lloyd Webber’s musical that closed its Broadway run on Sunday after 35 years, went out on a very high note: Box office receipts for the show’s final week hit a best-ever $3,739,934. Playing, of course, to standing room only audiences at longtime venue the Majestic Theatre, Phantom commanded a
Broadway showed signs of a spring blossoming last week, with box office receipts and ticket prices taking their traditional climb during the tourist-bumped week leading up to Easter. In all, the 33 productions grossed $38,594,054, a 12% increase over the previous week. Attendance for the week ending April 9 was 280,760, up 4%. The more
With two weeks left in its 35-year Broadway run, Andrew Lloyd Webber’s The Phantom of the Opera posted a huge box office gross last week of $3,247,106, nearly 10% of Broadway’s total take for the seven-day period ending April 2. The beloved musical – which, Lloyd Webber has suggested, might well find its way back
Broadway’s The Phantom of the Opera had yet another smashing, down-to-the-wire week at the Majestic, grossing more than $3 million for the second consecutive week as the countdown to its April 16 closing continues. Meanwhile, another villainous character – the bloodthirsty killer of the ecstatically reviewed Sweeney Todd, The Demon Barber of Fleet Street –
Broadway’s old and new teamed up last week to boost total box office nearly 20%, with The Phantom of the Opera (the old) posting a best-ever $3 million weekly gross and The Jonas Brothers (the new, to Broadway anyway) taking in $1.6 million for their five-concert residency. In all, Broadway’s 29 productions grossed a total
A raft of Broadway’s recent arrivals led by Sweeney Todd: The Demon Barber of Fleet Street helped push the industry’s total box office last week to $28,638,821, up 13.8% from the previous week. Total attendance was up commensurately to 229,771. Sweeney Todd, starring Josh Groban and Annaleigh Ashford, contributed a whopping $1.8 million to the
The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical
Broadway box office held steady last week, with impressive attendance for recent arrivals Almost Famous and Kimberly Akimbo, and Leopoldstadt again setting a house record at the Longacre with receipts of $1,158,051. In all, the 28 Broadway productions grossed $28,585,160 for the week ending Oct. 23, just about dead-even with the previous week. Total attendance
Broadway held fairly steady at the box office last week, with recent arrivals Leopoldstadt and The Piano Lesson leading the pack of fall newcomers with grosses of $758,988 and $704,051, respectively. In all, Broadway’s 25 current shows took in $25,208,583 for the week ending Oct. 2, a slight 4% slip from the previous week, possibly
The Piano Lesson led the pack of Broadway’s recent arrivals at the box office last week, with the August Wilson revival starring Samuel L. Jackson, John David Washington and Danielle Brooks grossing $795,306 for its first seven performances at the Ethel Barrymore Theatre. Coming in a close second, in terms of gross receipts, was Leopoldstadt,
A slate of four new productions and renewed interest in a couple of old ones pushed Broadway box office up by 20% last week, with total receipts for the 24 shows reaching $24,954,517 and attendance climbing 14% to 201,321 for the week ending September 18. Among the newcomers: Death of a Salesman, 1776, Cost of
Even with a Covid-shortened performance schedule, Lea Michele’s star turn in Funny Girl was serious business last week, with box office for the musical revival more than doubling from the previous week. For the week ending September 11 — Michele’s first week as Fanny Brice — Funny Girl grossed $1,639,212, a dramatic upturn from the
Broadway gave Billy Crystal a fine send-off last week, with the star’s Mr. Saturday Night musical grossing more than $1 million during its final week of performances. That number – $1,014,614, to be precise – is a big jump over the show’s weekly box office takes in recent months. About 98% of seats at the
Most of the 21 Broadway productions on the boards last week showed some signs of summer doldrums, with 17 shows reporting drops in box office over the previous week. Still, with The Music Man back on the roster after a week’s hiatus, the overall total box office take of $23,513,592 was up about 6%. Total
Broadway box office drooped in the final, sun-baked weeks before the Fall arrivals of new shows, with the roster of productions down to 20 last week and total box office slipping 19% from the previous week to $22,232,527. Attendance was down about 15% to 181,785, roughly commensurate with the lesser number of productions (down from
News of Lea Michele’s upcoming arrival in Broadway’s Funny Girl will certainly hand the musical a revival in advance ticket sales, welcome news for producers who saw last week’s box office continue its recent downward pivot. The musical, currently starring Beanie Feldstein (who has missed some recent performances) played to houses only 65% full during
Following its sold-out Off Broadway Encores! run this past spring, the revival of Into The Woods continued drawing audiences in the first performances of its Broadway transfer, filling 94% of seats at the St. James Theatre and grossing a big $1,380,760. The revival of the James Lapine and Stephen Sondheim classic, featuring a cast that
Broadway box office held steady last week, with total grosses of $30,789,627 showing a 4% increase over the previous week even with two fewer shows on the boards. Of particular note, A Strange Loop and MJ have held on to their post-Tony Award strength: Both productions were among the roster’s full houses. A Strange Loop,
MJ and A Strange Loop saw Tony Award glory translate into box office surges in the week after the June 12 ceremony, with MJ leaping by $216,921 over the previous week’s take to a huge $1,660,978. A Strange Loop grossed $845,313 for the week ending June 19, a jump of $168,998 over the previous week. Both
Though it’s too soon to say how Sunday’s Tony Awards will impact box office for the night’s winners and losers, figures for the week leading up to the ceremony show big gains for the multi-nominated (and eventual Best Musical winner) A Strange Loop. The Michael R. Jackson musical filled 98% of its available seats during
Broadway producers are “cautiously optimistic” as attendance figures for last week show little, if any, immediate impact from the global coronavirus scare. Charlotte St. Martin, president of the Broadway League trade organization representing producers and theater owners, said in a conference call with reporters this afternoon that she was “even a bit surprised” with today’s
Broadway box office was down 11% last week, but don’t jump to any coronavirus conclusions: Attendance was down a small 3%, and the slide in receipts can be chalked up at least in part to theater-going children. With more than a dozen productions participating in the annual Kids Night On Broadway – children free with