BoxOffice

Whoever wrote that the theatrical business is dead may want to run a correction as Disney/Pixar’s Inside Out 2 is potentially headed to a historic second weekend for an animated movie, topping Illumination/Universal’s Super Mario Bros Movie‘s $92.3M. Rival projections see $95 million for the second frame of the Kelsey Mann-directed sequel, while insiders see
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Warner Bros brought twin tornadoes to CineEurope today, showing off an extended new look at the Daisy Edgar-Jones/Glen Powell starrer Twisters which the studio is releasing internationally. From Lee Isaac Chung, the action thriller starts overseas rollout on July 17 and storms into domestic cinemas via Universal on July 19. Bookending the Warner Bros presentation
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Refresh for latest…: Wednesday was yet another joyous day for Disney/Pixar’s Inside Out 2 as the sequel set opening benchmarks in new overseas releasing markets. The full offshore day was $29M (22% of the weekend), lifting the international box office cume to $203.3M in 42 markets, and global to $438.7M. The half a billion worldwide
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In the wake of Inside Out 2’s massive $295M worldwide debut last weekend, Disney Head of Global Theatrical Distribution Tony Chambers kicked off the studio’s CineEurope presentation this evening thanking exhibitors in attendance for their part in the historic start — and was met in kind by enthusiastic and clearly appreciative applause. He noted too that midweek numbers have been
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Paramount went all in on Gladiator II at CineEurope today, showing off an exclusive extended look at Ridley Scott’s sequel to his 2000 Best Picture Oscar winner. Introducing the footage in a video clip, Scott promised that Gladiator II, coming nearly two-and-a-half decades after the original, is “well worth the wait”; the audience today agreed.
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For those keeping track of such things, nearly 10% – or $3,239,838 – of Broadway‘s total $36.8 million box office last week was earned by productions directed by Taymors: The Lion King‘s Julie Taymor and her niece, The Outsiders director Danya Taymor. And that’s before The Outsiders‘ big Tony-winning night on Sunday. Two of the
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After lighting up CineEurope with a feast of tulips last year and then again the Caesars Colosseum at CinemaCon in April, Universal returned to Barcelona today with a presentation heavy on its upcoming two-part musical Wicked. The jam-packed show also highlighted its 30-strong film slate and concluded with a surprise first-look at a scene from
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Sony sat out CinemaCon in April this year, but was the first major studio to present at CineEurope in Barcelona today, culminating in a screening of Apple Original Films’ Scarlett Johansson/Channing Tatum-starrer Fly Me to the Moon which Sony is releasing theatrically. Before the screening, Sony President of International Theatrical Distribution, Steven O’Dell, cautioned, “Good
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It was an Inside Out specialty weekend, fairly quiet and with a stream of indies films and more wide releases. The schedule is starting to recover from a strike-induced slump that, however, provided oxygen to some indies. Small films have been competing for screens with majors at arthouses from Alamo Drafthouse to Landmark since theaters
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We got a hit on our hands as Disney/Pixar’s Inside Out 2 clocked $13M from Thursday previews that began at 3 p.m., the best so far in 2024. beating Dune: Part Two‘s $12M. The current Rotten Tomatoes scores are a 93% Certified Fresh rating from critics and 95% from moviegoers, setting up the movie for
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. There’s been much speculation about distributors being wary about taking films critical of Donald Trump for fear he will sue – most recently Ali Abassi’s biopic The Apprentice, which premiered at Cannes to great reviews. The former president hates the movie and backer Dan Snyder has disavowed it. But if you love the guy,
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EXCLUSIVE: Disney/Marvel Studios‘ Deadpool & Wolverine hit six week tracking this morning and, man, does it look amazing. The Quorum, which actually monitors pics six weeks ahead, is reporting a projection of $200M-$239M, which the service actually believes is conservative. Let’s give this an asterisk: There has never been an R-rated movie before that has
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So we got Inside Out 2 potentially reaching $90M this coming weekend, Paramount’s Quiet Place: Day One north of $40M+ on June 28, and the July 3rd release of Illumination/Universal‘s Despicable Me 4 targeting a $100M+ over 5-days, likely more. Fingers crossed, but it’s momentum at the summer box office. Why a Wednesday opening? Because
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Broadway is heading into its final pre-Tony weeks doing robust business, with box office for last week up 7% over the previous week, nine shows selling out (including the two most-nominated productions) and ticket-buyers for two nominated musicals shelling out more than an average $200 per seat. In all, the 35 shows grossed a total
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Before Marvel movies would fill slots on a schedule, Jerry Bruckheimer productions did, and still do. Similar to 2003 when the blockbuster producer had Pirates of the Caribbean: The Curse of the Black Pearl, Bad Boys II, Veronica Guerin and Kangaroo Jack on the calendar, Bruckheimer counts a four feature-spree this spring and summer with
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After emerging from bankruptcy in the U.S. last summer, Regal parent Cineworld is exploring options for its UK business which could include a potential sale or restructuring, Sky News reported over the weekend. According to the report, the world’s second largest cinema operator has enlisted AlixPartners, which helped its lenders navigate bankrupcty, as consultant and
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In a global box office that’s still licking its wounds from the strike, here’s something to scream about: Godzilla x Kong: The New Empire is the highest grossing movie in the Legendary and Warner Bros Monsterverse franchise at $570M around the world. That beats previous Monsterverse champ 2017’s Kong Skull Island which stomped to $568.6M.
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Cardio is good. Sony Pictures Classics’ 4k rerelease of Run Lola Run had a healthy weekend, opening to an estimated $154k 275 screens. This the 25th anniversary of the U.S. debut of Tom Tykwer’s German experimental thriller that sees flame-haired Lola (Franka Potente) on the move in Berlin, pounding the pavement to come up with 100,000
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