BoxOffice

Cinemark, the nation’s third-largest theater chain, and smaller Marcus Theatres piled on strong financial results Thursday after sunny numbers from Imax on Wednesda –, all bright notes amid ongoing box office uncertainty. Marcus shares popped by more than 10% on the numbers. The Milwaukee-based chain “achieved growth with a markedly improved film slate that played
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The Fithian Group, launched last fall by longtime NATO chief John Fithian, has developed a data-driven, digital theatrical distribution marketplace it hopes will revolutionize how independent filmmakers and rights-holders book and release movies in theaters. An early version of the platform, called Attend, rolls out Stateside in the first quarter of 2025. The U.S. and
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Imax shares nosed higher in after-market trading, up over 3% on solid numbers, new installations, and a roaring good outlook by CEO Rich Gelfond. Content revenues of $30 million fell 32% year-over-year, up against Christopher Nolan’s phenomenon Oppenheimer — the company’s fifth highest grossing title of all time — in the year prior. Despite the decline, the
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Indie releases from limited (Memoir of a Snail) to wide (Conclave) are testing an increasingly lively specialty box office heading into awards season with a handful of decorated documentaries this week including Dahomey, Black Box Diaries, My Name Is Alfred Hitchcock and Another Kind of Wilderness and some notable expansions. Also hitting theaters this weekend,
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UPDATED: Here’s something we rarely see: It’s a dead heat for the launch of Paramount’s Smile 2 at the domestic and international box office with $23M apiece. That makes for a $46M global debut. Overseas, the sequel to 2022’s surprise hit opened in 62 markets with the horror audience out in full force. On a like-for-like
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Great indie numbers this weekend as Anora turned out highest per-screen-average of 2024 at $90k on six screens for a $540k gross. We Live In Time, the best platform expansion of the year, grossed $4.2 million on 956 screens in week 2 for a $4.5 million cume. Newcomers Union and The Line fared well on
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The National Association of Theatre Owners has named PR veteran and former Variety journalist Andrew Stewart as Chief Communications Officer. In the role, Stewart will lead all efforts for the exhibitor trade organization’s communications and media-relations strategy. He’ll be based out of the Los Angles office and report directly to NATO president and CEO Michael
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Landmark Theatres plunged in value from Covid, high interest rates and Hollywood strikes to the tune of hundreds of millions of dollars, according to a May deposition by Landmark owner Charles Cohen disclosed in ongoing litigation with lender Fortress Credit Corp. The deposition was filed by Fortress in New York State Supreme Court, where a
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In what comes as no surprise, Marvel Studios’ Blade won’t be coming out on Nov. 7, 2025, rather Disney is opening 20th Century Studios’ Predator: Badlands. The reboot of the famed Wesley Snipes Marvel movie was first announced at San Diego Comic-Con in 2019 with 2x Oscar winner Mahershala Ali starring. Production and development on
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With the last couple of October weekends stateside being off from the strike-laden marketplace a year ago, here’s hoping that superhero sequelitis and moviegoers’ erratic attitudes toward prestige fare don’t push the theatrical marketplace down further. Sony this weekend has its Marvel title Venom: The Last Dance, which is bound to see its lowest opening
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Sony’s Venom: The Last Dance chomped into its first suite of international box office markets today, with the Marvel symbiote nabbing a strong $9.3M start in China. This is the biggest opening day for a superhero film since Spider-Man: Far From Home in the market, and portends a five-day launch in the upper $30M neighborhood there.
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There’s joy in toon town today as Disney/Pixar’s Inside Out 2 has become the highest-grossing animated movie ever at the worldwide box office. With $1,462.8M through Tuesday, the sequel has surpassed Disney Animation Studios’ Frozen II ($1.454B). Disney has seven of the Top 10 animated movies ever globally, five of which are from Pixar. Directed
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EXCLUSIVE: Marvel Studios/Disney‘s Deadpool & Wolverine finally opens this weekend, not only further rebounding the post-strike box office to a healthy place, but also revitalizing the MCU’s brilliance. It was only last November that the studio fell on hard times with its lowest opening ever in The Marvels at $46.1M U.S./$110M worldwide. The current range
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