Nicolas Pesce’s reboot of Sony’s R-rated The Grudge drew $1.8M at 2,393 locations last night that began at 7PM. Industry estimates believe this will put the Sam Raimi production somewhere in the teens for the weekend, but Sony is forecasting $9M. Grudge‘s Thursday is off from the studio’s Escape Room last year, but that was PG-13 with showtimes
BoxOffice
In early December, Disney became the first studio in history to cross the $10B mark globally. Now that 2019 has drawn two a close, the numbers have jumped even higher. For the calendar year, The Walt Disney Studios has posted a combined global gross of $13,151.7M across both Disney and Fox releases. That reps $4,328.3M
Early morning estimates show Disney’s Star Wars: The Rise of Skywalker crossing the $400 million mark stateside with $407.8M after a New Year’s Day of $17.2M. That take bests the New Year’s Day cash of The Last Jedi ($14.2M), and isn’t that far from Rogue One‘s New Year’s Day of $16.75M. Skywalker‘s money is also, of course, far from what Force
The specialty box office space was hustling and bustling on the holiday weekend as moviegoers came out to theaters after unwrapping gifts, eating endless amounts of Christmas cookies or just wanting to take a desperate break from family fun time. A handful of limited releases performed strongly over the five-day Christmas weekend. Universal and DreamWorks
Hollywood’s unofficial wake-up call came on February 1, 2013, when Netflix dropped the first season of House of Cards in a single, binge-able chunk. While that distinctive release pattern hasn’t yet become the official norm — many new rivals to Netflix insist on the traditional episode-at-a-time approach — the whole gestalt of the show signaled
EXCLUSIVE: Twentieth Century Fox/Chernin Entertainment’s Ford V Ferrari has revved its engines past the $200M mark globally, accelerating to $200.6M through Monday. The split is $106.6M domestic and $94M at the international box office. Disney is handling the awards-season contender that reps the sort of movies Fox has excelled at making. Directed by James Mangold
Editors note: The 2019 domestic box office figures are for the period of January 1-December 29. We will update further on January 2. With the total 2019 domestic box office expected to ring up close to an estimated $11.4 billion according to Comscore, down 4% from last year’s banner $11.88B, and the forecast that 2020
The holiday season boosted Broadway box office for the week ending December 29, with a spate of weekly records established by shows including West Side Story, Beetlejuice, a couple of bio-musicals and others. Total grosses came in at $55,765,408, according to the trade group Broadway League. That was about $2 million lower than the tally for
EXCLUSIVE: No amount of star power from Taylor Swift, James Corden, Idris Elba, Jason Derulo, etc. nor the direction of Oscar winner Tom Hooper could save Cats at the global box office. Our finance sources informed over this weekend that the Universal/Amblin/Working Title feature adaptation of the near $4 billion-grossing Andrew Lloyd Webber stage musical is
Refresh for latest…: Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker has climbed to $724.8M globally after 12 days in release. The split is $363M from the international box office and $361.8M domestic. This is after a $94.3M offshore weekend, which is above projections and reps just a 43% drop from the debut frame in 52
Well, that took some time. Finally, the 2019 domestic box office –which was loaded with mega Disney IP such as the second-highest grossing domestic title of all-time Avengers: Endgame ($858.3M), along with the Burbank, CA studio owning seven of the top ten pics of the year (all in excess of $362M-plus) –has crossed $11 billion.
Sam Mendes’ World War I drama 1917 is set to open in limited release this weekend. Moviegoers may be skeptical as they ask themselves, “Do we really need another World War I movie?” but with a certified fresh Rotten Tomatoes critics score of 93%, 1917 is proving to be a must-see film, awards season or otherwise. Co-written
Broadway’s 2019 was one of lofty highs: the sumptuousness of Hadestown, the twin shocks of Oklahoma! and Slave Play, the marvelous risk-taking of What The Constitution Means To Me and Gary: A Sequel To Titus Andronicus, the belly laughs of Tootsie, the star-making arrival of Tina‘s Adrienne Warren and the star-confirming stands of American Utopia‘s
Another big day for Disney’s Star Wars: Rise of Skywalker with a Dec. 26 estimated gross of $30.7M, -4% from Christmas Day. Industry sources are forecasting that through the ninth-quel’s first ten days by Sunday, the J.J. Abrams directed movie will hit $380.9M, pacing 3% ahead of Last Jedi at the same point in time. Pretty impressive for
Sony’s long-awaited Will Smith and Martin Lawrence re-team Bad Boys for Life arrived on tracking today with a $40M-$45M 4-day opening projection. Among action comedies launched over the holiday, that forecast is around where Ride Along ($48.6M) and Ride Along 2 ($41M) opened. 2014’s Ride Along starring Kevin Hart and Ice Cube was the record opening over MLK until Clint Eastwood’s
A scene that featured the first same-sex kiss in Star Wars franchise history has been cut in Singapore, Deadline has confirmed. In Singapore, gay sex is illegal and the government does not recognize same-sex marriage. A spokesperson for the country’s media authority the Infocomm Media Development Authority told the BBC that the scene was removed
After a confirmed $198.8 million international box office bow for Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker this past weekend, the Monday grosses have pushed Episode IX to $226.8M offshore. Globally, the JJ Abrams-directed flying Stormtroopers have hit $433.4M through yesterday. While the initial overseas weekend session was off 16% from Star Wars: The Last
Christmas Eve Update: Disney’s Star Wars: The Rise of Skywalker took in $29.3M on Monday, -27% from Sunday for a 4-day + previews total of $206.7M. The film will remain undefeated with a second weekend in the $70M-$80M range, and the wide entries opening on Christmas Day won’t siphon off any grosses including Sony/Regency’s Little Women ($18M-$22M
Broadway’s West Side Story and A Christmas Carol broke house records at their respective theaters last week as holiday business kept overall box office very sturdy. From the previous week, the 34 Broadway productions climbed 5% to a $40,645,773 box office total. The figure pushes Broadway’s season-to-date total past $1 billion. Total attendance of 302,372
The atrocious response from audiences and critics toward the feature adaptation of Andrew Lloyd Webber’s Cats has no doubt upset execs at Universal and Working Title this weekend. The movie wound up opening below its $10M-$15M projections to $6.5M, and while you can’t expect much business-wise from adult-skewing movies outside of Star Wars before Christmas Day, the audience
As we enter the holiday week, A24’s Uncut Gems starring Adam Sandler has a solid weekend in its second limited weekend on five screens in New York and Los Angeles. The Safdie Brothers crime thriller was the biggest per-screen average opening ever for A24 and, despite dropping from its limited opening last week, the film earned an
As we enter the holidays Lionsgate and Bron Studios are looking to explode with the nationwide release of the Jay Roach-directed Bombshell starring Charlize Theron, Nicole Kidman and Margot Robbie. The Fox News sexual harassment drama had a stellar limited opening last weekend, earning an estimated $312,000, with a per-screen average of $78,000. As it opens today
Disney/Lucasfilm’s Star Wars: The Rise Of Skywalker powered up its light sabers in 46 material offshore markets through Thursday, grossing $59.1M at the international box office. That includes China where the force is, unsurprisingly, not strong with this final installment. Elsewhere, Episode IX has seen launches above Star Wars: The Last Jedi in most majors.
EXCLUSIVE: The dark force from critics isn’t keeping Disney’s Star Wars: The Rise of Skywalker down with the Lucasfilm finale to the George Lucas-created saga seeing between $44M-$48M per Deadline sources tonight. At that level, Rise of Skywalker will wind up being either the third or fourth best preview night ever with the current top three being last
Imax today at this early hour is celebrating its best year ever at the global box office with $1.035 billion, up from last year’s previous record of $1.032B. And Star Wars: Rise of Skywalker hasn’t even opened everywhere yet (the J.J. Abrams film opens at special fan shows at 5PM tonight stateside with a wide break at
EXCLUSIVE: We understand that MarketCast has tapped Steve Buck as its SVP Theatrical. In his new role, Buck will drive commercial sales and new business efforts for MarketCast’s theatrical products and services, which counts every major Hollywood studio and many independent producers as clients. Buck will partner with MarketCast’s creative testing and analytics team to
Jackass will continue to prevail on the big screen as Paramount has announced tonight a March 5, 2021 release date for the fourth movie. Based on the MTV reality stunt-prank series that launched in 2000, created by Johnny Knoxville, Spike Jonze and Jeff Tremaine, Paramount took the brand to the big screen in 2002. Through
Star Wars: The Rise of Skywalker advance ticket sales are pacing with 2017’s Star Wars: The Last Jedi at the same point in time in their Fandango sales cycle. We heard from other exhibition sources that a $200M+ opening is within reach. Also working greatly in the favor of business this weekend are 15% K-12 schools out on
Disney will ring out its $10 billion-plus global 2019 with Star Wars: The Rise of Skywalker, in what is expected to be a $450M global opening, which is what Star Wars: The Last Jedi opened to in 2017, behind Force Awakens’ near $528.9M. Skywalker rises in France, Germany and Italy tomorrow with previews in China with domestic previews starting Thursday
Well, that was fast: Director Ivo van Hove’s West Side Story joined Broadway’s Million Dollar Club after only six previews, grossing $1,254,440 in its first week of performances. The musical revival, with all new choreography by Anne Teresa de Keersmaeker, filled all seats at the Broadway Theatre for the week ending Dec. 15, with a
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