The double-whammy success of Barbie and Oppenheimer – released on the same day July 21 – has propelled the UK box office to a height not seen since December 2019. The Guardian newspaper reports that cinema admissions for July have reached more than 17.6million, with predictions of figures reaching 13.5million for August. Between them, the
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Time was, Hollywood filmmakers would regularly travel to China in support of their movies, attending premieres and holding Q&As to drum up buzz in the massive box office market. The pandemic halted that ritual — until this week when Christopher Nolan became the first major Hollywood filmmaker since Covid to stroll a red carpet in
Emma Seligman’s Bottoms is looking at an estimated weekend gross of $516k on ten screens with a possible leading $51,625 per-theater average for the raunchy, teenage high school girl take on Fight Club. That’s a win for MGM, its Orion Pictures label and Brownstone Productions, producers on the modestly budgeted ($11.3 million) film written by
This Wednesday, Warner Bros.’ Barbie will become the highest-grossing movie at the domestic box office year to date with north of $574.2M, overtaking Universal/Illumination Entertainment’s Super Mario Bros Movie which finaled its stateside run at that amount. The last time Warner Bros. ruled with the top-grossing movie of the year was in 2011 with Harry
Box office analytics firm EntTelligence which is monitoring 13.5 million seats in over 100K showtimes for Sunday’s National Cinema Day is currently seeing that day’s presales outstripping Saturday by more than 700%. The second annual National Cinema Day will see all movies on Sunday selling for $4, for all showtimes and formats. Last year’s National
“You’re not actually going to allow them to do that, are you?” Such are the gripes across the City of Angels from rival distributors about Sony’s public-facing acknowledgment that they’ve previewed Gran Turismo over the last two weekends, lagniappe box office which will be included in Friday’s total. Yesterday starting from 2PM showtimes, the feature
It’s an unusual theatrical weekend as the second National Cinema Day rolls out Sunday with $4 tickets for all shows and formats at participating theaters — the bulk of the nation’s circuits big and small. The event was announced Monday with a dedicated clip of new openings, recent returning (The Super Mario Bros. Movie) and
In what was to be expected, Legendary Entertainment and Warner Bros’ anticipated sequel Dune: Part Two from Denis Villeneuve is moving off its November 3 theatrical release to March 15, 2024, due to the ongoing SAG-AFTRA strike. The sequel based on the Frank Herbert novel also will play Imax on its new date. Don’t be
New Line’s new animated movie, The Lord of the Rings: The War of the Rohirrim, is moving from its April 12, 2024 release date to Dec. 13 next year. The move stems from a chain-reaction of Warner Bros re-dating today, spurred by Legendary Entertainment’s Dune: Part Two going from Nov. 3 this year to March
EXCLUSIVE: Cartilage Films has taken worldwide rights to Ryan Martin Brown’s feature directorial debut, Free Time for a 2024 domestic release. Pic stars Colin Burgess as Drew, who is approaching the end of his twenties and, with it, his relative youth. Looking to make a sudden change, he decides to quit his cushy desk job
Producers of the struggling A Beautiful Noise: The Neil Diamond Musical are hoping for better attendance by breaking with a long-held Broadway tradition: Beginning next month, the musical will play four weekly matinees rather than the usual three while cutting the number of evening performances to four from the traditional five. Beginning Sept. 6, the
As Barbie becomes the highest-grossing film of 2023 today at the domestic box office with north of $575M, Warner Bros and Imax said the Greta Gerwig-directed movie is getting a one-week Imax release starting September 22 in North American and select locations around the world. The pic starring Margot Robbie and Ryan Gosling has cleared
EXCLUSIVE: We first told you about a year ago that Lionsgate was in talks with STX to distribute and market the Bob Simonds-run studio’s movies, and today we can report that both companies have closed a deal. Under the pact, Lionsgate will handle marketing and distribution for future STX theatrical releases in North America as
Deadline has confirmed that the National Association of Theatre Owners Tech Advisor, Jerry Pierce, has resigned from the exhibitor trade org following the dismissal of EVP and General Counsel Jackie Brenneman. Pierce is a former Universal SVP who was key in exhibitors’ transition from film to digital cinema projection. Pierce is the third staffer from
In the midst of a weekend with National Cinema Day, in addition to several previews, Sony’s feature take of PlayStation game, Gran Turismo, is bound to take No. 1 at the box office. This despite the fact that tracking has lowered its projections on the film down to $12M from $15M. Gran Turismo was originally
EXCLUSIVE: Greenwich Entertainment has acquired U.S. distribution rights to Inshallah a Boy, the directorial debut of Amjad Al Rasheed which world premiered during the Cannes Film Festival’s Critics’ Week and is set to have its North American debut at TIFF next month. Inshallah a Boy is being considered for Jordan’s Official Selection for Best International
EXCLUSIVE: The National Association of Theatre Owners’ EVP & General Counsel Jackie Brenneman has departed, several sources inform Deadline. This became effective Friday. Brenneman was also one of the founders, and the President of NATO sister org, The Cinema Foundation. The news follows in the wake of the new administration at NATO led by new
National Cinema Day will return this Sunday, August 27, for a second edition, the nonprofit Cinema Foundation announced today, with discounted admissions for all movies at over 3,000 participating theaters and 30,000 screens. Tickets for all tickets, all shows and all formats will be no more than $4. Concession discounts are up to each exhibitor. At
Refresh for latest…: It’s been another very busy weekend at the international box office with milestones and great holds, as well as a new entry and local-language movies adding to the mix. Coming off of a record-breaking debut in Korea, Christopher Nolan and Universal’s Oppenheimer led the overseas frame for the studios with a $32M
Neon’s re-release of Park Chan-Wook’s 2003 Oldboy grossed an estimated $495k on 250 screens this weekend for a total cume of $880k over five days. It’s set to cross the $1 million in its first week back – surpassing a cumulative North American gross of $707k with original distributor Metro Tartan Film. The classic revenge thriller came
Before the strikes completely turn the theatrical release calendar inside-out, the fall box office isn’t going to just give up. Following what is expected to be a robust $30M+ four-day for Sony’s The Equalizer 3 over Labor Day weekend, New Line’s The Nun II is expected to file a post Labor Day weekend start of
Editor’s note: Dade Hayes and Jonathan Bing are co-authors of Open Wide: How Hollywood Box-Office Became a National Obsession. Hayes is Deadline’s Business Editor and Bing is Chief Communications Officer at Vice Media Group. The more things change, the more the Hollywood studios stay the same. At least that’s one of the surprising lessons of
Re-releases reliably dot the theatrical calendar and this week have a standout. Oldboy, the 2004 Cannes prize-winner, re-released by Neon on its 20th anniversary restored and remastered, grossed $235k on Wednesday and $150k Thursday — for a total cume $385k on 250 screens heading into the weekend. San Francisco, NYC and LA, led by Alamo
Even though kids are heading back to school, the summer box office isn’t giving up yet, and there’s a chance we could near $4 billion thanks to the final act power of Barbie and Oppenheimer. Warner Bros is hoping the first Latino superhero movie, Blue Beetle, will stoke its core moviegoers; that DC title seeing
Barbie‘s dream house keeps getting stuffed with cash. The Greta Gerwig-directed Mattel doll adaptation has become the highest grossing Warner Bros. movie in the studio’s 100-year history at the domestic box office with $537.4M, unseating previous champ, Christopher Nolan’s The Dark Knight which made $534.9M back in 2008. Barbie crossed the half billion mark in
Low end forecasts have Sony’s Denzel Washington starring, Antoine Fuqua-directed action threequel, The Equalizer 3 at $30M+ over 4-days. Some box office sources even think the sequel, which was shot in Italy, has a shot at $40M and that’s because of The Equalizer 3‘s big first choice numbers with guys over 25. Even Women over
With Tuesday’s grosses, Illumination/Nintendo/Universal’s The Super Mario Bros. Movie has crossed the $100M (13.74B yen) mark in Japan. In doing so, it becomes Universal’s top title ever there. In local currency, Mario overtakes Top Gun: Maverick as the No. 6 Hollywood film of all time in Japan, and is the No. 1 studio picture since
Universal and Christopher Nolan’s Oppenheimer debuted in more than 500 locations in Korea on Tuesday, capitalizing on the Liberation Day national holiday. The epic bowed to $4.3M, capturing 44% market share for the day in a highly competitive environment. That marks the best Nolan opening day in the market, biggest Hollywood opening of the year there (No. 2 launch
Sony’s Craig Gillespie-directed comedy, Dumb Money, about the GameStop meme investors isn’t going wide anymore on Sept. 22. Rather, the Culver City lot has opted to go exclusive with the ensemble movie on Sept. 15 in LA and NYC, then a limited break on Sept. 22, followed by a moderate release on Sept. 29 and
Angel Studios, the distributor behind Alejandro Monteverde’s summer surprise hit, Sound of Freedom, is exclaiming that they’ve paid back their 6,678 P&A investors 120% of their original investment in the Jim Caviezel movie. Angel Studios raised $5M for the pic’s marketing through crowdfunding, the anti-child trafficking movie recently clicking past $174M in the middle of
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