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Oscar-nomination afterglow for this year’s Best Picture contenders was largely felt more in the home than it was at the box office, with a majority of titles already available to be viewed on the couch except for 20th Century Studios/Disney’s 3D title Avatar: The Way of Water. Since noms were first announced on January 24
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The revival of Sweeney Todd: The Demon Barber of Fleet Street, with Josh Groban and Annaleigh Ashford in previews at the Lunt-Fontanne, is firmly in Broadway’s $1 million club, with receipts for the week ending March 5 at a bloody good $1,526,254. And that’s just for six performances. The Stephen Sondheim-Hugh Wheeler musical filled every
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Paramount/Spyglass Media’s Scream VI is headed to a franchise-record opening of $50M+ worldwide from roughly 50 offshore territories including domestic. The most recent Scream pic opened to $48M WW, $30M from U.S./Canada last year. The highest opening for the Kevin Williamson-conceived horror series was Scream 3, which opened to $34.7M domestic in 2000. Scream VI,
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EXCLUSIVE: A24 has mapped out three films for summer release: the Nicole Holofcener-Julia Louis Dreyfus reteam You Hurt My Feelings, the Celine Song directed/written title Past Lives and the distributor’s hot Sundance horror pick-up Talk to Me. You Hurt My Feelings, which played to great laughs at the Eccles Theater, will go wide nationwide over
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The power of a wide theatrical release was realized this weekend by streamer Amazon in its pivot back to the big screen with MGM/United Artists Releasing’s Creed III. It easily minted the best opening ever for the Seattle-based parent, as well as for the Rocky franchise, with $58.6M domestic, $100.4M worldwide. While Amazon has snapped
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Aniplex and Crunchyroll of America’s Demon Slayer: Kimetsu no Yaiba – To the Swordsmith Village grossed $10.1 million this weekend in 1,780 theaters. That’s a fourth place finish at the domestic box office but still half the opening of Demon Slayer:  Kimetsu No Yaiba – The Movie: Mugen Train which opened to a smash $21
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Refresh for latest…: MGM’s Creed III is enjoying a knockout opening weekend, punching up $100.4M globally. Of that, $41.8M is from 75 international box office markets. Domestically, the Michael B Jordan-directed movie opened to a franchise record and the best debut ever for a sports title. Internationally, this is also the biggest opening for the
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They’re back. RLJE Films presents the Stephen King reboot Children of the Corn by Kurt Wimmer on 500+ screens. It’s a redo of the classic 1984 slasher-horror film about kids possessed by a demonic spirit in a dying cornfield, with bloody, rampaging results. King’s iconic short story features a 12-year-old Nebraska girl who recruits the
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MGM’s Creed III  is off to a powerful start at the international box office with the Michael B Jordan-directed movie grossing $6.9M through Thursday in 56 markets. The threequel, the first major title released overseas by Warner Bros under a multi-year pact that was entered last August, has another 19 markets to add today and
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The National Association of Theatre Owners on Thursday said it has appointed Michael P. O’Leary president and CEO of the association beginning May 1. He takes over for outgoing NATO boss John Fithian, who announced his retirement in October after working with the exhibitor trade org for three decades. “On behalf of NATO’s Executive Board
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Sony has just dated Jeymes Samuel’s biblical-times feature The Book of Clarence for September 22 this year. Inspired by classic Hollywood epics set in biblical times, Legendary’s The Book of Clarence tells the tale of Clarence (LaKeith Stanfield), a down-on-his-luck denizen of Jerusalem embarking on a misguided attempt to capitalize on the rise of celebrity and influence of
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Some recent Broadway arrivals added both star power and box office receipts to the weekly grosses reports, with both Sweeney Todd: The Demon Barber of Fleet Street and Parade selling out (the latter despite some loudmouthed neo-Nazi protesters), and A Doll’s House starring Jessica Chastain and Andrew Lloyd Webber’s Bad Cinderella coming close. The musical
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Giant movie chain AMC Entertainment saw revenue dip 15% last quarter to $991 million and losses widen on a one-time impairment charge in a fourth quarter was tough on exhibition in general with Avatar: The Way Of Water hitting late in the year, and a few misfires. A fuller release sked led by a steadier
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AMC Entertainment CEO Adam Aron said the new Sightline ticket pricing regime the chain’s trying out in three markets has the potential to expand the moviegoing market and prevent future price hikes. “We are in inflationary times, and inflationary times cause costs to rise,” he said. “Under the pre-Sightline structure of the industry, if we
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The winter box office continues to have some breadth as MGM’s feature directorial debut of Michael B. Jordan, Creed III, eyes a potential franchise opening high for the Rocky spinoff about Apollo Creed’s son with a $38M-$40M opening at 4,007 theaters. Previous Creeds played during the Thanksgiving box office of 2015 and 2018, respectively opening
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“‘Nobody likes to watch people getting eaten by lions.” Apparently this was the response by the late Sumner Redstone during his National Amusement exhibition days after he saw a screening of the 1981 Tom Skerritt lion movie, Savage Harvest, relayed to me by an exhibition source who overheard him. As funny as Redstone’s reaction was, it’s
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Universal/Illumination/Nintendo’s The Super Mario Bros Movie has become the latest Hollywood title to secure a release date in China. The big-screen spin on the iconic videogame franchise will hit Chinese cinemas on April 5, in time for Ching Ming Festival and in step with some other international markets as well as two days before the
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Refresh for latest…: Coming out of its second weekend, Disney/Marvel’s Ant-Man and The Wasp: Quantumania has grossed $363.6M globally. Of that, $167.3M is from domestic and $196.3M from the international box office. The sophomore overseas frame was $46.4M in 52 markets with a slighter drop than in North America, coming in 57% behind last weekend’s
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The Quiet Girl, an Oscar contender for Best International Feature, opened to a robust $60k on six screens this weekend for a per-theater average of $10k. The film by Colm Bairead presented by SUPER LTD is based on the short story by Claire Keegan of a shy nine-year-old girl in rural Ireland. It led debuts
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Amazon’s upcoming wide release of Ben Affleck and Matt Damon’s Nike movie Air exclusively in theaters in April “could represent the start of a substantive move into theatrical exhibition by streaming companies,” said Sean Gamble, chief executive of nation’s third-largest movie chain. Amazon last month releaves plans to give Air a wide theatrical release April
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FRIDAY PM: Oh no, those tepid audience exits and B CinemaScore are impacting the second weekend of Disney/Marvel Studios’ Ant-Man and the Wasp: Quantumania, which is currently seeing an OMG 71% drop with a $30M second FSS and a $7.8M second Friday, -83% (read the review). If that estimate holds, it’s worse than Thor: Love
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Super LTD presents Best International Feature Oscar nominee The Quiet Girl and, as the Academy Awards approach, RRR ramps up again and Navalny returns to theaters for one-week run. Also opening, Aaron Eckhart in Ambush, Charlotte Rampling in Juniper and comedian Jim Gaffigan as the host of a failing children’s science TV show in Linoleum.
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Warner Bros/New Line/DC’s sequel Shazam! Fury of the Gods hit early tracking Thursday and surprised many with a low projection of $35 million, which is under the first installment’s $53.5M opening in 2019. Realize it’s still early, and Warner Bros hasn’t fully fire-breathed its marketing campaign yet. The odd thing is that tracking was comping
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NATO will present Christopher Nolan and Emma Thomas with its Spirit of the Industry Award at CinemaCon in April for the event’s closing night Big Screen Achievement Awards. It comes as the Nolan written-directed Oppenheimer is set for theatrical release July 21 from Universal Pictures. Produced by Thomas, Atlas Entertainment’s Charles Roven and Nolan.  “I am
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Here’s a movie Focus Features is excited about for next awards season, and it wouldn’t be shocking to see it world premiering at a big film festival some time this year: Alexander Payne’s New England prep school comedy The Holdovers. The Universal label just dated the pic for November 10 with a wider break on
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Imax chief executive Rich Gelfond said blockbuster titles will probably be back on Imax screens later this year, as per Top Gun: Maverick last year and, more recently, Titanic’s 25th anniversary re-release. “Yes, I think they do. Especially seeing what happens at the Academy Awards, and what wins,” said Gelfond when asked on a conference
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