Specialty box office titles and those that also have their foot in the wide release landscape make up the majority of the top box office numbers of the weekend — which is pretty darn good all things considered. Some of these titles would be considered more “specialty” in the before-times, but as the box office
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International box office was led again by China this weekend with local titles A Little Red Flower and Shock Wave 2 at the top of the charts, and Disney/Pixar’s Soul continuing its jazzy run there. The Pete Docter-directed original is soon to become Pixar’s No. 3 highest-grossing title ever in the market. Other weekend highlights
Refresh for chart and more analysis Even if there wasn’t a pandemic, odds are this would still be a hard weekend at the domestic box office, what with all the distraction that came out of our nation’s Capitol this past week. Television news seems to be filled with enough suspense and cliffhangers with the Capitol
As we first told you last month, Legendary and Warner Bros are poised to settle their fight over Godzilla vs. Kong, the fourth monster movie between the two which the former financed the $200 million-plus production at 75%, with the movie keeping its simultaneous theatrical and HBO Max release date May 21. Meanwhile, a settlement over
In the midst of some massive restructuring at Disney, Deadline has confirmed that Disney vet Tony Chambers has been upped to EVP of Theatrical Distribution. He’ll oversee both domestic and international film distribution as well as home entertainment. He replaces Cathleen Taff who took over global distribution when Dave Hollis left in 2018. Taff is
The past year — and even the events of the past week in this country has been a struggle for a lot of people. More specifically, the pandemic and Covid-19 has claimed the lives of over 360,000 people and there are thousands of families in mourning. They are grieving — and this includes children. The
France’s cinemas and other cultural venues are to remain closed until at least the end of January, French Prime Minister Jean Castex announced during a press conference this evening local time. The move is not terribly surprising given the country’s daily rate of new Covid-19 cases is well above the 5,000 threshold that had been
EXCLUSIVE: IFC Films has picked up the U.S. and Canada rights to Paolo Pilladi’s comedy Last Call, which the filmmaker directed, produced and co-wrote. IFC is eyeing a theatrical release this year. Pic follows Mick, played by Jeremy Piven, who is a local success story and real estate developer. He returns home to his offbeat blue collar
Paramount made it official tonight that Lee Daniels’ The United States vs. Billie Holiday is off their theatrical release schedule. We first told you on Christmas Eve that the movie was headed over to Hulu, however, it wasn’t clear at that time whether Paramount would still wind up handling theatrical. Doesn’t look that way, and I hear
With an estimated $12.4B in global grosses, $10.2B of which came from the international box office, 2020 was off overall by 71% and 67%, respectively, from 2019 according to Gower Street Analytics. It’s a year the world at large would like to forget, but in industry terms it provided interesting phenomena to reflect upon even
John Stephens, the outgoing CFO of WarnerMedia parent AT&T, defended the company’s move to release its 2021 film slate concurrently on HBO Max and in theaters and cited Warner Bros. century-long relationship with Hollywood talent — with some disgruntled at the move and the way it was communicated. “We’ve got a long history of working
AMC Entertainment CEO Adam Aron said Tuesday that the nation’s largest cinema chain had raised $204 million in two weeks in December out of at least $750 million it needs to get to the other side of a global pandemic that has crippled moviegoing. It was the latest capital raise after previous rounds of AMC
Financially hurting cinema advertising network National CineMedia has inked a deal to run ads with Coinstar, a big operator of supermarket coin-counting kiosks. With the exhibition business on the Covid-19 skids, the agreement helps expand National CineMedia’s digital-out-of-home footprint by extending its movie-centric entertainment content, trivia, and advertising beyond movie theaters to complementary venues. It
While the domestic box office was hammered over the holidays, over in Australia, it’s been quite alive. A leading example of this last weekend was Roadshow Films’ Eric Bana thriller The Dry, based on Jane Harper’s bestselling and award-winning debut novel, which has minted $3.5M since its New Year’s Day release. I’m told that’s the best
If 2020 began with promise, all that changed as every industry tradition we took for granted was stripped away without warning. The pandemic has seen nearly 20 million positive cases in the U.S. alone, and soon 350,000 will be dead. Every facet of entertainment was impacted: live theaters and movie theaters closed, production in TV
The first weekend of the year, which at its apex in 2016 grossed $219.5M off the heat of Disney’s Star Wars: The Force Awakens, registered an estimated $13M for the entire weekend. That’s in a continued decimated exhibition marketplace that’s praying to reopen in 2021. Warner Bros.’ theatrical release of Wonder Woman 1984, which is also available
The specialty box office space entered 2021 with two fresh titles and one under-the-radar pic with Vertical Entertainment’s Shadow In The Cloud, Netflix’s Pieces of a Woman and Amazon Studios’ Herself. In general, reporting on box office numbers has been tricky ground considering circumstances and that will continue in 2021 — especially with the specialty box
Refresh for latest…: China was the big international box office winner this weekend with three local movies at the top of the chart and a New Year’s Day record set on Friday. That came just as it was confirmed the market led global box office for 2020, surpassing North America for the first time. We’ll
As 2021 dawned, China shot straight out of the box office gate with a new record. On Friday, the market hit a milestone for New Year’s Day. Estimates are coming in for January 1 at about RMB 600M ($92M), besting the same day in all previous years. The big result was generated largely by new
It was supposed to be a year when the playing field became even. After losing to Disney for four years in a row, with the Burbank studio setting an industry record in 2019 of $13.2 billion global box office, a new major studio was set to become the domestic king. “I think 2020 is going
It’s historically been a week when we’re reporting on Star Wars movies doing a daily box office average of $20M, but in this distressed Covid environment where 60% of all U.S. and Canadian theaters are closed, we have only to highlight that Warner Bros.’ Wonder Woman 1984 did an estimated $22.5M in its first week. Eeesh. Now
If 2020 began with promise, all that changed as every industry tradition we took for granted was stripped away without warning. The pandemic has seen nearly 20 million positive cases in the U.S. alone, and soon 350,000 will be dead. Every facet of entertainment was impacted: live theaters and movie theaters closed, production in TV
A word for stocks in 2020: epic — as in monumental, as a bona fide crash in the spring alternated thereafter with convulsions of angst and optimism reflecting a world turned upside down by the first global pandemic in a century. Major indexes from the Dow Jones to the Nasdaq, S&P 500 and Russell 3000
The Patty Jenkins-directed DC sequel has grossed more than $100M worldwide according to Warner Bros. Wonder Woman 1984 opened to $16.7M domestic last weekend in the U.S. and Canada where 60% of 5,5k theaters are shutdown. The film is also available on the studio’s streaming service HBO Max which is only available stateside, but will expand
The specialty box office and streaming space is ringing in 2021 with a peppering of new titles starting with Shadow in the Cloud starring Chloë Grace Moretz, which opens in select theaters and drops on VOD and digital starting January 1, 2021. Directed by Roseanne Liang who co-wrote the script with Max Landis, Shadow in the
AMC Entertainment on Wednesday filed to sell up to 50 million more shares in an ongoing quest to stay solvent as it outruns the pandemic. The nation’s largest theater chain registered the shares in an SEC filing this morning, adding to the 200 million it previously registered. It said it’s raised $104 million as of
Long before former Hulu chief Jason Kilar became disruptor in chief at WarnerMedia and put the entire 2021 Warner Bros slate on HBO Max, Fredric Rosen began changing the way concert tickets were sold as the Ticketmaster president/CEO, when the service became the leading computerized ticketing company in the world. He would become co-CEO of
Universal and DreamWorks Animation have tweaked their 2021 release schedule, moving the sequel The Boss Baby: Family Business from March to September. The shift to the new release date, September 17, had been the spot for DWA’s The Bad Guys, which is unset for now and will get a 2022 release. Universal made the announcement
As pollyannaish as it sounds, especially as the domestic 2020 box office crumbles to a historic all-time low of $2.27 billion due to the coronavirus pandemic, the global theatrical business is poised for a comeback in 2021. However, it might take a few months. How in God’s name can such a ridiculous projection be forecasted?
Sunday AM Final: We’ll have to wait and see what success WarnerMedia drums up in regards to Wonder Woman 1984‘s impact on HBO Max subscribers. But from a box office perspective over Christmas, with 60% of the 5,8K theater domestic market closed by COVID-19, the DC sequel posted a record result for the pandemic since theaters
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