Universal had already reserved Aug. 14, 2020 on the calendar, and today they announced that the title opening on that date will be the Bob Odenkirk feature Nobody, which is described as John Wick meets Falling Down. Odenkirk plays Hutch Mansell, the guy you don’t notice. A suburban dad, overlooked husband, nothing neighbor. A nobody.
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Update: Sony’s Peter Rabbit 2 is jumping away from its Feb. 7 release date to April 3, which is nine days before Easter. MGM’s 007 film No Time to Die will own the Easter frame. On the upside with spring breaks, the advance runway before Bond is an advantage for Peter Rabbit 2, it also plays to a younger crowd. However, per
We’ve been hearing for quite some time that the advance ticket sales for Focus Features’ big-screen take on the TV series Downton Abbey are just through the roof. On Fandango, presales for the Michael Engler-directed feature continue to best those of Once Upon a Time in Hollywood, Mamma Mia: Here We Go Again and The Great
EXCLUSIVE: Who says the home entertainment sector is dead? Lionsgate’s John Wick: Chapter 3 – Parabellum has sold over 3M units in packaged media, electronic sales and VOD since its arrival in the post theatrical window in late August, becoming Lionsgate’s highest-grossing home entertainment title in five years since 2014’s The Hunger Games: Mockingjay Part 1. Among
In the wake of a summer where Disney IP steamrolled over movies big and small, the industry wondered if we were truly living in a hell of haves and have-nots at the box office. Was it just all about event films succeeding on the big screen, with anything that was low-to-mid-budget counter-programming intended for streaming?
Danielle De Palma has been hired as Paramount Pictures’ EVP Domestic Marketing. She will report to Marc Weinstock, president of Worldwide Marketing & Distribution, and Mary Daily, co-president of Worldwide Marketing & Distribution. Previously, De Palma served as a senior executive at Apple in the video marketing team overseeing film and TV series marketing. She
Phyllis Newman, known for her Tony Award-winning role as the bath towel-clad Martha Vail in the musical Subways Are for Sleeping, has died. The star of stage and screen was 86. The news was announced by her son Adam Green, a theater critic for Vogue, via Twitter. “My sister @amanda_green and I had to say
The specialty box office things was fairly quiet this weekend with a handful of releases and holdovers that were, at best, mild. Neon and Participant Media‘s Monos hit theaters in New York and Los Angeles on a total of five screens. Directed by Alejandro Landes, the Red Dawn-esque dramatic thriller starring Julianne Nicholson made its
Refresh for latest…: New Line/Warner Bros’ It Chapter Two had its second reading at the global and international box office this weekend, after screaming to the 2nd highest worldwide opening ever for a horror movie last session. With the sophomore frame’s extra balloons, the franchise has now crossed $1B worldwide. The split on Chapter Two
EXCLUSIVE: Downton Abbey, the movie, began offshore rollout this week in 17 markets including the UK where the film had its world premiere on Monday. The big screen transfer of the award-winning and game-changing period drama is off to a strong start in key hubs. The weekend is estimated at $12.5M. Currently, the Focus/Universal/Carnival Films
As the Toronto Film Festival comes to a close and Hollywood preps to hand out some Emmys, the Specialty box office continues to churn out some original storytelling — and this week’s theme seems to be the concept of sound. The Sound of SilenceDistributor: IFC Films Michael Tyburski makes his feature film debut today with
It’s over. Helios and Matheson Analytics (HMNY), the parent company of MoviePass announced today that they’re pulling the plug on the famed monthly movie ticket subscription service which offered unlimited tickets for $9.99/a month. HMNY today said that it formed a strategic review committee comprised of independent directors, to identify, review and explore all strategic
STXfilms’ Hustlers, as anticipated, is off to a fantastic start for the weekend with $2.5M. That’s a figure that’s higher than Universal’s Girls Trip ($1.7M), STX’s Bad Moms ($2M) and Paramount’s Rocketman ($2.3M). The Jennifer Lopez-Constance Wu-Lili Reinhart pic, which was made for $20.7M before P&A, is expected to make at least $20M this weekend, with tracking and others betting Hustlers’ dance ends between
Lionsgate will release Francis Ford Coppola’s recut of his 1984 film The Cotton Club in select theaters on Oct. 11, with a screening at the New York Film Festival prior on Oct. 5. The pic will arrive on Blu-ray, DVD, and Digital on Dec. 10 with exclusive new bonus material. The pic which stars Richard Gere, Diane
El Norte, the acclaimed, Oscar-nominated epic about immigrants from Central America seeking the promise represented by life in U.S., returns to 200-plus movie theaters Sunday to mark National Hispanic Heritage Month and the film’s 35th anniversary. The revival, a presentation of Fathom Events and Lionsgate, marks the film’s first theatrical release since its 1984 debut and
Todd Phillips’ R-rated DC villain movie Joker arrived on tracking today with an indexed first choice among all audiences in the low 20s among moviegoers that exceeded a mix of both superhero movies and R-rated fare including Batman v. Superman, Suicide Squad, It, It Chapter Two, Logan, Venom, Halloween, Us, John Wick Chapter 3 and more. That’s a huge
The box office heat surrounding STXfilms’ Jennifer Lopez stripper crime pic Hustlers is real, and has been so since it hit tracking on August 22, with projections spotting that this could be the actress’ biggest live action opening with $25M-$30M since her 2005 comedy Monster-in-Law ($23.1M). That opening record would also double as the best for
EXCLUSIVE: When Avengers: Endgame surpassed Avatar to claim the title of the highest-grossing film in history, it ended one of the most impressive reigns in the annals of screen entertainment: James Cameron, with first Titanic (1997) and then with Avatar (2009), had owned the top spot on the all-time chart for a staggering 7,817 consecutive days —
Rupert Everett will take over for the previously announced Eddie Izzard as George in director Joe Mantello’s upcoming Broadway staging of Who’s Afraid of Virginia Woolf? co-starring Laurie Metcalf as Martha. The announcement was made today by producers Scott Rudin/Barry Diller/David Geffen, who said Izzard is leaving the production due to scheduling conflicts. The revival
Broadway box office was down nearly 10% from the previous week’s Labor Day holiday tourist bulge, with the 25 productions grossing a total $25,965,471. Attendance of 224,402 was steady with the prior week, though should have been better: The roster count was up by two over the previous week’s 23 shows. Just about every production
UPDATED with additional titles: A pair of premieres brought in solid numbers the weekend after the Labor day holiday and amidst the hustle and bustle of the Toronto International Film Festival. Oscilloscope Laboratories latest family drama Ms. Purple from filmmaker Justin Chon managed to bring in solid numbers with its exclusive single theater bow at
EXCLUSIVE: Deadline hears that Steve Buck, Comscore’s SVP of Business Relations and Jim Zak, SVP of International Theatrical have departed the show business data corporation as it seeks to reduce 8% of its workforce expenses before the end of the quarter in an effort to chop costs by $20M. Buck and Zak are giants in the
Fathom Events continued with a special screening of Placido Domingo Gala on September 7 despite allegations of sexual misconduct against the iconic opera singer. As a result, the special event screening premiered on 284 theaters with a low debut, earning an estimated $80,295 which amounts to a disappointing $283 per screen. Similar special screenings from
New Line/Warner Bros’ IT Chapter Two has begun its reign of terror at the international box office with $16.5M from 48 markets through Thursday. The Andy Muschietti-directed sequel landed No. 1 in all debuts and set records for a horror opening in both Russia and Italy, notably, topping the 2017 predecessor. Pre-weekend projections on the
At tonight’s Deadline New Hollywood Panel at the Toronto Film Festival for the upcoming Jennifer Lopez feature Hustlers, the pic’s producer Elaine Goldsmith-Thomas gave high praise to STX for finally making the edgy pic about the New York Scores strippers who turn the tables on their greedy Wall Street clients. “Here we have a movie that
Universal’s Fast & Furious Presents: Hobbs & Shaw has shot past the $700M mark worldwide, rocking a $700.53M gross through Thursday. The split on the Dwayne Johnson/Jason Statham-starrer is currently $160.53M domestic and $540M at the international box office. A $725M-$750M finish is expected globally. The H&S muscle has pushed the Fast & Furious franchise
Focus Features will open Participant Media’s untitled Tom McCarthy project ne Stillwater on Friday, Nov. 6, 2020 in limited release with a further expansion on Nov. 13 and Nov. 20. That’s the same platform release pattern as McCarthy’s Best Picture Oscar winner Spotlight back in November 2015, which he took home an original screenplay trophy for, shared
New Line’s It: Chapter Two is seeing an estimated gross tonight per sources between $10M-$11M. If those figures remain on track, the sequel will be the second biggest preview for a horror movie and September release after, of course, 2017’s It which rang up $13.5M. The difference here is that preview shows started earlier for the sequel tonight
This week, Justin Chon’s Ms. Purple will make its Los Angeles debut at the Nuart, attempting to gain some traction when it expands to New York and other markets in the following weeks. The film premiered at Sundance to critical acclaim and was acquired by Oscilloscope shortly after. The intimate storytelling of Ms. Purple, which tells the
Pennywise will be handing out balloons in 75 overseas markets as well as the U.S. and Canada this weekend, a nearly full day-and-date release versus 2017’s staggered rollout on the original. All in, industry sources are seeing a global debut that potentially scores the worldwide opening record for a horror pic with $200M+, besting the
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