The first major blockbuster of the pandemic era, The Eight Hundred this week became the No. 1-grossing movie of 2020 worldwide, jumping ahead of Bad Boys For Life ($430.3 million global, per Sony). The Guan Hu-directed war epic has through Friday amassed $434M at the Chinese box office alone, and is also now the 10th
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It really hasn’t been broadcasted widely, but Sofia Coppola’s latest dramedy from Apple/A24, On the Rocks, is opening in key markets next weekend, October 2. I hear it will be a very limited run followed by a debut on the Apple TV+ streaming service on October 23. The movie made its world premiere at the New
EXCLUSIVE: Fathom Events and Brainstorm Media are teaming on the theatrical release of Recon, the Robert Port military thriller starring Alexander Ludwig, Sam Keeley, Chris Brochu and Franco Nero. They are aiming to premiere the pic, set during World War II and based on a true story, as an exclusive one-night nationwide event November 10,
AMC Entertainment has filed to sell 15 million shares of common stock to raise fresh cash, the second exhibition distress call today after Regal parent Cineworld of the U.K. posted a brutal results for first six months of the year. Regal is the largest circuit in the U.S., AMC the second. Exhibitors shut down in
Industry without inspiration never leaves a lasting impact. Hard work and discipline often produce a reliable product but, without the spark of love behind its creation, posterity will take a dim view of its ultimate worth. Ten years ago, worldwide charting singer/songwriter, musician, and producer Stephen Wrench launched Musik and Film, LLC, henceforth referred to
EntTelligence, a new corporation devoted to features and streaming audience analytics, has opened its doors today. Additionally, as of Oct. 1, motion picture industry vet Steve Buck will join as Partner and Chief Strategy Officer to the newly formed entity. EntTelligence subsumes MovieQu and its technology, currently supporting Hollywood’s premiere trailer verification service, MovieMeasure, which will
In the wake of COVID-19’s continued grip on the box office, Disney made another round of release-date changes Wednesday, the good news for exhibition being: Nothing is headed to Disney+. That includes Pixar’s Soul, which is currently sticking to its November 20 release against MGM’s James Bond movie No Time to Die. While we already
The nonfiction feature, produced and directed by Matthew R. Brady of MRB Productions, explores what scientists are calling a ‘Sixth Mass Extinction.’ This docu, which includes rare footage of endangered animals, shows the work of major zoological organizations known as nature’s last arks of hope in preserving one million species on the brink of disappearing forever. Says
EXCLUSIVE: Good news, movie theaters. Open Road Films’ Liam Neeson action-thriller Honest Thief, which was set to go wide, is going really wide now at 2,000 theaters. However, you’ll have to wait a week later than anticipated. The movie from Ozark co-creator and producer Mark Williams, which was set to open on Oct. 9 will
Focus Features and Magnolia Pictures said Tuesday that they will rerelease their respective Ruth Bader Ginsburg features On the Basis of Sex and the documentary RBG, in tribute to the late Supreme Court justice. Both pics will play in 1,000 theaters this Friday, and also be available on-demand, with net proceeds from both pics’ box office going to
SUNDAY AM FINAL w/chart: It’s going to be a brutal autumn at the box office, and this weekend is only the start; the first without a major MPAA studio wide release until Oct. 23 when 20th Century Studios/Disney’s all-star mystery Death on the Nile opens. Gosh, Disney, it would help if you moved up the release
UPDATE,Writethru: Christopher Nolan’s Tenet handily passed $200M overseas this weekend with a $25M offshore frame to bring the international box office cume to $214M. Including domestic, the global to-date total is now $250.1M. Boosting play overseas, as we noted yesterday, was the Japan bow which came in at a strong $4.3M in the No. 1
The majority of the specialty box office has shifted to virtual debut, streaming and digital-only since theaters have shuttered due to the pandemic, but as physical theaters begin to open their doors, titles have returned to the big screen, slowly pumping life into the long-dormant specialty space. Bleecker Street’s post-WWII thriller The Secrets We Keep opened
EXCLUSIVE: Christopher Nolan’s Tenet added a handful of markets this weekend after beginning overseas rollout in August. While the domestic performance has been hampered by the coasts being closed, offshore markets have had a bit more leeway, and in some ways been robust even with capacity restrictions. This is yet another sign that offshore differs
As box offices start to test the waters, Roger Michell’s family drama Blackbird starring Susan Sarandon is set to open in theaters and on demand starting today. Known for My Cousin Rachel and Notting Hill, Michell directs a script by Christian Torpe, who wrote the 2014 Danish film, Silent Heart on which the family drama is based. In it,
EXCLUSIVE: Break, which is one of Rutger Hauer’s finals movies, will be getting a multiplatform release via Conduit Presents, the distribution division of Conduit Now. Conduit Presents acquired the Michael Elkin-directed crime sports drama and has set a release for Jan. 5, 2021. Break follows a young inner city kid who is wasting his talents on petty crime.
The upcoming season of Encores! at New York’s City Center will include an adaptation by Pose‘s Billy Porter of The Life, a musical last seen in New York on Broadway in 1997. Porter’s adaptation, which he’ll direct, is one of two upcoming Encores! productions reviving rarely staged Broadway musicals centering on Black lives; also in
BREAKING: Don’t count on Sony Animation’s Lord & Miller movie Connected for this fall. The feature joins a number of other features fleeing the immediate fall calendar or delaying until later in the year, or even in 2021. Connected, last scheduled for Oct. 23, is now being moved by the studio to an unset future
Being a champion of exhibition, and the first tentpole filmmaker to get movie theaters up and running with Tenet, it should come as no surprise to hear that the movie’s filmmaker Christopher Nolan and his wife, producer Emma Thomas, headed to the multiplex recently in Irvine CA, showing their full support for theaters. In fact,
Universal is moving up The Croods: A New Age from its Dec. 23 release date to Wednesday, Nov. 25. This move indicates the studio’s confidence that Disney will move Pixar’s Soul out of the Thanksgiving stretch according to recent reports, that movie still scheduled to debut on Nov. 20 on the same weekend of MGM’s No Time to Die.
What’s going on right now at the box office and with theaters goes far beyond the muted $30M domestic results of Tenet. This isn’t a death knell piece for exhibition, nor is this more rhetoric to freak studios out and have them delay even more movies. Studios, you’ve created enough damage in that space. It’s
Cinemark CEO Mark Zoradi said getting theaters open in California and New York is crucial to the health of exhibition as the second largest U.S. chain has 70% of cinemas open but lacks these key markets — keeping it “behind the eight ball.” Some California counties are open or opening but not yet San Francisco
Not everyone is ready to go back to theater, and it’s going to take a long time before moviegoers are comfortable. Warner Bros.’ domestic box office for Tenet, which only made $6.7M in its second stateside weekend (technically 3rd) is an indicator of this, of course, with New York, Los Angeles and San Francisco closures being
Sony Pictures Classics will release Florian Zeller’s The Father in theaters in New York and Los Angeles on December 18, with a rollout in major markets on Christmas Day. Written by Zeller and Christopher Hampton, Oscar winners Anthony Hopkins and Olivia Colman play a father-daughter duo—one mischievous, the other caring—who battle the universal prophecy of loss
UPDATED: STX is moving the U.S. release of Greenland to 4Q to a date to be pre-determined. This is more bad news for exhibition looking for new product, as the Gerard Butler movie leaves behind its Sept. 25 release. Universal moved MGM’s Candyman to 2021 TBD off its Oct. 16 date following Warner’s big move to push Wonder Woman
Universal’s Jennifer Lopez romantic comedy Marry Me will be released on Valentine’s Day weekend, Friday, February 12, 2021. The feature takes the place of the untitled Universal romantic comedy on the release schedule. Marry Me squares off against Disney/Marvel’s Eternals and Paramount and Lee Daniels’ Billie Holiday movie on its new date. As we first reported,
Refresh for latest…: Disney’s Mulan ultimately settled for a $23.2M three-day opening in China, including previews. This is about where we saw it landing yesterday after downgrading projections for the Middle Kingdom launch. The movie from director Niki Caro ended up in the No. 1 spot for the session there, but was bested on Sunday
Warner Bros. and Sony have unveiled their box office numbers for all the world, and town to finally see this weekend, with Tenet counting a running domestic box office gross to date of $29.5M domestic and $200M+ WW, and Tri-Star’s The Broken Hearts Gallery opening to $1.125M stateside at 2,204 theaters in 4th place. Over 3-days
EXCLUSIVE: Following a strong start at the international box office last weekend, Voltage Pictures’ After We Collided had another passionate run overseas this session. In 21 markets, the sequel to 2019 $70M worldwide hit After added $4.2M this weekend to reach a running tally of $21M. The film will continue overseas rollout through September while
The origin of the drama Buoyancy can be traced back to when Australian filmmaker Rodd Rathjen came across an article a few years ago about Cambodian workers and their life on a Thai fishing trawler. He became riveted by the unbelievable story and upon more research, he said in a statement: “The scale of modern
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