Sony’s latest Bad Boys sequel had a theatrical release date of June 14, 2024. But the studio really wants June 7, and that’s where it’s now dating the Will Smith-Martin Lawrence reteam. News of the change Monday comes in the wake of Lionsgate pushing its John Wick spinoff Ballerina a year, from June 7, 2024
BoxOffice
With 7.35 million admissions at the box office, horror-comedy film Agak Laen has become the second biggest Indonesian box office hit of all time. Released domestically on February 1, the film stars Bene Dion Rajagukguk, Oki Rengga, Indra Jegel, Boris Bokir and Tissa Biani Azzahra. It now only trails 2022’s KKN di Desai Penari, another
Refresh for latest…: Paramount’s Bob Marley: One Love continued to sing sweet tunes in its sophomore session, adding $15M from 59 international box office markets for a drop of 37% from its above-expectations stellar opening. The overseas cume is now $49.4M for $120.6M worldwide. We’ll dig into more about the reggae icon below, but for
With no new bust-out limited releases, repertory continues to do its part for the specialty box office, the latest a 4k restoration of Nostalghia. Kino Lorber said the Andrei Tarkovsky’s 1983 film, which opened Wednesday, will gross an estimated $22.87k at Film Forum in NYC for the five days. It’s currently the top performer at the
Italy’s Best International Feature Oscar-nominated Io Capitano starts its U.S. run today in ten market on 21 screens, a bit wider than usual for Cohen Media Group but with Academy final voting just started, reviews are gold for the odyssey that director Matteo Garrone calls “a movie about human rights. About the rights of everybody
EXCLUSIVE: Amazon MGM Studios is opening their $15M Sundance pick-up, My Old Ass, on Aug. 2 in a limited rollout. The LuckyChap and Indian Paintbrush production comes from director/scribe Megan Park and stars Maisy Stella, Aubrey Plaza, Maddie Ziegler, Percy Hynes White and Kerrice Brooks. Pic follows bright-yet-irreverent Elliott (Stella) the summer before college as
Sony/Crunchyroll’s Demon Slayer Kimetsu no Yaiba -To the Hashira Training had the most action among three wide entries last night in previews with $1.8M from 1,870 locations that started showtimes at 4PM. That was boosted, in standard Sony/Crunchyroll fashion, by PLFs and Imax. The movie is only suppose to do in the high single digits
EXCLUSIVE: Lionsgate‘s John Wick spinoff Ballerina starring Ana de Armas will be delayed a year from June 7, 2024 to June 6, 2025. The move comes as John Wick architect Chad Stahelski has inked a new deal with Lionsgate to oversee the franchise. He’s working with Ballerina director Len Wiseman on additional action sequences for
There will be more wide releases at the box office this weekend –three, in fact– but they’re not expected to make a dent before Legendary/Warner Bros.’ Dune: Part Two brings everybody back on March 1 with a hopeful $80M start. Focus Features’ Ethan Coen-directed femme comedy caper Drive-Away Dolls, Sony/Crunchyroll’s Demon Slayer: Kimetsu No Yaiba
Warner Bros has dated Mickey 17 for Jan. 31, 2025 — a very odd date for a highly anticipated follow-up from Oscar and Cannes Palme d’Or winning filmmaker Bong Joon-ho. What’s key about the date is that Warner Bros will have Imax. Originally, Mickey 17 was to go on March 29, shortly after Dune: Part
The Presidents Day Weekend was like a little Christmas gift for Broadway, with grosses for the 23 productions posting a hefty 27% increase over the previous week, topping out at $26,946,864. More than 94% of available seats were filled during the week ending February 18, with total attendance at 201,227, a modest 7% bump over
Refresh for latest…: Paramount’s Bob Marley: One Love brought folks together around the world in its opening frame, singing up a sweet estimated $80M global bow. After coming on strong in early overseas play this week, and as audiences turned a deaf ear to critics, the international box office portion of that is $29M, landing
The Avenue release Land of Bad, powered by Variance, grossed $1.8 million on 1,120 screens, landing in the top ten for the weekend as Variance noted strong word of mouth with Saturday grosses jumping 37% from Friday’ (not including Thursday sneaks). The estimate for the four days is $2.07 million. The William Eubank film starring Russell
FRIDAY AFTERNOON: Paramount’s Bob Marley: One Love has more than one heart, rather millions as the music biopic about the reggae legend is now heading to $44M over six days after a $6.7M Friday, which will yield a $22M 3-day and $26.2M 4-day for the $70M feature production at 3,539 theaters. Sony/Marvel’s Madame Web at
There exist three Oscar categories where it’s possible to watch all nominated films in one shot – that’s shorts, Animated, Live Action and Documentary. Packaged into three feature length films presented by ShortsTV, the Oscar Nominated Short Films open in theaters today for a four-week run on about 650 screens in the U.S. and Canada.
EXCLUSIVE: Umbrelic Entertainment co-founders Thomas Zambeck and Brian Katz are bringing back a new Anchor Bay Entertainment with an eye on genre films, undiscovered treasures, cult classics, and remastered catalog releases. “We had an opportunity to take the name of a beloved genre film brand, one we feel a personal connection to, for our new
Paramount’s Bob Marley: One Love had offshore audiences getting together and feeling more than alright in Wednesday international box office play. Beginning overseas release yesterday, the Reinaldo Marcus Green-directed biopic grossed $4.9M across 10 markets, several of them giving the story of the reggae icon No. 1 status and the biggest or second-biggest launch day
Marvel Studios said Wednesday that it has moved the release date for Thunderbolts to the start of summer on May 2, 2025, while pushing back Fantastic Four to July 25, 2025. The news comes the same day it confirmed the cast for its long-awaited reboot of Fantastic Four, which will star Pedro Pascal as Reed
EXCLUSIVE: National Geographic Documentary Films is bringing Bobi Wine: The People’s President back to the big screen in some major markets Friday for President’s Day weekend. The film follows Bobi Wine, the Ugandan opposition leader, former member of parliament, activist and national superstar musician during the country’s 2021 presidential elections where he risks his life to fight
Moviegoing is slowly going back into fashion today with Paramount’s Bob Marley: One Love biopic seeing an estimated $12M. For a movie playing on Valentine’s Day midweek, that’s a record besting the $11.6M made by the 2012 Channing Tatum and Rachel McAdams romance, The Vow. Sony/Marvel’s Madame Web trails with $5M-$5.5M today. Projecting out six-days
Focus Features will open its Sundance Film Festival acquisition Didi on July 26. The movie from Oscar nominee Sean Wang premiered at the 2024 Sundance Film Festival, where it received critical and audience acclaim, winning both the U.S. Dramatic Audience Award and the U.S. Dramatic Special Jury Award for Best Ensemble Cast. Inspired by Wang’s
Winter had a chilling effect on Broadway last week, with most shows reporting at least some downturn at the box office and overall receipts dropping nearly 10% from the previous week. In all, box office for the 24 productions totaled $21,192,251 for the week ending February 11, with attendance of 187,573 down about 12% from
Marvel Studios‘ Deadpool & Wolverine trailer, 24 hours after airing during the Super Bowl, was seen by 365 million online, making it the most viewed trailer of all time. This beats the 24-hour viewership total for Sony/Marvel Studios’ Spider-Man: No Way Home, which was seen by 255M. Shawn Levy directs Deadpool & Wolverine, which see
Paramount’s musical biopic Bob Marley: One Love will tower over Sony/Marvel’s Madame Web, $30M-$35M to $20M-$25M over the six-day Valentine’s Day-Presidents Day stretch. While those figures haven’t changed much since they arrived on tracking, doesn’t that seem a bit anticlimactic for a Presidents Day stretch? I mean, Disney/Marvel Studio’s Ant-Man and the Wasp: Quantumania did
Middle East distributor Front Row Filmed Entertainment is gearing up to release iconic Oscar-nominated Rio de Janeiro gangland drama City of God across the Gulf countries of Bahrain, Kuwait, Oman, Qatar, Saudi Arabia and the United Arab Emirates for the first time. Co-directed by Brazilian directors Fernando Meirelles and Kátia Lund, the movie made waves
The Taste Of Things, a meditation on turn-of-the-century French cooking — no chicken wings or nachos in sight — is stirring up a nice weekend for IFC Films with $126k and the best per-theater opening of the year so far on Super Bowl weekend. Wim Wenders’ Perfect Days from Neon is looking at $100k on
The international box office was generally muted this weekend, save for in China which ushered in the Year of the Dragon on Saturday, and with it the lucrative Chinese New Year moviegoing period. According to early figures from Maoyan, the first two days of Spring Festival 2024 amassed RMB 2.44B ($339M), just a touch below
It’s a weekend of well-reviewed indie openings with Bleecker Street’s Out Of Darkness, The Monk And The Gun (from the directors of Lunana: A Yak In The Classroom) and limited openings for The Taste Of Things, Perfect Days (Best International Feature nominated), Anthony Chen’s Drift, Bas Devos’ Here and Ennio by Giuseppe Tornatore, which premiered
Ed Mintz, the founder of the motion picture industry’s tried-and-true audience polling service CinemaScore, died February 6. He was 83. Known for its mathematical “Coca-Cola” algorithm developed by Mintz, CinemaScore has been prized by studios and exhibitors since its inception in the early 1980s as a domestic box office barometer for movies when it comes
Super Bowl weekend, despite its damper on Sunday business, used to be a box office frame that could still yield results, even for films aimed at dudes. Like in 2015, when the sixth weekend of American Sniper drummed up $30.7 million, or in 2020, when the third weekend of Bad Boys for Life did $17.6M.
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