Universal and Illumination‘s smash The Super Mario Bros Movie finishes No. 1 to make it a wrap on Deadline’s Most Valuable Blockbuster tournament for 2023. While the industry is still coming out of Covid and the aftermath of the strikes, there’s no question about the major motion picture studios’ embrace of the theatrical downstream model; steamers
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Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
After debuting early last weekend, Universal’s The Fall Guy expanded to 78 overseas markets during its sophomore session, adding $25.4M for a running total of $36.9M at the international box office. That’s in line with Bullet Train and above The Lost City at the same point in release. Globally, the David Leitch-directed action romance is
A24’s I Saw The TV Glow beamed out one of the best limited openings of the year as the specialty market shows signs of life after a dreary April. The ‘90s era trans coming-of-age horror-thriller grossed $116.3k at four theaters in New York and LA for a per screen average of $29k for Jane Schoenbrun.
It’s been a rough few weeks for indies but May is here with a handful of hopefuls looking to rev up the market — from A24’s buzzy I Saw The TV Glow to Ryusuke Hamaguchi’s Venice award-winning Evil Does Not Exist. A documentary about Anita Pallenberg featuring Scarlett Johansson hits theaters, with a French animated
FRIDAY MIDDAY: Universal’s The Fall Guy is coming in a little light right now at $10.4M today, including previews, for what’s looking like a $28M opening at 4,002 theaters, below its $35M projection. Many aren’t shocked: This is where action comedies open, and Fall Guy isn’t that far from the $30M starts of Paramount 2022
Wildcat, directed and co-written by Ethan Hawke and starring Maya Hawke (Stranger Things, Little Women) as Flannery O’Connor, opens this weekend in New York and LA. One of nation’s most evocative, brilliant and ambitious writers, O’Connor was diagnosed with Lupus at 24 and reluctantly settled in with her mother, played by Laura Linney, at a
Moviegoing remains in a sling, evident in Universal’s The Fall Guy currently coming in lower than expected with $28M this weekend. Perhaps Furiosa and Garfield can bring some zing over Memorial Day weekend at the end of the month. Both hit three-week tracking Thursday, with the Warner Bros/Village Roadshow Mad Max prequel eyeing a $40M-$50M
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
EXCLUSIVE: A24 has acquired North American rights to Parthenope, the new film from Oscar winning filmmaker Paolo Sorrentino, ahead of its world premiere at the 77th Festival de Cannes. Parthenope is the seventh Sorrentino movie to play the Croisette following 2004’s The Consequences of Love, 2008’s Il Divo which won the Jury Prize and the
EXCLUSIVE: DreamWorks Animation/Universal’s Kung Fu Panda 4 crossed the $500M mark globally this past weekend, reaching the milestone on a staggered release pattern that has worked well for the partners in the past (think Puss in Boots: The Last Wish). Through Wednesday, it’s at $324M international box office and $509M worldwide. Directed by Mike Mitchell
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
The power of Greyskull is happening on June 5, 2026 when Amazon MGM Studios’ and Mattel Films’ finally bring their live-action reboot of Masters of the Universe to theaters. As Deadline first told you, Bumblebee filmmaker Travis Knight is directing off Chris Butler’s screenplay (the initial draft written by David Callaham, and Aaron and Adam Nee). Mattel Films’
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering the conversation
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
The domestic box office at $2 billion currently this year is dragging 21% behind the same January-April spread last year, and when Universal’s Fall Guy commences the hot moviegoing season this Friday with a hopeful $35M, expect summer to drag some more. That’s because the lack of product due to the actors’ strike has made
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Broadway‘s busy, busy spring of new shows came to an end today with this morning’s Tony nominations announcement, and while the impact, if any, of the nominations won’t be felt at the box office for a while, there were some indications last week about how things could pan out. The Great Gatsby, for example, starring
EXCLUSIVE: More theatrical product for 2024 as Amazon MGM Studios‘ Orion Pictures has dated the feature take of Colson Whitehead’s Pulitzer Prize-winning novel Nickel Boys for October 25. It’s a limited theatrical release on a date that also includes Sony’s Venom: The Last Dance and Cinedigm’s Terrifier 3. Directed and co-adapted by RaMell Ross, Nickel
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Refresh for latest…: Universal/DreamWorks Animation’s Kung Fu Panda 4 has topped the half-century mark globally, now with $503.5M worldwide. Of that, $318.5M is from the international box office. Passing $500M makes KFP4, directed by Mike Mitchell (and co-directed by Stephanie Ma Stine), only the fourth animated title to the benchmark since 2020, joining Illumination’s The
Uberto Pasolini, who wrote and directed the James Norton-starring Nowhere Special that opened this weekend, says, rightfully, the film’s power emanates from the tangible bond you feel between father and son. Norton – the BAFTA-nominated British actor (Bob Marley: One Love, Little Women, Happy Valley) – is John a 35-year old window washer and single father to
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
There’s a nice trio of specialty films to highlight this weekend from Joanna Arnow, Uberto Pasolini and Caitlin Cronenberg‘s feature directorial debut. Joanna Arnow’s micro-budget comedy The Feeling That The Time For Doing Something Has Past world-premiered in Cannes’ Directors’ Fortnight. It follows a 30-something New York woman as time passes in her long-term casual
Warner Bros, the studio who just might win it all this year, can celebrate $1.2 billion being grossed around the world between Legendary‘s Dune: Part Two, which just crossed $700M, and Godzilla x Kong: The New Empire surpassing $500M. The moment comes as the studio re-released Dune: Part Two this weekend in Imax, just in time
Deadline’s Most Valuable Blockbuster tournament is back. While studios during Covid wildly embraced the theatrical day-and-date model when cinemas were closed, they soon realized there’s nothing more profitable than a theatrical release and the downstreams that come with it. If anything, theatrical is the advertisement for a movie’s longevity in subsequent home entertainment windows. Entering
Sony has pushed their reboot of Karate Kid from Dec. 13 this year to May 30, 2025. This has created a bit of a backward domino effect but won’t rob the year of theatrical releases. Backfilling Karate Kid‘s spot is Sony/Marvel’s Kraven the Hunter which goes from Aug. 30, the Labor Day weekend frame, to
Amazon MGM Studios’ Challengers, starring Zendaya and directed by Luca Guadagnino, made $1.9M in previews, a figure $100K shy of what Universal’s Cocaine Bear did. The tennis sexy romcom is hoping to open to $15M for the weekend. Lionsgate and Kingdom Story’s Unsung Hero made $1.67M in previews. It’s important to note that for both
Paramount’s Ryan Reynolds starring, John Krasinski directed all audience movie, If, is heading for a $40M-plus opening on May 17, which for a non-holiday in May and for an original movie, is very good. Krasinski produced, directed and wrote If. The PG movie is hot with parents, kids, and the 17-34 crowd, especially female. If
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