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2nd Update, Friday Midday: Jumanji: The Next Level per industry estimates is on its way to $17.5M-$18M for a 3-day of $46M-$50M, well ahead of the previous installment’s 3-day of $36.1M which was actually a 6-day opener through the then Christmas holiday of $71.9M. Jumanji Welcome to the Jungle was boosted by early Amazon sneaks of $2M; the
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Fox Searchlight is ready to put another stake in the ground for this year’s awards season race with the theatrical release of the Terrence Malick drama A Hidden Life starring August Diehl and Valerie Pachner. The release marks a reunion between the Fox Searchlight and Malick since 2011’s Tree Of Life starring Brad Pitt and Jessica Chastain. “We are
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EXCLUSIVE: After making its limited qualifying run this Friday, Amazon Studios’ Seberg which stars Kristen Stewart as French New Wave icon and FBI target Jean Seberg will have a platform release starting Feb. 21. The noir thriller directed by Benedict Andrews and written by Anna Waterhouse and Joe Shrapnel, made its world premiere at the Venice Film
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Warner Bros. had more release date changes and announcements today in the wake of yesterday’s avalanche of news with dates for Matrix 4 and The Flash. New Line’s DC Shazam! 2 will open on April 1, 2022 taking the place of an RSVP that the studio had for an untitled WB Event Film. There are no other major
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Warner Bros has set a slew of release dates for its movies next year and beyond, including dating the fourth installment of The Matrix for May 21, 2021, and its DC superhero stand-alone The Flash for July 1, 2022. Among the 12 titles in the mix as the studio lines up its slate for 2020
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Focus Features has set an August 21 release date for Let Him Go, a thriller starring Kevin Costner and Diane Lane from writer-director-producer Thomas Bezucha. In the film based on the novel by Larry Watson, retired sheriff George Blackledge (Costner) and his wife Margaret (Lane) leave their Montana ranch after the loss of their son to rescue
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Refresh for latest…: Sony’s Jumanji: The Next Level is out in 18 early overseas release markets ahead of domestic next weekend, and in many, the movie is stepping up versus predecessor Jumanji: Welcome To The Jungle. Overall, the Jake Kasdan-directed sequel opened to $52.5M at the international box office, slightly down on the last film’s
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Neon’s film festival favorite Portrait of a Lady on Fire didn’t cause an inferno at the specialty box office, but it managed to have a warming glow of an estimated weekend gross of $67,105. The critically lauded romance directed by Céline Sciamma and starring Noémie Merlant and Adèle Haenel had its one-week qualifying run at the Angelika
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The doldrums of December are here and is standard following the lucrative Thanksgiving-Black Friday period most major distributors abstain from opening any wide entries, except for STX which is handling animated feature Playmobil, which isn’t looking so hot with a 3-day of $905K, one of the lowest openings ever for a pic north of 2,000
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In the first of a long list of titles stepping into the Specialty box office space is the French period drama Portrait of a Lady on Fire from director Céline Sciamma. The film, which stars Noémie Merlant and Adèle Haenel, was selected to compete for the Palme d’Or earlier this year at the Cannes Film Festival
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The last wide entries of 2019 hit tracking today with projections for the 5-day Christmas holiday as follows: 20th Century Fox/Blue Sky’s animated feature Spies in Disguise ($23M-$30M), Sony’s Greta Gerwig directed Little Women ($19M-$35M), and A24’s Adam Sandler crime thriller Uncut Gems ($15M). Distribution sources always say that people don’t begin to go to
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Sony’s Jumanji: The Next Level opens early in 18 overseas markets this week, beginning today in France and including Netherlands, some of South East Asia and, notably, China, through Friday. This is a different rollout pattern to 2017’s reboot, Jumanji: Welcome To The Jungle, which went day-and-date with domestic in 53 offshore markets, landing No.
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EXCLUSIVE: After exhibition experienced the richer side of November with Disney’s Frozen 2 and Lionsgate/Media Rights Capital’s Knives Out, they can look forward to a snowfall of cash come the late December period. Fandango reports today that in a recent poll of 1,000 participants, 93% of all moviegoers 18 and up plan to see at least 2 movies
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David Geffen Hall, home of the New York Philharmonic, is due to get a $550 million facelift, Lincoln Center officials announced Monday. While the site is primarily known for classical music performances, it was used for Disney’s annual TV upfront presentation in May and earlier this fall hosted Apple’s splashy premiere for The Morning Show.
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EXCLUSIVE: “This is a great reflection on story-telling,” says Lionsgate UK & Europe CEO Zygi Kamasa about Knives Out’s solid UK debut of $3.8M, including two days of previews. Rian Johnson’s movie, which landed second behind Frozen 2‘s colossal $19M, is Lionsgate’s widest ever UK release on 630 sites, surpassing box office sensation La La
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Broadway’s Thanksgiving Weekend was a trip to bountiful, with Tina and Beetlejuice breaking house records, David Byrne joining the Million Dollar Club and total box office for the 35 productions soaring a big 30% over the previous week. In all, Broadway grossed $41,687,333, strong if not quite matching last Thanksgiving’s $43M. With attendance of 292,940
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6th Update Sunday AM: And so Thanksgiving 2019 ends with Disney’s Frozen 2 collecting a 5-day estimate of $126.3M, the most ever for any film that has played the holiday, opener or holdover, besting Lionsgate’s 2013 Hunger Games: Catching Fire ($109.9M), plus it was a fantastic win for auteur-driven original IP from Lionsgate/Media Rights Capital’s Rian Johnson
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The Thanksgiving holiday weekend had a sparse amount of openings in the specialty box office space. In fact, Michael Apted’s documentary 63 Up was one of the only — if not the only — new titles. The BritBox docu had an exclusive single-theater opening at New York’s Film Forum and earned a confident $15,150 for the
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Refresh for latest…: The Frozen 2 blizzard continued at the global and international box office this weekend with the Disney sequel now minting $738.6M worldwide and $451M overseas through Sunday. The offshore hold was -38 for a $163.8M weekend, and Elsa continued her No. 1 reign in 45 open markets. This comes after a record-setting
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As indie darlings and awards season contenders like Parasite, Jojo Rabbit, The Lighthouse, Waves and Dark Waters continue to impress, the Thanksgiving weekend has a handful of offerings at the Specialty box office. 63 Up This week will see the premiere of Michael Apted’s (Coal Miner’s Daughter, Gorillas in the Mist) 63 Up, the latest installment of
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Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker has been set for a December 20 China release, in step with domestic. This marks a change from the saga’s recent holiday installments which have each bowed in the Middle Kingdom in January, after initial rollout elsewhere. The official Star Wars Weibo account posted a Chinese-subtitled trailer today
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We’ve been hearing for quite some time from exhibitors and distribution sources that advance ticket sales are strong, but not overly robust for Disney/Lucasfilm’s Star Wars: The Rise of Skywalker, meaning in the way that they were for 2015’s Force Awakens ($247.9M) and 2017’s Last Jedi ($220M). Hence, early AM estimates for the J.J. Abrams movie hitting
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In its fifth day of release, Disney’s Frozen 2 scored the best Tuesday ever in November with an estimated $21.1M. This is after landing November’s best Monday with $12.77M reported by Disney yesterday. On both days, Anna and Elsa beat Lionsgate’s Hunger Games: Catching Fire which held previous November highs for Monday ($12.3M) and Tuesday ($15.96M). Among all animated
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Exhibitors continue to thank the movie gods for Disney’s Frozen 2 after an awful month at the box office. Yesterday the Jennifer Lee-Chris Buck directed movie made an estimated $13.1M, besting 2013’s Hunger Games: Catching Fire‘s $12.3M for the best Monday ever in November. Running tally for Elsa and Anna’s second-go round is $143.3M. Business,
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Warner Bros/Legendary’s Godzilla vs. Kong is heading to Nov. 20, 2020. Warner Bros. already had the pre-Thanksgiving frame on hold for a major release, and well, this is it.  The pic directed by Adam Wingard will be released in 3D and Imax. After the under-performance of the second film this past summer, Godzilla: King of the Monsters at $110.5M
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